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There are 10,500 species of bird worldwide and wherever they occur people marvel at their glorious colours and their beautiful songs. We also trap and consume birds of every kind. Yet birds have not just been good to eat. Their feathers, which keep us warm or adorn our costumes, give birds unique mastery over the heavens. Throughout history their flight has inspired the human imagination so that birds are embedded in our religions, folklore, music and arts. Vast in both scope and scale, Birds and People explores and celebrates this relationship and draws upon Mark Cocker’s 40 years of observing and thinking about birds. Part natural history and part cultural study, it describes and maps the entire spectrum of our engagements with birds, drawing in themes of history, literature, art, cuisine, language, lore, politics and the environment. In the end, this is a book as much about us as it is about birds. Birds and People has been stunningly illustrated by one of Europe’s best wildlife photographers, David Tipling, who has travelled in 39 countries on seven continents to produce a breathtaking and unique collection of photographs. The book is as important for its visual riches as it is for its groundbreaking content. Birds and People is also exceptional in that the author has solicited contributions from people worldwide. Personal anecdotes and stories have come from more than 650 individuals in 81 different countries. They range from university academics to Mongolian eagle hunters, and from Amerindian shamans to some of the most celebrated writers of our age. The sheer multitude of voices in this global chorus means that Birds and People is both a source book on why we cherish birds and a powerful testament to their importance for all humanity.
Vol. 6 includes "40 Three-Color Half tone illustrations from photographs of stuffed birds, minerals and some landscapes. Chicago Colortype Co., Chic. & New York, identified on some plates."--Page 132.
In his first novel since Corelli’s Mandolin, Louis de Bernières creates a world, populates it with characters as real as our best friends, and launches it into the maelstrom of twentieth-century history. The setting is a small village in southwestern Anatolia in the waning years of the Ottoman Empire. Everyone there speaks Turkish, though they write it in Greek letters. It’s a place that has room for a professional blasphemer; where a brokenhearted aga finds solace in the arms of a Circassian courtesan who isn’t Circassian at all; where a beautiful Christian girl named Philothei is engaged to a Muslim boy named Ibrahim. But all of this will change when Turkey enters the modern world. Epic in sweep, intoxicating in its sensual detail, Birds Without Wings is an enchantment.