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"Henry Peter Bosse (1844-1903) is now recognized as the leading photographer of the Mississippi River during the late nineteenth century: he extensively photographed the Upper Mississippi from 1883 to 1893, a time of unprecedented environmental and social change. His work was practically unknown until five separate volumes of his photographs were discovered within the past decade. Since then, his photographs have been exhibited at the Smithsonian and other national museums and purchased by private art collectors around the world." "Views on the Mississippi brings together for the first time almost one hundred of Bosse's most stunning images. These photographs, tracing the river from Minneapolis to St. Louis, capture the Mississippi as it was being transformed from an untamed natural wonder to a modern commercial highway. Presenting wagon and railroad bridges, towns and villages along the banks, and the steamboats that served them, Bosse's photography depicts the river at the fulcrum between the nostalgic, romantic era recorded by Mark Twain and the coming century of industrial development and environmental alterations (the navigation projects of the Army Corps are among the changes documented by Bosse). Also included is a detailed reproduction of Bosse's rare landmark map of the river, first published in 1887-88."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Beginning in 1611 with the King James Bible and ending in 2014 with Elizabeth Kolbert's 'The Sixth Extinction', this extraordinary voyage through the written treasures of our culture examines universally-acclaimed classics such as Pepys' 'Diaries', Charles Darwin's 'The Origin of Species', Stephen Hawking's 'A Brief History of Time' and a whole host of additional works --
"Life on the Mississippi" is a memoir by Mark Twain, published in 1883. In this work, Twain reflects on his experiences as a steamboat pilot on the Mississippi River before the Civil War, as well as his return to the river years later as a passenger and observer of the changes that had occurred. The book is a combination of memoir, travelogue, and social commentary, offering a vivid depiction of life along the Mississippi River during the mid-19th century. Twain describes the bustling river towns, the colorful characters he encountered, and the challenges and dangers of navigating the river. "Life on the Mississippi" also explores broader themes such as the passage of time, the impact of technological advancements, and the nostalgic longing for a bygone era. Twain's witty and engaging writing style shines throughout the book, making it both entertaining and thought-provoking. Overall, "Life on the Mississippi" is not only a valuable historical document but also a literary masterpiece that continues to captivate readers with its humor, insight, and vivid portrayal of a vanishing way of life.
?Mark Twain was the first truly American writer, and all of us since are his heirs.? --William Faulkner A brilliant amalgam of remembrance and reportage, by turns satiric, celebratory, nostalgic, and melancholy, Life on the Mississippi evokes the great river that Mark Twain knew as a boy and young man and the one he revisited as a mature and successful author. Written between the publication of his two greatest novels, Tom Sawyer and Huckleberry Finn, Twain?s rich portrait of the Mississippi marks a distinctive transition in the life of the river and the nation, from the boom years preceding the Civil War to the sober times that followed it. Library of America Paperback Classics feature authoritative texts drawn from the acclaimed Library of America series and introduced by today?s most distinguished scholars and writers. Each book features a detailed chronology of the author?s life and career, and essay on the choice of the text, and notes. The contents of this Paperback Classic are drawn from Mark Twain: Mississippi Writings, volume number 5 in the Library of America series. It is joined in the series by six companion volumes, gathering the collected works of Mark Twain.
The Mississippi River is, in many ways, the nation's best known and most important river system. Mississippi River water quality is of paramount importance for sustaining the many uses of the river including drinking water, recreational and commercial activities, and support for the river's ecosystems and the environmental goods and services they provide. The Clean Water Act, passed by Congress in 1972, is the cornerstone of surface water quality protection in the United States, employing regulatory and nonregulatory measures designed to reduce direct pollutant discharges into waterways. The Clean Water Act has reduced much pollution in the Mississippi River from "point sources" such as industries and water treatment plants, but problems stemming from urban runoff, agriculture, and other "non-point sources" have proven more difficult to address. This book concludes that too little coordination among the 10 states along the river has left the Mississippi River an "orphan" from a water quality monitoring and assessment perspective. Stronger leadership from the U.S. Environmental Protection Agency (EPA) is needed to address these problems. Specifically, the EPA should establish a water quality data-sharing system for the length of the river, and work with the states to establish and achieve water quality standards. The Mississippi River corridor states also should be more proactive and cooperative in their water quality programs. For this effort, the EPA and the Mississippi River states should draw upon the lengthy experience of federal-interstate cooperation in managing water quality in the Chesapeake Bay.
How the West Was Drawn explores the geographic and historical experiences of the Pawnees, the Iowas, and the Lakotas during the European and American contest for imperial control of the Great Plains during the eighteenth and nineteenth centuries. David Bernstein argues that the American West was a collaborative construction between Native peoples and Euro-American empires that developed cartographic processes and culturally specific maps, which in turn reflected encounter and conflict between settler states and indigenous peoples. Bernstein explores the cartographic creation of the Trans-Mississippi West through an interdisciplinary methodology in geography and history. He shows how the Pawnees and the Iowas—wedged between powerful Osages, Sioux, the horse- and captive-rich Comanche Empire, French fur traders, Spanish merchants, and American Indian agents and explorers—devised strategies of survivance and diplomacy to retain autonomy during this era. The Pawnees and the Iowas developed a strategy of cartographic resistance to predations by both Euro-American imperial powers and strong indigenous empires, navigating the volatile and rapidly changing world of the Great Plains by brokering their spatial and territorial knowledge either to stronger indigenous nations or to much weaker and conquerable American and European powers. How the West Was Drawn is a revisionist and interdisciplinary understanding of the global imperial contest for North America’s Great Plains that illuminates in fine detail the strategies of survival of the Pawnees, the Iowas, and the Lakotas amid accommodation to predatory Euro-American and Native empires.
In 1932, the city of Natchez, Mississippi, reckoned with an unexpected influx of journalists and tourists as the lurid story of a local murder was splashed across headlines nationwide. Two eccentrics, Richard Dana and Octavia Dockery—known in the press as the "Wild Man" and the "Goat Woman"—enlisted an African American man named George Pearls to rob their reclusive neighbor, Jennie Merrill, at her estate. During the attempted robbery, Merrill was shot and killed. The crime drew national coverage when it came to light that Dana and Dockery, the alleged murderers, shared their huge, decaying antebellum mansion with their goats and other livestock, which prompted journalists to call the estate "Goat Castle." Pearls was killed by an Arkansas policeman in an unrelated incident before he could face trial. However, as was all too typical in the Jim Crow South, the white community demanded "justice," and an innocent black woman named Emily Burns was ultimately sent to prison for the murder of Merrill. Dana and Dockery not only avoided punishment but also lived to profit from the notoriety of the murder by opening their derelict home to tourists. Strange, fascinating, and sobering, Goat Castle tells the story of this local feud, killing, investigation, and trial, showing how a true crime tale of fallen southern grandeur and murder obscured an all too familiar story of racial injustice.
Life on the Mississippi (1883) is a memoir by Mark Twain of his days as a steamboat pilot on the Mississippi River before the American Civil War. It is also a travel book, recounting his trip along the Mississippi River from St. Louis to New Orleans many years after the war.