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Anthony roared, went after him, Leo had a gun pointed it at him, made him turn or he'd shoot him. He did Leo struck him on his head knocking him unconscious.Carol, Leo's girlfriend worse of the girls ripped Caryn's blouse off. Smacked her, kicked her from behind. With a heated branding iron, burned WOP into her shoulder, "You won't wear a strapless gown anymore bitch!" Caryn never uttered a sound and in terrible pain.The guys tossed her to each other, made sure to tear a piece of clothing off.Scum-ball Leo's so excited at finally going to rape the WOP that he shot himself in the foot. He put the gun into unconscious Anthony's hand. He's going to do what he really came for. Yelled, "I'm going to screw the WOP slut 1st!" threw Caryn to the floor, 4 guys held her hands and feet, dropped his pants with his penis in erection. She's wiggling making him furious.He went to kick her, before he could, there stood the Ambrose's, Father and Son holding shot guns.
Winner, 2022 Frank S. and Elizabeth D. Brewer Prize While the idea that successful missions needed Indigenous revolts and missionary deaths seems counterintuitive, this book illustrates how it became a central logic of frontier colonization in Spanish North America. Missions Begin with Blood argues that martyrdom acted as a ceremony of possession that helped Jesuits understand violence, disease, and death as ways that God inevitably worked to advance Christendom. Whether petitioning superiors for support, preparing to extirpate Native “idolatries,” or protecting their conversions from critics, Jesuits found power in their persecution and victory in their victimization. This book correlates these tales of sacrifice to deep genealogies of redemptive death in Catholic discourse and explains how martyrological idioms worked to rationalize early modern colonialism. Specifically, missionaries invoked an agricultural metaphor that reconfigured suffering into seed that, when watered by sweat and blood, would one day bring a rich harvest of Indigenous Christianity.
In this thrilling sequel to the author's Twisted Tango, former OSS officer Pete Benton finds himself in Washington, D.C. in the summer of 1951, working for a Department of Justice task force investigating organized crime. When a member of the task force is found near dead from a brutal beating, Pete and his wife Mara are confronted with the possibility that they might be next to suffer from an attack. But a greater danger lurks when the Bentons unknowingly become the targets of revenge from the powerful first lady of Argentina, Evita Pern, still bitter over Pete's efforts to spy on her and Juan Pern six years earlier. David Friedman, the man who recruited Benton in Buenos Aires, is now working for the Central Intelligence Agency, continuing his relentless pursuit of Nazi war criminals. In that effort, Friedman himself is recruited by a beautiful Israeli intelligence officer to provide information on Nazi war criminals relocated by the CIA to the United States. Reunited in the nation's capital, the Bentons and Friedman find themselves caught up in a tangled web of intrigue, deceit, betrayal, and revenge that puts them all in peril.
Tom Miller's Southwest is a vortex of cockfights and cantinas, of black velvet paintings and tacky bolo ties, of eco-militants, border-crossers, and eccentric characters whose outlook is as spare and elemental as the desert that surrounds them. This is Miller's turf. With wit and insight, he reveals how the clichés of romanticism and capitalism have run amuck in his homeland. When a saguaro cactus outside Phoenix kills its own assassin, it becomes clear that no other guide to the Southwest manifests such a clear moral vision while reveling in the joy of this magnificent land and its people. Originally published by National Geographic as Jack Ruby's Kitchen Sink, it received the Gold Award for Best Travel Book in 2000 from the Society of American Travel Writers. Tom Miller has been writing about the American Southwest and Latin America for more than three decades. His ten books include The Panama Hat Trail, which follows the making and marketing of one Panama hat, and Trading with the Enemy, which Lonely Planet says "may be the best travel book about Cuba ever written." Miller began his journalism career in the underground press of the late '60s and early '70s, and has written articles for The New York Times, The Washington Post, The New Yorker, Smithsonian Magazine, Natural History, and Rolling Stone. He lives in Tucson, Arizona, with his wife, Regla.
Derrik Vargas has a past that remains a mystery, even to himself. The maelstrom he is continually caught up in keeps him from delving into the mounting questions he has regarding his past and the seemingly never-ending violent and unrelenting chain of events he must try to survive. Derrik doesn't know that his past is on a collision course with his present, and the casualty rate will only increase as he draws closer to the facts that are truly stranger than fiction. He must quickly unravel this mystery or perish in its inexorable wake. This is an epic tale that chronicles events with a depth and breadth rarely depicted. Find out what Derrik's fate will be as the story unfolds and an unlikely truth is revealed. What does it all have to do with the so-called God of Vengeance?
A full-text reporter of decisions rendered by Federal and State courts throughout the United States on Federal and State employment practices problems.