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“A lively and welcome account of a charismatic woman,” drawing on the personal correspondence of Lady Mary Bruce, wife of the Earl of Elgin (People). The remarkable Mary Nisbet was the Countess of Elgin in Romantic-era Scotland and the wife of the seventh Earl of Elgin. When Mary accompanied her husband to diplomatic duty in Turkey, she changed history. She helped bring the smallpox vaccine to the Middle East, struck a seemingly impossible deal with Napoleon, and arranged the removal of famous marbles from the Parthenon. But all of her accomplishments would be overshadowed, however, by her scandalous divorce. Drawing from Mary’s own letters, scholar Susan Nagel tells Mary’s enthralling, inspiring, and suspenseful story in vibrant detail. “Absorbing . . . required reading for anyone interested in cultural history, as well as the art of biography.” —Booklist “A sympathetic and emotionally charged portrait . . . [written] with insight and compassion yet without sentimentality.” —Publishers Weekly “A unique life related with animation, admiration, and affection.” —Kirkus Reviews
The first major biography of one of France's most mysterious women--Marie Antoinette's only child to survive the French revolution. Susan Nagel, author of the critically acclaimed biography Mistress of the Elgin Marbles, turns her attention to the life of a remarkable woman who both defined and shaped an era, the tumultuous last days of the crumbling ancient régime. Nagel brings the formidable Marie-Thérèse to life, along with the age of revolution and the waning days of the aristocracy, in a page-turning biography that will appeal to fans of Antonia Fraser's Marie Antoinette and Amanda Foreman's Georgiana: Duchess of Devonshire. In December 1795, at midnight on her seventeenth birthday, Marie-Thérèse, the only surviving child of Marie Antoinette and Louis XVI, escaped from Paris's notorious Temple Prison. To this day many believe that the real Marie-Thérèse, traumatized following her family's brutal execution during the Reign of Terror, switched identities with an illegitimate half sister who was often mistaken for her twin. Was the real Marie-Thérèse spirited away to a remote castle to live her life as the woman called "the Dark Countess," while an imposter played her role on the political stage of Europe? Now, two hundred years later, using handwriting samples, DNA testing, and an undiscovered cache of Bourbon family letters, Nagel finally solves this mystery. She tells the remarkable story in full and draws a vivid portrait of an astonishing woman who both defined and shaped an era. Marie-Thérèse's deliberate choice of husbands determined the map of nineteenth-century Europe. Even Napoleon was in awe and called her "the only man in the family." Nagel's gripping narrative captures the events of her fascinating life from her very public birth in front of the rowdy crowds and her precocious childhood to her hideous time in prison and her later reincarnation in the public eye as a saint, and, above all, her fierce loyalty to France throughout.
Built in the fifth century b.c., the Parthenon has been venerated for more than two millennia as the West’s ultimate paragon of beauty and proportion. Since the Enlightenment, it has also come to represent our political ideals, the lavish temple to the goddess Athena serving as the model for our most hallowed civic architecture. But how much do the values of those who built the Parthenon truly correspond with our own? And apart from the significance with which we have invested it, what exactly did this marvel of human hands mean to those who made it? In this revolutionary book, Joan Breton Connelly challenges our most basic assumptions about the Parthenon and the ancient Athenians. Beginning with the natural environment and its rich mythic associations, she re-creates the development of the Acropolis—the Sacred Rock at the heart of the city-state—from its prehistoric origins to its Periklean glory days as a constellation of temples among which the Parthenon stood supreme. In particular, she probes the Parthenon’s legendary frieze: the 525-foot-long relief sculpture that originally encircled the upper reaches before it was partially destroyed by Venetian cannon fire (in the seventeenth century) and most of what remained was shipped off to Britain (in the nineteenth century) among the Elgin marbles. The frieze’s vast enigmatic procession—a dazzling pageant of cavalrymen and elders, musicians and maidens—has for more than two hundred years been thought to represent a scene of annual civic celebration in the birthplace of democracy. But thanks to a once-lost play by Euripides (the discovery of which, in the wrappings of a Hellenistic Egyptian mummy, is only one of this book’s intriguing adventures), Connelly has uncovered a long-buried meaning, a story of human sacrifice set during the city’s mythic founding. In a society startlingly preoccupied with cult ritual, this story was at the core of what it meant to be Athenian. Connelly reveals a world that beggars our popular notions of Athens as a city of staid philosophers, rationalists, and rhetoricians, a world in which our modern secular conception of democracy would have been simply incomprehensible. The Parthenon’s full significance has been obscured until now owing in no small part, Connelly argues, to the frieze’s dismemberment. And so her investigation concludes with a call to reunite the pieces, in order that what is perhaps the greatest single work of art surviving from antiquity may be viewed more nearly as its makers intended. Marshalling a breathtaking range of textual and visual evidence, full of fresh insights woven into a thrilling narrative that brings the distant past to life, The Parthenon Enigma is sure to become a landmark in our understanding of the civilization from which we claim cultural descent.
Nagel tells the captivating and irresistible story of Mary Nisbet, whose life and letters give readers an intimate and astonishing insider's look into the British aristocracy during the Romantic era.
The son of a former slave, Pertinax was the Roman Emperor who proved that no matter how lowly your birth, you could rise to the very top through hard work, grit and determination. Born in AD 126, he made a late career change from working as a grammar teacher to a position in the army. As he moved up the ranks and further along the aristocratic cursus honorum, he took on many of the most important postings in the Empire, from senior military roles in fractious Britain, the Marcomannic Wars on the Danube, to the Parthian Wars in the east. He held governorships in key provinces, and later consulships in Rome itself. When Emperor Commodus was assassinated on New Year’s Eve AD 192/193, the Praetorian Guard alighted on Pertinax to become the new Emperor, expecting a pliable puppet who would favour them with great wealth. But Pertinax was nothing of the sort and when he then attempted to reform the Guard, he was assassinated. His death triggered the beginning of the ‘Year of the Five Emperors’ from which Septimius Severus, Pertinax’s former mentoree, became the ultimate victor and founder of the Severan Dynasty. This previously untold story brings a fascinating and important figure out of the shadows. A self made everyman, a man of principle and ambition, a role model respected by his contemporaries who styled himself on his philosophizing predecessor and sometime champion Marcus Aurelius, Pertinax’s remarkable story offers a unique and panoramic insight into the late 2nd century AD Principate Empire.
An elegant literary mystery set during the Gilded Age. New York City, 1911. Representing the widow of a Wall Street financier, lawyer William Dysart travels to a small Long Island town with a generous offer for Miss Sybil Curtis's cottage and five acres of land. But when Sybil refuses to sell, the widow threatens to use her influence with the state to seize the property. Intrigued by Sybil's defiance and afflicted by a growing affection for her, William develops a desire to help her that becomes an obsession he cannot define, one that tears away the facade of his life, and presents him with truths he's unprepared to face.
'Angus Wilson is one of the most enjoyable novelists of the 20th century... Anglo-Saxon Attitudes (1956) analyses a wide range of British society in a complicated plot that offers all the pleasures of detective fiction combined with a steady and humane insight.' Margaret Drabble First published in 1956, Anglo-Saxon Attitudes draws upon perhaps the most famous archaeological hoax in history: the 'Piltdown Man', finally exposed in 1953. The novel's protagonist is Gerald Middleton, professor of early medieval history and taciturn creature of habit. Separated from his Swedish wife, Gerald is increasingly conscious of his failings. Moreover, some years ago he was involved in an excavation that led to the discovery of a grotesque idol in the tomb of Bishop Eorpwald. The sole survivor of the original excavation party, Gerald harbours a potentially ruinous secret...
"Few poetic forms have found more uses than the sonnet in English, and none is now more recognizable. It is one of the longest-lived of verse forms, and one of the briefest. A mere fourteen lines, fashioned by intricate rhymes, it is, as Dante Gabriel Rossetti called it, "a moment's monument." From the Renaissance to the present, the sonnet has given poets a superb vehicle for private contemplation, introspection, and the expression of passionate feelings and thoughts." "The Art of the Sonnet collects one hundred exemplary sonnets of the English language (and a few sonnets in translation), representing highlights in the history of the sonnet, accompanied by short commentaries on each of the poems. The commentaries by Stephen Burt and David Mikics offer new perspectives and insights, and, taken together, demonstrate the enduring as well as changing nature of the sonnet. The authors serve as guides to some of the most-celebrated sonnets in English as well as less-well-known gems by nineteenth- and twentieth-century poets. Also included is a general introductory essay, in which the authors examine the sonnet form and its long and fascinating history, from its origin in medieval Sicily to its English appropriation in the sixteenth century to sonnet writing today in the United States, the United Kingdom, and other English-speaking parts of the world." --Book Jacket.
Throughout Western history, the societies that have made the greatest contributions to the spread of freedom have created iconic works of art to celebrate their achievements. Yet despite the enduring appeal of these works—from the Parthenon to Michelangelo’s David to Picasso’s Guernica—histories of both art and democracy have ignored this phenomenon. Millions have admired the artworks covered in this book but relatively few know why they were commissioned, what was happening in the culture that produced them, or what they were meant to achieve. Even scholars who have studied them for decades often miss the big picture by viewing them in isolation from a larger story of human striving. David’s Sling places into context ten canonical works of art executed to commemorate the successes of free societies that exerted political and economic influence far beyond what might have been expected of them. Fusing political and art history with a judicious dose of creative reconstruction, Victoria Coates has crafted a lively narrative around each artistic object and the free system that inspired it. This book integrates the themes of creative excellence and political freedom to bring a fresh, new perspective to both. In telling the stories of ten masterpieces, David’s Sling invites reflection on the synergy between liberty and human achievement.
This latest volume in the Culture & Civilization series gathers interdisciplinary voices to present a collection of essays on travel and travel narratives. The essays span a range of topics from iconic ancient travel stories to modern tourism. They discuss travel in the ancient world, modern heroic travels, the literary culture of missionary travel, the intersection of fiction and travel narratives, modern literary traditions and visions of Greece, personal identity, and expatriation. Essays also address travel memoirs, the re-imagining of worlds through travel, transformed landscapes and animals in travel narratives, diplomacy, English women travel writers, and pilgrimage and health in the medieval world. The history of travel writing takes in multiple pursuits: exploration and conquest, religious pilgrimage and missionary work, educational tourism and diplomacy, scientific and personal discovery, and natural history and oral history. As a literary genre, it has enhanced a wide range of disciplines, including geography, ethnography, anthropology, and linguistics. Moreover, twenty-first-century interests in travel and travel writing have produced a global framework that promises to expand travel's theoretical reach into the depths of the Internet, thus challenging our conventional concept of what it means to travel. The fact that travel and travel writing have a prehistory that is embedded in foundational religious texts and ancient narratives of journey, like the Odyssey and the Epic of Gilgamesh, makes both travel and travel writing fundamental and essential expressions of humanity. Travel encourages writing, particularly as epistolary and poetic chronicling. This is clearly a history and tradition that began with human communication and which has kept pace with our collective development.