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Sentenced to a crime he didn't commit, American scientist Mitch Weatherby is relieved when mysterious commandos rescue him from a life in prison. Little does his know that his saviors work for a maniacal dictator with plans to build nuclear weapons that will irrevocably alter the world's balance of power. "Brewer has a singular gift as a storyteller," says Midwest Book Review, calling The Silla Project, "riveting entertainment from first page to last."
Winner Whiting Writers' Award Winner Ernest J. Gaines Award for Literary Excellence Finalist for the PEN/Hemingway Award for Debut Fiction Finalist for the Flaherty-Dunnan First Novel Prize Finalist for the Hurston/Wright Legacy Award Mitchell S. Jackson grew up black in a neglected neighborhood in America's whitest city, Portland, Oregon. In the '90s, those streets and beyond had fallen under the shadow of crack cocaine and its familiar mayhem. In his commanding autobiographical novel, Mitchell writes what it was to come of age in that time and place, with a break-out voice that's nothing less than extraordinary. The Residue Years switches between the perspectives of a young man, Champ, and his mother, Grace. Grace is just out of a drug treatment program, trying to stay clean and get her kids back. Champ is trying to do right by his mom and younger brothers, and dreams of reclaiming the only home he and his family have ever shared. But selling crack is the only sure way he knows to achieve his dream. In this world of few options and little opportunity, where love is your strength and your weakness, this family fights for family and against what tears one apart. Honest in its portrayal, with cadences that dazzle, The Residue Years signals the arrival of a writer set to awe.
Gothic Mash-Ups explores the role of intertextuality in Gothic storytelling through the analysis of texts from diverse periods and media. Drawing on recent scholarship on Gothic remix and adaptation, the contributors examine crossover fictions, multi-source film and comic book adaptations, neo-Victorian pastiches, performance magic, monster mashes, and intertextual Gothic works of various kinds. Their chapters investigate many critical issues related to Gothic mash-up, including authorship, originality, intellectual property, fandom, commercialization, and canonicity. Although varied in approach, the chapters all explore how Gothic storytellers make new stories out of older ones, relying on a mix of appropriation and innovation. Covering many examples of mash-up, from nineteenth-century Gothic novels to twenty-first-century video games and interactive fiction, this collection builds from the premise that the Gothic is a fundamentally hybrid genre.
New York Times–Bestselling Author: She’s determined to transform him into prize husband material—but is her plan working too well? Max Crawford has reached the point in life where he’s starting to think about settling down. Unfortunately, he’s always been a little awkward when it comes to social interactions, and working from home doesn’t help. He spends so much time alone, painting beautiful, historically accurate model trains that half of Whitford has begun to joke that he may be a serial killer. Not exactly prime husband material. Tori Burns has found happiness in Maine, thanks in large part to her shifts at the Trailside Diner. She likes the work, and she loves the local gossip. When shy, geeky Max Crawford becomes a regular, she’s intrigued. When she finds out he’s in the market for a wife, she’s fascinated . . . and determined to help. Molding Max into every woman’s dream turns out to be much easier than expected. But has Tori’s plan worked a little too well? As she turns his comfortable life all sorts of upside down, she’ll have to find a way to show just how she’s fallen for him . . . the real him. Praise for the Kowalskis series “Sexy, sassy and immensely satisfying.” —Fresh Fiction “One of those stories that you don’t want to put down.” —Night Owl Reviews
The Sweeney broke the mould for British cop shows. Until it was broadcast, they’d been rather stolid, sometimes quaint, dramas like Dixon of Dock Green, Z-Cars and Softly, Softly about policemen – or even bobbies: not cops. They were about upholding the law: not breaking it: about smart blue uniforms, not kipper ties and long hair. They were about preventing or punishing violence – not about inflicting it with pleasure on villains. Then, in 1975, The Sweeney burst onto commercial television. Based on the notoriously corrupt activities of Scotland Yard’s Flying Squad, it followed two dishevelled, uncouth detectives, Regan and Carter, played by John Thaw and Dennis Waterman, who hurtled around unsalubrious parts of London in a battered Ford Granada roughing up anyone who failed to spill the beans quickly enough. Where Dixon of Dock Green would bid his viewers “Goodnight all1”, with a cheery salute, this pair snarled “Shut it!” at toe-rags who spoke out of turn and “Put ‘em away, love” at gangsters’ molls whose boudoirs they’d burst in on. Philip Glenister’s Gene Hunt in Life on Mars is both parody and homage. Now Pat Gilbert has written the book on this cult cop show, interviewing dozens of people who made it happen, from screenwriters to stuntmen. It’s an essential companion to one of the DVD box sets.
The first Jewish brothers in the NFL since 1923 take readers inside their lives and into the locker rooms in a revealing book on football, food, family, and faith. Geoff and Mitchell Schwartz are the NFL’s most improbable pair of offensive linemen. They started their football careers late, not playing a down of organized football until they joined their low-key high school program. Despite all that, they wound up at top-tier college programs and became the first Jewish brothers in the league since 1923. In Eat My Schwartz, Geoff and Mitch talk about the things that have made them the extraordinary people that they are: their close-knit and supportive family, their Jewish faith and traditions, their love of the game and drive for excellence and, last but not least, the food they love to eat, whether at home or on the road. Theirs is an inspiring story not just for every football fan but for everybody wanting to figure out what it takes for dreams to come true—and how to stay well-fed throughout the process.
This visual celebration and musical analysis of Jimi Hendrix, the genius who created modern guitar, includes 300 color and b&w photos--many never before published.
This is a fiction story about two private Detectives. Francis Reynolds, And Sean Oreily. two ex military special forces veterans from the Vietnam war, That returned to their respective prewar jobs as homicide detectives in the Bay area. Francis was an Army Rangers veteran. Sean Had spent his Military days as a navy SEAL. After a couple of years back on duty as cops. They both became disgusted with the bleeding heart Liberals that had come into power, first in the large cities, then into the various central California areas, crippling the effectiveness of law enforcement. Literally tying the hands of the honest cops on the street, who were Combating the ever expanding Organized crime. As well as the gang and violent individual crimes, and perhaps worst of all, the ever expanding drug traffic problems. Francis and Sean became, so incensed. That they left the police departments and went into private Practice. Locating their offices in San Jose finding themselves in a buyer’s market. With so many people and businesses turning to their agency for protection. The state attorney general at the governor’s orders was just completing the formation of a task force to check and get the states crime rate under control. One of his first planned actions was to select and put under contract Selected Private Detective agencies to bring in their expertise in helping to stem the tide. The REYNOLDS And Orielly agency were the first Company selected. And served as the acid test for the program. Located in San Jose Calif. Plying their trade in the San Francisco bay area and the adjoining central California Area. They were in the perfect central location.