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Claiborne Fox Jackson (1806-1862) remains one of Missouri's most controversial historical figures. Elected Missouri's governor in 1860 after serving as a state legislator and Democratic party chief, Jackson was the force behind a movement for the neutral state's secession before a federal sortie exiled him from office. Although Jackson's administration was replaced by a temporary government that maintained allegiance to the Union, he led a rump assembly that drafted an ordinance of secession in October 1861 and spearheaded its acceptance by the Confederate Congress. Despite the fact that the majority of the state's populace refused to recognize the act, the Confederacy named Missouri its twelfth state the following month. A year later Jackson died in exile in Arkansas, an apparent footnote to the war that engulfed his region and that consumed him. In this first full-length study of Claiborne Fox Jackson, Christopher Phillips offers much more than a traditional biography. His extensive analysis of Jackson's rise to power through the tangle that was Missouri's antebellum politics and of Jackson's complex actions in pursuit of his state's secession complete the deeper and broader story of regional identity--one that began with a growing defense of the institution of slavery and which crystallized during and after the bitter, internecine struggle in the neutral border state during the American Civil War. Placing slavery within the realm of western democratic expansion rather than of plantation agriculture in border slave states such as Missouri, Philips argues that southern identity in the region was not born, but created. While most rural Missourians were proslavery, their "southernization" transcended such boundaries, with southern identity becoming a means by which residents sought to reestablish local jurisdiction in defiance of federal authority during and after the war. This identification, intrinsically political and thus ideological, centered--and still centers--upon the events surrounding the Civil War, whether in Missouri or elsewhere. By positioning personal and political struggles and triumphs within Missourians' shifting identity and the redefinition of their collective memory, Phillips reveals the complex process by which these once Missouri westerners became and remain Missouri southerners. Missouri's Confederate not only provides a fascinating depiction of Jackson and his world but also offers the most complete scholarly analysis of Missouri's maturing antebellum identity. Anyone with an interest in the Civil War, the American West, or the American South will find this important new biography a powerful contribution to our understanding of nineteenth-century America and the origins--as well as the legacy--of the Civil War.
Whether seen as a common criminal or Robin Hood with a six-shooter, the Missouri outlaw left an indelible mark on American culture. In the nineteenth century, Missouri was known as the "Outlaw State" and offered a list of lawbreakers like Jesse James, Bloody Bill Anderson, Belle Starr and Cole Younger. These notorious criminals became folk legends in countless books, movies and television shows. Author Paul Kirkman traces the succession of Missouri's first few generations and how each contributed to the making of some of the most notorious outlaws and lawmen in American history.
The City of Chaos and Mayhem is set in St. Louis, Missouri, and features Kitty a 71-year-old feisty widow of a mobster named Vinny, Kitty is wild and free, rides a motorcycle, carries a stun gun, pepper spray, and her .45 caliber, and won’t hesitate to shoot you in the knee caps if you get in her way. The city is turned upside down looking for a key that Kitty is not aware of and can bring down the mob and drug lord. Everyone thinks Kitty has this key and there is a race against time to find it or her best friend Ginger who has been kidnapped will die. Kitty’s daughter Shiloh hires an ex-con to help get to the bottom of it all. Her son comes home from the war with a letter from his deceased father explaining everything. In the meantime, things start to heat up between the detective on the case and a jealous ex from the past.
This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.
In early-nineteenth-century Missouri, the duel was a rite of passage for many young gentlemen seeking prestige and power. In time, however, social groups outside the ruling class engaged in a variety of violent acts and symbolic challenges under the rubric of the code duello. In Duels and the Roots of Violence in Missouri, Dick Steward takes an in-depth look at the evolution of dueling, tracing the origins, course, consequences, and ultimate demise of one of the most deadly art forms in Missouri history. By focusing on the history of dueling in Missouri, Steward details an important part of our culture and the long-reaching impact this form of violence has played in our society.