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Zahir, a hardened terrorist from Pakistan, has infiltrated the Indian territory on a mission of jihad against the Indian Army. Karim, a Kashmiri youth radicalised by Zahir, helps him in his operations, only to realise that the blood and gore are not helping Kashmir and its people. Zeenat, a young Kashmiri girl, joins the Indian Army as an Intelligence Officer, who excels in her training and is posted in her native state. Will Zahir get away with his sinister plot? Will Karim have the courage to follow the right path? Can Zeenat stop the terror attacks and counter the enemy’s plans? Read this gripping story of an intelligence mission in the valley to counter terrorism through an intricately woven operation. MISSION KASHMIR is largely inspired from real life events that continue to pave the way for a happier, safer Kashmir.
Within Weeks Of The Birth Of Independent India, The Kashmir Valley Was In Flames. Indian Troops Were Fighting Against Invading Pathan Tribesmen Who Sought To Claim The Princely State For Pakistan. These Were The First Sparks In A Conflict Which Remains Unresolved. Attempts To Establish How The Kashmir Dispute First Erupted Have Been Obscured And Impeded By Competing Nationalisms. Retrieving Stories Of Attackers And Survivors, Looters And Looted, Fighters And Civilians, Andrew Whitehead Sets Out To Write A Full And Impartial Account Of How Kashmir Became A Theatre Of War. He Has Gathered A Remarkable Range Of First-Hand Testimonies Of The Most Notorious Episode In The Invasion The Desecration Of A Convent And Mission Hospital In The Riverside Town Of Baramulla-Including One Written By A Missionary Priest And Never Consulted Before. It Provides A Powerful Human Dimension To What Is Often Seen As A Dispute About Territory. In The Process We Come Closer To Resolving Questions That Have For Decades Been The Subject Of Controversy: Who Were The Invaders? Were They Commanded By Pakistan? What Support Did They Get From Local Kashmiris? And Why, When Srinagar Was At Their Mercy, Did They Fail To Capture The Kashmir Capital? Apart From Making Brilliant Use Of Oral History, Andrew Whitehead Has Uncovered Archive Documents Which Challenge Both Indian And Pakistani Accounts Of The Genesis Of The Kashmir Dispute. Also Unearthed Is A Letter From Kashmir S Last Maharaja, Written At The Height Of The Crisis, Requesting Immediate Accession To India. Rigorously Researched And Immensely Readable, This Book Not Only Explains How The Kashmir Conflict Started But Also Why It Has Proved So Difficult To Solve.
Terror and the Postcolonial is a major comparative study of terrorism and its representations in postcolonial theory, literature, and culture. A ground-breaking study addressing and theorizing the relationship between postcolonial studies, colonial history, and terrorism through a series of contemporary and historical case studies from various postcolonial contexts Critically analyzes the figuration of terrorism in a variety of postcolonial literary texts from South Asia, Africa, and the Middle East Raises the subject of terror as both an expression of globalization and a postcolonial product Features key essays by well-known theorists, such as Robert J. C. Young, Derek Gregory, and Achille Mbembe, and Vron Ware
A result of territorial disputes between India and Pakistan since 1947, exacerbated by armed freedom movements since 1989, the ongoing conflict over Kashmir is consistently in the news. Taking a unique multidisciplinary approach, Territory of Desire asks how, and why, Kashmir came to be so intensely desired within Indian, Pakistani, and Kashmiri nationalistic imaginations.
The Nation in War: A Study of Military Literature and Hindi War Cinema explores the notions of nation and nationalism as they emerge in war narratives, specifically military literature and war films in popular Hindi cinema. This book is an interesting examination of how the discourses of military literature and war films construct the subject, namely “nation”. The Indian nation faces a multi-pronged attack from neighbouring countries that seek territorial aggrandizement, the forces of liberalization (economic and cultural), and from secessionist forces within the nation. In the face of such an attack, a plethora of discourses engages seriously in constructing an idea of the Indian nation and reinforcing the notion of an Indian identity. The nation may have come into existence as a political entity in August 1947, but the nation as a cultural, social, and economic entity is constantly in the making. The Nation in War addresses concerns such as: What narrative modes are deployed to create consensus for war? How do war narratives further the statist agenda? What is the link between the war waged by the national army and that by the insurgents? How do war narratives construct women as national subjects? These questions, and more, are addressed using theoretical insights from various disciplinary positions, such as feminist, postcolonial and film studies. The book will be of interest to scholars of cultural studies, film studies, feminist studies, political science and sociology.
As various nations wrestle with issues of immigration, integration, and pluralism, second-generation immigrants are exploring new ways to make sense of who they are and where they belong in the face of competing cultural demands. Dreaming in Canadian turns the spotlight on the role of Bollywood cinema in the production of cultural, religious, and national identities among South Asian youth in Toronto, Vancouver, and Ottawa. By documenting the voices of these young adults and how they draw on media in the formation of uniquely hybrid identities, this book interrogates the realities that underpin media portrayals of diaspora, nationalism, and multiculturalism.
Dongri to Dubai is the first ever attempt to chronicle the history of the Mumbai mafia. It is the story of notorious gangsters like Haji Mastan, Karim Lala, Varadarajan Mudaliar, Chhota Rajan, Abu Salem, but above all, it is the story of a young man who went astray despite having a father in the police force. Dawood Ibrahim was initiated into crime as a pawn in the hands of the Mumbai police and went on to wipe out the competition and eventually became the Mumbai police’s own nemesis.The narrative encompasses several milestones in the history of crime in India, from the rise of the Pathans, formation of the Dawood gang, the first ever supari, mafia’s nefarious role in Bollywood, Dawood’s move to Karachi, and Pakistan’s subsequent alleged role in sheltering one of the most wanted persons in the world.This story is primarily about how a boy from Dongri became a don in Dubai, and captures his bravado, cunningness, focus, ambition, and lust for power in a gripping narrative. The meticulously researched book provides an in-depth and comprehensive account of the mafia’s games of supremacy and internecine warfare.
Presents several essays in studies of Indian literature and film, by discussing how key authors offer contending, 'alternative' visions of India and how poetry, fiction and film can revise both the communal and secular versions of national belonging thatdefine current debates about 'Indianness'.
India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.