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Diana Curtis works hard to grow her businesses and look after her scatterbrained Mama in a charming, southern mansion. So, when Miss Jackie returns from vacation engaged to an English Duke, Diana will do whatever it takes to stop the impulsive marriage. She'll even join forces with the Duke's handsome but secretive nephew. Tracking his uncle, the card-counting Viscount, Andrew Montgomery, leaves Monte Carlo to stop the duke from making an embarrassing blunder and prevent anyone from learning just how few zeros are in the family's bank account. While attempting to stop the wedding, Diana and Andrew find their growing connection impossible to ignore. With old family secrets exposed, Diana and Andrew must decide if their love is strong enough to withstand divided loyalties, crazy relatives, and unexpected truths.
After losing her husband in the line of duty, Riley Logan looks for a fresh start in Magnolia Springs. However, a fear of rejection makes relationships difficult. Lieutenant Colonel Brian Stone returns home from the Middle East after losing his legs to an IED. The last thing he wants is to be treated like a hero—or pitied for his injuries. While working on a charity event benefiting injured veterans, they find they have more in common than a talent for snarky comments. But when Brian is offered an opportunity too good to refuse, Riley must decide if she can risk losing another man to a dangerous job.
Alyssa Martin has loved Ryan Sutherby since they were children. Raised in Cypress Bayou, Louisiana by abusive, alcoholic parents, Ryan had always been there. As teenagers on the banks of the Red River, they pledged themselves to each other with a kiss borne of true love. Ryan, a star quarterback, receives a scholarship. Furious when Alyssa ends their relationship, they don't speak till the following summer. In an enchanted riverside clearing where only the truest of love casts a spell, magic transpires their first time together. But devastation strikes and Ryan blames her, so Alyssa does what she does best. She runs away, away from the pain, and away from the guilt. Until ten years later… She'd recognize that scar on Ryan's hand half-blind. He'd carved a heart in the tree, accidentally slicing it open that wondrous night. But their love cannot be denied, and together they heal.
Originally published in 1994, Portrait of a Racist is an astonishing biography of Byron De La Beckwith (1920-2001), who murdered Black civil rights leader Medgar Evers in June 1963. Written by Beckwith's nephew by marriage, the book is based on dozens of exclusive personal interviews with Beckwith and people who knew him--as well as letters Beckwith wrote directly to the author. These unique sources provide as definitive a glimpse into the chilling psychological landscape of a man devoted to murderous intolerance as we will likely ever have. Although the slaying of Evers helped to galvanize the civil rights movement in the South, the killer evaded justice for three decades after the crime. Twice tried for murder in the 1960s--both times by all- male, all-White juries--Beckwith was finally convicted in a third trial in 1994. Accompanied by new illustrations that have never been printed before, this new edition includes an afterword that recounts the author's participation as a witness and his introduction of new evidence in the third trial. It also chronicles Beckwith's last years of declining health behind bars, examines the rich scholarship on Evers and civil rights that has arisen since this book's original appearance, and reflects on the catastrophic persistence of Beckwith's ideology-- Christian nationalism and white supremacy--in our own times.
"Jody Hedlund's novels are a joy to read."--ELIZABETH CAMDEN, RITA and Christy Award-winning author "A historical romance reader's delight. Treat yourself! Jody Hedlund does not disappoint."--ROBIN LEE HATCHER, Christy Award-winning author Haunted by the death of her sister, Finola Shanahan has resolved that she's not worthy of a family of her own and commits to spending her days caring for immigrants in the slums. When Finola sabotages yet another unwanted relationship her parents arranged for her, her father calls upon the local Irish matchmaker, who pairs her with successful wagonmaker Riley Rafferty. Finola quickly realizes her usual tricks won't work on him, however, as she cannot outsmart or outwit the dashing, determined, and daring man. A candidate in the St. Louis mayoral election, Riley is confident a union with the wealthy Shanahan family will help solidify his chances of winning--and even more assured he and Finola can make a difference together. When a cholera outbreak begins to take St. Louis by storm, they must navigate a burgeoning attraction and growing danger testing all they know about love and sacrifice.
Clementine Hunter (1887--1988) painted every day from the 1930s until several days before her death at age 101. As a cook and domestic servant at Louisiana's Melrose Plantation, she painted on hundreds of objects available around her -- glass snuff bottles, discarded roofing shingles, ironing boards -- as well as on canvas. She produced between five and ten thousand paintings, including her most ambitious work, the African House Murals. Scenes of cotton planting and harvesting, washdays, weddings, baptisms, funerals, Saturday night revelry, and zinnias depict experiences of everyday plantation life along the Cane River. More than a personal record of Hunter's life, her paintings also reflect the social, material, and cultural aspects of the area's larger African American community. Drawing on archival research, interviews, personal files, and a close relationship with the artist, Art Shiver and Tom Whitehead offer the first comprehensive biography of this self-taught painter, who attracted the attention of the world. Shiver and Whitehead trace Hunter's childhood, her encounters at Melrose with artists and writers, such as Alberta Kinsey and Lyle Saxon, and the role played by eccentric François Mignon, who encouraged and promoted her art. The authors include rare paintings and photographs to illustrate Hunter's creative process and discuss the evolution of her style. The book also highlights Hunter's impact on the modern art world and provides insight into a decades-long forgery operation that Tom Whitehead helped uncover. This recent attention reinforced the uniqueness of Hunter's art and confirmed her place in the international art community, which continues to be inspired by the life and work of Clementine Hunter.
“I am not a civil rights hero. I am a warrior, and I am on a mission from God.” —James Meredith James Meredith engineered two of the most epic events of the American civil rights era: the desegregation of the University of Mississippi in 1962, which helped open the doors of education to all Americans; and the March Against Fear in 1966, which helped open the floodgates of voter registration in the South. Part memoir, part manifesto, A Mission from God is James Meredith’s look back at his courageous and action-packed life and his challenge to America to address the most critical issue of our day: how to educate and uplift the millions of black and white Americans who remain locked in the chains of poverty by improving our public education system. Born on a small farm in Mississippi, Meredith returned home in 1960 after nine years in the U.S. Air Force, with a master plan to shatter the system of state terror and white supremacy in America. He waged a fourteen-month legal campaign to force the state of Mississippi to honor his rights as an American citizen and admit him to the University of Mississippi. He fought the case all the way to the Supreme Court and won. Meredith endured months of death threats, daily verbal abuse, and round-the-clock protection from federal marshals and thousands of troops to became the first black graduate of the University of Mississippi in 1963. In 1966 he was shot by a sniper on the second day of his “Walk Against Fear” to inspire voter registration in Mississippi. Though Meredith never allied with traditional civil rights groups, leaders of civil rights organizations flocked to help him complete the march, one of the last great marches of the civil rights era. Decades later, Meredith says, “Now it is time for our next great mission from God. . . . You and I have a divine responsibility to transform America.”
Perfect for fans of Janet Evanovich and Jana DeLeon, Elise Sax’s wickedly funny Matchmaker Mysteries series proves that the road to love comes with a few dead ends. The Books 1-4 Boxed Set is a page-turning beach read and a small town mystery romance and includes the books An Affair to Dismember, Citizen Pain, The Wizard of Saws, and Field of Screams. "Elise Sax will win your heart."--New York Times bestselling author Jill Shalvis * "Sax will make you laugh. Her larger-than-life characters jump off the page and make crazy seem like a fun place to hang out."—New York Times bestselling author Christie Craig * “Elise Sax belongs on every bookshelf.”—New York Times bestselling author Melissa Foster * "With quirky characters reminiscent of Janet Evanovich's Stephanie Plum series and a small-town heroine redolent of Charlaine Harris' Sookie Stackhouse" --RT Book Reviews * "Fans of laugh-out-loud romantic suspense will enjoy this new author as she joins the ranks of Janet Evanovich."--Booklist, on An Affair to Dismember An Affair to Dismember: * Three months has been Gladie Burger’s limit when it comes to staying in one place. That’s why Gladie is more than a little skeptical when her Grandma Zelda—who is more than a little psychic—recruits her into the family’s matchmaking business in the quaint small town of Cannes, California. What’s more, Gladie is also highly unqualified, having a terrible track record with romance. Still, Zelda is convinced that her granddaughter has her clairvoyant “gift.” But when the going gets tough, Gladie wonders if this gift has a return policy. * When Zelda’s neighbor drops dead in his kitchen, Gladie is swept into his bizarre family’s drama. Despite warnings from the (distractingly gorgeous) chief of police to steer clear of his investigation, Gladie is out to prove that her neighbor’s death was murder. It’s not too long before she’s in way over her head—with the hunky police chief, a dysfunctional family full of possible killers, and yet another mysterious and handsome man, whose attentions she’s unable to ignore. Gladie is clearly being pursued—either by true love or by a murderer. Who will catch her first? * Citizen Pain: * Since joining the family matchmaking business run by her eccentric and psychic Grandma Zelda, Gladie is always looking for love. But when an unbearable toothache knocks her out of commission and into the dentist’s chair, she prays only for relief. No such luck. Emerging from an anesthetic haze, Gladie awakes to find that not only is her tooth still throbbing, but her dentist is dead—and the lead suspect in the murder, office receptionist Belinda, just so happens to be Gladie’s first real client. Now it’s up to Gladie to find Belinda a man and keep her from being locked up behind bars. * As if that weren’t enough distraction, two gorgeous men are vying for Gladie’s attention: Spencer, the playboy chief of police, and Holden, Gladie’s secretive, gorgeously muscled neighbor. Still, Gladie’s not complaining about having a helping hand or two when the case leads her to a dangerously bizarre cult. She may have met her match—and if she’s not careful, it could be her last. * The Wizard of Saws: * Five months have passed since Gladie Burger came to Cannes, California, to join her eccentric Grandma Zelda in the family matchmaking business, and Gladie is quickly mastering the rules of attraction. Her latest fix-up is still going strong and Gladie’s bank account is back in the black—until a rival matchmaker arrives in town and has both Gladie and Zelda seeing red. * Not only is self-proclaimed psychic Luanda Laughing-Eagle stealing Grandma Zelda’s clients, but Zelda is convinced that Luanda’s ESP is total BS. She tasks Gladie with exposing Luanda as a fraud, but Gladie’s attention is diverted when murder comes a-calling. Spencer Bolton, the gorgeous chief of police and Gladie’s on-again, off-again flame, wants her to stay out of the investigation–and away from the deliciously chiseled detective who also aims to win Gladie’s heart. But the one thing Gladie’s learned is that in business, love and murder . . . it’s always personal. * Field of Screams: * Since joining the family matchmaking business run by her eccentric and psychic Grandma Zelda, Gladie has had little success. Involved on one level or another—hot sex, almost committed, and crying in her pillow—with three men, Gladie distracts herself by giving up on matchmaking and starting a new career. But when Gladie stumbles on body parts of dead baseball players all over town, she’s dragged into solving yet another murder mystery. With her life in chaos and the killer getting closer, Gladie has to come to terms with the fact that love is murder.
Best known as the woman who “ran MGM,” Ida R. Koverman (1876–1954) served as talent scout, mentor, executive secretary, and confidant to American movie mogul Louis B. Mayer for twenty-five years. She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman is the first full account of Koverman’s life and the true story of how she became a formidable politico and a creative powerhouse during Hollywood’s Golden Era. For nearly a century, Koverman’s legacy has largely rested on a mythical narrative while her more fascinating true-life story has remained an enduring mystery—until now. This story begins with Koverman’s early years in Ohio and the sensational national scandal that forced her escape to New York where she created a new identity and became a leader among a community of women. Her second incarnation came in California where she established herself as a hardcore political operative challenging the state’s progressive impulse. During the Roaring Twenties, she was a key architect of the Southland’s conservative female-centric partisan network that refashioned the course of state and national politics and put Herbert Hoover in the White House. As “the political boss of Los Angeles County,” she was the premiere matchmaker in the courtship between Hollywood and national partisan politics, which, as Mayer’s executive secretary, was epitomized by her third incarnation as “one of the most formidable women in Hollywood,” whose unparalleled power emanated from her unique perch inside the executive suite of Metro-Goldwyn-Mayer. Free to adapt her managerial skills and political know-how on behalf of the studio, she quickly drew upon her artistic sensibilities as a talent scout, expanding MGM’s catalog of stars and her own influence on American popular culture. Recognized as “one of the invisible power centers in both MGM and the city of Los Angeles,” she nurtured the city’s burgeoning performing arts by fostering music and musicians and the public financing of them. As the “lioness” of MGM royalty, Ida Koverman was not just a naturalized citizen of the Hollywood kingdom; at times during her long reign, she “damn near ran the studio.”