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Fanny Murray (1729-1778) was a famous Georgian beauty and courtesan, desired throughout England and often to be found pressed to a gentleman’s heart in the form of a printed disc secretly tucked into their pocket-watch. She rose from life in the ‘London stews’ to fame and fortune, through her career as a high-class courtesan. She was seduced and then abandoned, aged just 12, by Jack Spencer, grandson of Sarah, Duchess of Marlborough (and related to the Althorp-based Spencers). Her luck turned when she caught the eye of the infamous Beau Nash, ‘King of Bath’. But it was her time in London that promoted her to national fame and notoriety. After ten years at the top, she was heavily in debt, but managed to secure an arranged marriage to a respectable man. The scandals of her past caught up with her as she was named in the national scandal surrounding Wilke’s pornography case at the High Court.
Georgian London evokes images of elegant mannered buildings, but it was also a city where prostitution was rife and houses of ill repute widespread in a sex trade that employed thousands. In London's Sinful Secret, Dan Cruickshank explores this erotic Georgian underworld and shows how it affected almost every aspect of life and culture in the city from the smart new streets that sprang up in Marylebone, to the squalid alleys around Charing Cross to the coffee houses, where prostitutes plied their trade, to the work of artists such as William Hogarth and Joshua Reynolds. Cruickshank uses memoirs, newspaper accounts and court records to create a surprisingly bawdy portrait of London at its most-mannered and, for the first time, exposes its secret, sinful underside. "A lively work of social history, full of surprises and memorable characters." - Kirkus Reviews
Across eight volumes, this two-part collection of selected texts focuses on autobiographies and biographies of courtesans, directories of whores, erotic poems dedicated to harlots, jocular descriptions of prostitutes and jest books on strumpets.
This surprising portrait of the Tudor queen offers an “ambitious re-examination of the intersection of gender and monarchy” (The New York Times Book Review). Queen Elizabeth I was all too happy to play on courtly conventions of gender when it suited her “‘weak and feeble’ woman’s body” to do so for political gain. But in Elizabeth, historian Lisa Hilton offers ample evidence why those famous words should not be taken at face value. With new research out of France, Italy, Russia, and Turkey, Hilton’s fresh interpretation is of a queen who saw herself primarily as a Renaissance prince—an expert in Machiavellian statecraft. Elizabeth depicts a sovereign less constrained by her femininity than most accounts claim, challenging readers to reassess Elizabeth’s reign and the colorful drama and intrigue to which it is always linked. It’s a fascinating journey that shows how a marginalized newly crowned monarch, whose European contemporaries considered her to be the illegitimate ruler of a pariah nation, ultimately adapted to become England’s first recognizably modern head of state.
He was 'THE WICKEDEST MAN ALIVE'. He went to Oxford University at the age of 12 He slept with his first prostitute at 13 He was an alcoholic by 14 He was imprisoned in the Tower at 18 He was acclaimed a war hero at 19 He died of syphilis at the age of 33 He was English history's first celebrity. He was John Wilmot, 2nd Earl of Rochester: Poet, dandy and libertine. BLAZING STAR is a compelling portrait of a remarkable and complex man, and of a cultural golden age that often spilled over into depravity.
Across eight volumes, this two-part collection of selected texts focuses on autobiographies and biographies of courtesans, directories of whores, erotic poems dedicated to harlots, jocular descriptions of prostitutes and jest books on strumpets.
Experience life in Britain’s “long eighteenth-century” with this collection of 25 real tales from history by the authors of An Infamous Mistress. Marvel at the Queen’s Ass, gaze at the celestial heavens through the eyes of the past, and be amazed by the equestrian feats of the Norwich Nymph. Journey to the debauched French court at Versailles, travel to Covent Garden and take your seat in a box at the theatre, and, afterwards, join the mile-high club in a new-fangled hot air balloon. Meet actresses, whores and high-born ladies, politicians, inventors, royalty, and criminals as we travel through the Georgian era in all its glorious and gruesome glory. In roughly chronological order, covering the reign of the four Georges (1714-1830), and set within the framework of the main events of the era, these tales are accompanied by over 100 stunning color illustrations.
Top scholars in eighteenth-century studies examine the significance of the parallel devaluations of women's culture and popular culture by looking at theatres and actresses; novels, magazines, and cookbooks; and populist politics, dress, and portraiture.
An 18th-century portrait of the palace most recognized as an official home of several British royal family members focuses on the Hanover family during the reigns of George I and II, describing the intrigue, ostentatious fashions and politicking that marked court life. By the author of Cavalier.
This book has three key aims: first, to show how the legal treatment of cohabiting couples has changed over the past four centuries, from punishment as fornicators in the seventeenth century to eventual acceptance as family in the late twentieth; second, to chart how the language used to refer to cohabitation has changed over time and how different terms influenced policy debates and public perceptions; and, third, to estimate the extent of cohabitation in earlier centuries. To achieve this it draws on hundreds of reported and unreported cases as well as legislation, policy papers and debates in Parliament; thousands of newspaper reports and magazine articles; and innovative cohort studies that provide new and more reliable evidence as to the incidence (or rather the rarity) of cohabitation in eighteenth- and nineteenth-century England. It concludes with a consideration of the relationship between legal regulation and social trends.