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Some of the women are well known, others were prominent in their time but have since faded into obscurity, and a few have never received the attention they deserve."--BOOK JACKET.
Some of the women are well known, others were prominent in their time but have since faded into obscurity, and a few have never received the attention they deserve."--BOOK JACKET.
Morris provides the first comprehensive examination of the Jackson, Mississippi-based women's organization Womanpower Unlimited. Originally instated in 1961 to sustain the civil rights movement, the organization also revitalized black women's social and political activism in the state through its diverse agenda and grassroots approach.
The secret history of the rebellious Frenchwomen who were exiled to colonial Louisiana and found power in the Mississippi Valley In 1719, a ship named La Mutine (the mutinous woman), sailed from the French port of Le Havre, bound for the Mississippi. It was loaded with urgently needed goods for the fledgling French colony, but its principal commodity was a new kind of export: women. Falsely accused of sex crimes, these women were prisoners, shackled in the ship’s hold. Of the 132 women who were sent this way, only 62 survived. But these women carved out a place for themselves in the colonies that would have been impossible in France, making advantageous marriages and accumulating property. Many were instrumental in the building of New Orleans and in settling Louisiana, Alabama, Arkansas, Illinois, and Mississippi. Drawing on an impressive range of sources to restore the voices of these women to the historical record, Mutinous Women introduces us to the Gulf South’s Founding Mothers.
As tensions mounted before Freedom Summer, one organization tackled the divide by opening lines of communication at the request of local women: Wednesdays in Mississippi (WIMS). Employing an unusual and deliberately feminine approach, WIMS brought interracial, interfaith teams of northern middle-aged, middle- and upper-class women to Mississippi to meet with their southern counterparts. Sponsored by the National Council of Negro Women (NCNW), WIMS operated on the belief that the northern participants' gender, age, and class would serve as an entrée to southerners who had dismissed other civil rights activists as radicals. The WIMS teams' respectable appearance and quiet approach enabled them to build understanding across race, region, and religion where other overtures had failed. The only civil rights program created for women by women as part of a national organization, WIMS offers a new paradigm through which to study civil rights activism, challenging the stereotype of Freedom Summer activists as young student radicals and demonstrating the effectiveness of the subtle approach taken by "proper ladies." The book delves into the motivations for women's civil rights activism and the role religion played in influencing supporters and opponents of the civil rights movement. Lastly, it confirms that the NCNW actively worked for integration and black voting rights while also addressing education, poverty, hunger, housing, and employment as civil rights issues. After successful efforts in 1964 and 1965, WIMS became Workshops in Mississippi, which strived to alleviate the specific needs of poor women. Projects that grew from these efforts still operate today.
During the Civil War, Mississippi’s strategic location bordering the Mississippi River and the state’s system of railroads drew the attention of opposing forces who clashed in major battles for control over these resources. The names of these engagements—Vicksburg, Jackson, Port Gibson, Corinth, Iuka, Tupelo, and Brice’s Crossroads—along with the narratives of the men who fought there resonate in Civil War literature. However, Mississippi’s chronicle of military involvement in the Civil War is not one of men alone. Surprisingly, there were a number of female soldiers disguised as males who stood shoulder to shoulder with them on the firing lines across the state. Behind the Rifle: Women Soldiers in Civil War Mississippi is a groundbreaking study that discusses women soldiers with a connection to Mississippi—either those who hailed from the Magnolia State or those from elsewhere who fought in Mississippi battles. Readers will learn who they were, why they chose to fight at a time when military service for women was banned, and the horrors they experienced. Included are two maps and over twenty period photographs of locations relative to the stories of these female fighters along with images of some of the women themselves. The product of over ten years of research, this work provides new details of formerly recorded female fighters, debunks some cases, and introduces over twenty previously undocumented ones. Among these are women soldiers who were involved in such battles beyond Mississippi as Shiloh, Antietam, and Gettysburg. Readers will also find new documentation regarding female fighters held as prisoners of war in such notorious prisons as Andersonville.
Photographer O. N. Pruitt (1891–1967) was for some forty years the de facto documentarian of Lowndes County, Mississippi, and its county seat, Columbus--known to locals as "Possum Town." His body of work recalls many FSA photographers, but Pruitt was not an outsider with an agenda; he was a community member with intimate knowledge of the town and its residents. He photographed his fellow white citizens and Black ones as well, in circumstances ranging from the mundane to the horrific: family picnics, parades, river baptisms, carnivals, fires, funerals, two of Mississippi's last public and legal executions by hanging, and a lynching. From formal portraits to candid images of events in the moment, Pruitt's documentary of a specific yet representative southern town offers viewers today an invitation to meditate on the interrelations of photography, community, race, and historical memory. Columbus native Berkley Hudson was photographed by Pruitt, and for more than three decades he has considered and curated Pruitt's expansive archive, both as a scholar of media and visual journalism and as a community member. This stunning book presents Pruitt's photography as never before, combining more than 190 images with a biographical introduction and Hudson's short essays and reflective captions on subjects such as religion, ethnic identity, the ordinary graces of everyday life, and the exercise of brutal power.