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Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.
This book, with its focus on the dancing body, is the first of its kind within the larger context of dance in India. The Dancing Body is a body that exists, survives, inhabits and performs in multiple space and time, by moving, laboring, migrating and straddling across geographic, cultural and emotional borders, writing different cultural meanings at different moments of time. In India, discourses around the body in dance have long been trapped within hagiographic histories in and around dancers and their dance. During the last few decades, however, significant scholarly inroads were made into the domain of dance by shaking up the stereotypes, assertions and labels, shaped and moulded by patriarchy, class, caste and power. This book brings together emerging discourses around dance and the body that have become central in the Indian nation-state. Contemporary discourses around identity politics, moral policing, politics of exclusion, and neo-liberal dispossessions vis a vis sexual labour, means of survival, pleasure and agency of dancers have helped frame the focus around labour, leisure and livelihood concerning the everyday existence of the body in dance. This volume will be of great value to students, researchers and scholars in dance, gender studies, cultural studies, and performance studies, with a particular interest in Asian and South Asian Studies. The chapters in this book were originally published in a special issue of South Asian History and Culture. The chapters in this book were originally published in a special issue of South Asian History and Culture.
Popular Cinema in Bengal marks a decisive turn in studies of Bengali language cinema by shifting the focus from auteur and text-based studies to exhaustive readings of the film industry. The book covers a wide range of themes and issues, including: generic tropes (like comedy and action); iconic figurations (of the detective and the city); (female) stars such as Kanan Bala, Sadhana Bose and Aparna Sen; intensities of public debates (subjects of high and low cultures, taste, viewership, gender and sexuality); print cultures (including posters, magazines and song-booklets); cinematic spaces; and trans-media and trans-cultural traffic. By locating cinema within the crosscurrents of geo-political transformations, the book highlights the new and persuasive research that has materialised over the last decade. The authors raise pertinent questions regarding 'regional' cinema as a category, in relation to 'national' cinema models, and trace the non-linear journey of the popular via multiple (media) trajectories. They address subjects of physicality, sexuality and its representations, industrial change, spaces of consumption, and cinema’s meandering directions through global circuits and low-end networks. Highlighting the ever-changing contours of cinema in Bengal in all its popular forms and proposing a new historiography, Popular Cinema in Bengal will be of great interest to scholars of film studies and South-Asian popular culture. The chapters were originally published in the journal South Asian History and Culture.
In a nation singularly obsessed with politics on the one hand and cinema on the other, the point where the two intersect arouses avid curiosity and interest. What draws the larger-than-life personalities who entertain us on screen to the world of governance and politics off-screen? Neta Abhineta: Bollywood Star Power in Indian Politics traces this phenomenon through intimate and compelling portrayals of some of the most popular actors in Hindi cinema who have, from the years leading up to India?s independence in 1947, entered Indian politics for reasons ranging from a sense of social commitment to a desperate quest for a second chance at fame when their star power dimmed. Dilip Kumar, Nargis and Sunil Dutt, Rajesh Khanna, Jaya and Amitabh Bachchan, Shatrughan Sinha, Hema Malini, Mithun Chakraborty, Jaya Prada, Vinod Khanna, Govinda, Raj Babbar and Paresh Rawal are some of the more prominent names that feature in this engaging account involving film veterans, superstars and also-rans. Blending history with hard facts and entertaining anecdotes about personal and professional rivalries, clandestine romantic liaisons and cruel betrayals, Rasheed Kidwai?s latest offering presents a potent cocktail. With its clear-eyed perspective on the peculiar nature of Indian politics and its newfound addiction to social media, as well as fresh and fascinating insights into the power games that drive show business and politics, this book reveals what ensues when the two worlds ? as intensely alluring as they are dangerously fickle ? merge.
MERE PAAS...BOLLYWOOD TRIVIA HAI!The Indian cine-goer’s fascination for Bollywood is unending – and then there are those who really like to get their elbows into it dum lagaa ke! Which is why this book, stuffed with super-gyaan (yes, there is a science to the movies as well!) and sprinkled with quirky illustrations is a must-have for anyone in love with or just plain confused by all that goes on in Bollywood. Among the many masaaledar nuggets it features are:• The rulebook on how to plan a filmi elopement; • Fifteen jailers who terrorized prisoners (and the jailbreaks that had wardens quaking at the knees);• Colourful stories that reveal why people get drunk in the movies; • Ten on-screen detectives who had crime on their minds, even if they could never solve them; • Three ways suhaag raats unfold *cough* in Hindi cinema.And there’s much more! From tragedy and mystery to heartbreak and victory – Bollygeek opens up the obsessive, compulsive and addictive world of Hindi cinema like never before. You don’t want to miss out on this one!
Description of the product: • 20 Mock Test Papers for Real-Time Practice • 1000+Questions for Comprehensive coverage • Answer Key with Explanations for Concept Clarity • OMR Sheets for Exam Experience
BollySwar is a decade-wise compendium of information about the music of Hindi films. Volume 6 chronicles the Hindi film music of the decade between 1981 and 1990. This volume catalogues more than 1000 films and 7000 songs, involving more than 1000 music directors, lyricists and singers. An overview of the decade highlights the key artists of the decade - music directors, lyricists and singers - and discusses the emerging trends in Hindi film music. A yearly review provides listings of the year's top artists and songs and describes the key milestones of the year in Hindi film music. The bulk of the book provides the song listing of every Hindi film album released in the decade. Basic information about each film's cast and crew is provided and detailed music credits are provided. Where available, music credits go beyond information regarding music directors, lyricists and singers, and include the names of assistants, arrangers, recordists, etc. Where applicable, music related awards are listed. Interesting trivia is listed for most films. This includes information about artist debuts, plagiarised or sampled songs, controversies and stories behind the making of the film and its music. This book is primarily meant as a quick reference for people looking for information related to a Hindi film or a song, but readers can also browse through the book to get an overview of the events that shaped Bollywood music in the decade. Given that Hindi films are a reflection of the Indian society, the reader can also glean insights about the country's socio-political and cultural environment from the book.
Music in Contemporary Indian Film: Memory, Voice, Identity provides a rich and detailed look into the unique dimensions of music in Indian film. Music is at the center of Indian cinema, and India’s film music industry has a far-reaching impact on popular, folk, and classical music across the subcontinent and the South Asian diaspora. In twelve essays written by an international array of scholars, this book explores the social, cultural, and musical aspects of the industry, including both the traditional center of "Bollywood" and regional film-making. Concentrating on films and songs created in contemporary, post-liberalization India, this book will appeal to classes in film studies, media studies, and world music, as well as all fans of Indian films.