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The Romans regarded her as ''fatale monstrum'' - a fatal omen. Pascal said the shape of her nose changed the history of the world. Shakespeare portrayed her as an icon of tragic love. But who was Cleopatra, really? Cleopatra was the last ruler of the Macedonian dynasty of Ptolemies. Highly intelligent, she spoke many languages and was rumored to be the only Ptolemy to read and speak Egyptian. Her famous liaisons with Julius Caesar and Mark Antony had as much to do with politics as the heart. Ruthless in dealing with her enemies, many within her own family, Cleopatra steered her kingdom through difficult times, and very nearly succeeded in creating an eastern empire to rival the growing might of Rome. Her story was well documented by her near contemporaries, and the tragic tale of contrasts and oppositions - the seductive but failing power of ancient Egypt versus the virile strength of modern Rome - is so familiar we almost feel that we know Cleopatra. But our picture is highly distorted. Cleopatra is often portrayed as a woman ruled by emotion rather than reason; a queen hurtling towards inevitable self-destruction. But these tales of seduction, intrigue, and suicide by asp have obfuscated Cleopatra's true political genius. Stripping away our preconceptions, many of them as old as Egypt's Roman conquerors, Egyptologist Joyce Tyldesley offers a magnificent biography of a most extraordinary queen.
An impressive collection of essays by 21 of English Canada's leading theatre critics provides a cultural history of Canada, and Canadians intense relationship to theatre, from 1829 to 1998, and across the whole country.
From the head of the U.S. Civil Rights Commission and noted professor of law and history at the University of Pennsylvania, a groundbreaking book that examines both civil and criminal court cases from the Civil War to the present, to reveal the impact of stereotyping--race, class, gender--on the American legal system. The question Mary Frances Berry asks: Whose story most strongly influences the making of legal decisions in the American justice system? Using previously unexamined material from state appellate civil and criminal court cases--cases of rape, seduction, and paternity disputes, and cases dealing with murder, inheritance, and property disputes in which sexual relations are at the heart of the story--Berry takes us through two centuries of American case law to show how attitudes toward gender, race, class, and sexuality have materially affected, and continue to affect, judicial decision-making. Among the many cases Berry discusses: Alabama, 1867--A white woman sues her husband for divorce in both the lower and state supreme courts because of his sexual relationship with a former slave, and is denied her petition on the basis that a sexual relationship between a white man and a black woman is "of no consequence." New York, 1932--In a surprising victory, the longtime mistress of a theater owner successfully contests her lover's will and proves her right to inherit a wife's portion of the estate. Texas, 1984--A suit by a woman against her female lover ends in a decision that allows the court to avoid acknowledging the existence of a lesbian relationship. And, in the 1990s, we see the cases of William Kennedy Smith, Mike Tyson, and O. J. Simpson in a new context. Moving stories, shocking stories, ironic stories, tragic stories--a book that fascinates in terms of its human drama, by its demonstration of the ways in which prejudice affects justice, and by its account of how the law has evolved (or hasn't) as our racial, social, and sexual attitudes have changed.
This fascinating study delves into the lives of six Tudor women celebrated for their reputed wickedness. Collected here are accounts of Anne Boleyn, Katherine Howard, Anne Seymour, Lettice Dudley, and Jane and Alice More. Warnicke rescues these women from historical misrepresentations and helps us to rediscover the complex world of Tudor society.
Truth is stranger than fiction. And nowhere in literature is it so apparent as in this classic work, "The Autobiography of a Hunted Priest." This autobiography of a Jesuit priest in Elizabethan England is a most remarkable document and John Gerard, its author, a most remarkable priest in a time when to be a Catholic in England courted imprisonment and torture; to be a priest was treason by act of Parliament. Smuggled into England after his ordination and dumped on a Norfolk beach at night, Fr. Gerard disguised himself as a country gentleman and traveled about the country saying Mass, preaching and ministering to the faithful in secret always in constant danger. The houses in which he found shelter were frequently raided by priest hunters; priest-holes, hide-outs and hair-breadth escapes were part of his daily life. He was finally caught and imprisoned, and later removed to the infamous Tower of London where he was brutally tortured. The stirring account of his escape, by means of a rope thrown across the moat, is a daring and magnificent climax to a true story which, for sheer narrative power and interest, far exceeds any fiction. Here is an accurate and compelling picture of England when Catholics were denied their freedom to worship and endured vicious persecution and often martyrdom. But more than the story of a single priest, "The Autobiography of a Hunted Priest" epitomizes the constant struggle of all human beings through the ages to maintain their freedom. It is a book of courage and of conviction whose message is most timely for our age.