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This Is A Stark Commentary On The Nature Of Romantic Love-Both Heterosexual And Homosexual. Gowri Ramnarayan`S Spontaneous And Fluent Translation Makes This Play Eminently Readable.
Since there is rarity and non-availabilty of book compiling the works of contemporary Indian writers on the theme of homosexuality, the book, Homosexuality in Contemporary Indian Literaure: Issues and Challenges is prepared in such a way as to meet this paucity. Authors are hopeful that the book with its diversity of topics will instill knowledge into the critical minds and explore many unexplored areas of gender and sexuality.
Kaustav Chakraborty (PhD) is Assistant Professor, Department of English, Southfield (formerly Loreto) College, Darjeeling, West Bengal. He has authored one book and also edited a volume of critical essays. Dr. Chakraborty has contributed many articles in reputed national journals and anthologies. This edited volume on Indian Drama in English, including Indian plays in English translation, with contributions from experts specializing on the different playwrights, covers the works of major dramatists who have given a distinctive shape to this enormous mass of creative material. This comprehensive and well-researched text, in its second edition, continues to explore the major Indian playwrights in English. It encompasses works like Rabindranath Tagore’s Red Oleanders; Vijay Tendulkar’s Silence! The Court is in Session, Kanyadaan, The Vultures, and Kamala; Girish Karnad’s Hayavadana, Tughlaq, Naga Mandala, and The Fire and the Rain; Mahasweta Devi’s The Mother of 1084; Mahesh Dattani’s Final Solutions, Tara, Dance Like a Man, and Bravely Fought the Queen; Habib Tanvir’s Charandas Chor; Indira Parthasarathy’s Auranzeb; and Badal Sircar’s Evam Indrajit. The book focuses on different aspects of their plays and shows how the Indian Drama in English, while maintaining its relation with the tradition, has made bold innovations and fruitful experiments in terms of both thematic and technical excellence. New to This Edition The new edition incorporates two new essays on very popular plays of all times—one, Manipuri dramatist Ratan Thiyam’s Chakravyuh, and the second, Maharashtrian playwright, Mahesh Elkunchwar‘s Desire in the Rocks. The essays added give a panoramic view of the plays in succinct style and simple language. The book is intended for the undergraduate and postgraduate students of English literature. Besides, it will also be valuable for those who wish to delve deeper into the plays covered and analyzed in the text.
This book studies the significance and representation of the ‘city’ in the writings of Indian poets, graphic novelists, and dramatists. It demonstrates how cities give birth to social images, perspectives, and complexities, and explores the ways in which cities and the characters in Indian literature coexist to form a larger literary framework of interpretations. Drawing on the theoretical concepts of Western urban thinkers such as Henri Lefebvre, Georg Simmel, Walter Benjamin, Edward Soja, David Harvey, and Diane Levy, as well as South Asian thinkers such as Ashis Nandy, Arjun Appadurai, Vinay Lal, and Ravi Sundaram, the book projects against a seemingly monolithic and homogenous Western qualification of urban literatures and offers a truly unique and contentious presentation of Indian literature. Unfolding the urban-literary landscape of India, the volume lays the groundwork for an urban studies approach to Indian literature. It will be of great interest to scholars and students of literature, especially Indian writing in English, urban studies, and South Asian studies.
This book purports to examine in depth and detail the wide spectrum of human relationships depicted by Dattani, a theme that has not been examined consistently and comprehensively by the critics so far. In order to arrive at a balanced appreciation of his mind and art, an analysis of relationships within and outside the family, including those between husband and wife, between different generations, siblings, transgendered and the miscellaneous ones have been examined using mainly socio-psychological approach. Through a series of miscellaneous relationships like those between peers, friends, boss and subordinates, communities and even strangers, Dattani enlarges the range of his subject, revealing a vast variety of human ties which one forges and lives through in one’s life. His incisive and extensive treatment of the human relationships shows not only his insightful grasp of changing social realities but also of human nature, which deepens and enhances the appeal of his theatre, underlining the humanistic values of acceptance of diversity and difference, equality and freedom for a happy and meaningful social and individual life.
This book is a collection of plays by one of India's best-known playwrights, and offers for the first time his best known plays published previously by OUP, together in a single volume. The Introduction is by Samik Bandhopadhya, and the plays included are Kamala, Silence! The Court is in Session, Sakharam Binder, The Vultures, Encounter in Umbugland, Kanyadaan, A Friend's Story and Ghashiram Kotwal.
Vijay Tendulkar, 1928-2008, Marathi playwright.
"These two plays by the legendary Vijay Tendulkar are a critique of Indian society and the reality surrounding the playwright. Once intended to be his last play, The Cyclist is a skilfully crafted, uninterrupted, single piece about the adventure of life told through a cyclist's journey. Apart from being a journey in geographical terms, it is a psychological exploration of the protagonist's mind. His Fifth Woman, a prequel to Tendulkar's Sakhararn Binder (1972), brings to play the injustices and inequalities suffered by women in the man-woman relationship. The exploration of death and the afterlife is replete with humour and insight. These two plays are a welcome addition to the theatre lover's collection, and, as highly theatrical pieces, will be of interest to theatre actors, directors, and students."--BOOK JACKET.