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“[A] gripping, and at times unsettling, history of . . . the Zeytun Gospels, a lavishly illuminated Armenian book that miraculously survived centuries of war.” —The Wall Street Journal In 2010, the world’s wealthiest art institution, the J. Paul Getty Museum, found itself confronted by a century-old genocide. The Armenian Church was suing for the return of eight pages from the Zeytun Gospels, a manuscript illuminated by the greatest medieval Armenian artist, Toros Roslin. Protected for centuries in a remote church, the holy manuscript had followed the waves of displaced people exterminated during the Armenian genocide. Passed from hand to hand, caught in the confusion and brutality of the First World War, it was cleaved in two. Decades later, the manuscript found its way to the Republic of Armenia, while its missing eight pages came to the Getty. This is the biography of a manuscript that is at once art, sacred object, and cultural heritage. Its tale mirrors the story of its scattered community as Armenians have struggled to redefine themselves after genocide and in the absence of a homeland. Heghnar Zeitlian Watenpaugh follows in the manuscript’s footsteps through seven centuries, from medieval Armenia to the killing fields of 1915 Anatolia, the refugee camps of Aleppo, Ellis Island, and Soviet Armenia, and ultimately to a Los Angeles courtroom. Reconstructing the path of the pages, Watenpaugh uncovers the rich tapestry of an extraordinary artwork and the people touched by it. At once a story of genocide and survival, of unimaginable loss and resilience, The Missing Pages captures the human costs of war and persuasively makes the case for a human right to art. “A well-told tale of the history of the Armenian people [and] a wondrous and terrifically engrossing journey of this sacred religious object and priceless work of art.”—Michael Bazyler, author of Holocaust Justice: The Battle for Restitution in America’s Courts
Cooper & Mansbach team with some of today’s most talented writers to vitalize American history. “This is a ‘people’s history’ with tongue in cheek: delightfully funny, imaginative, but with a subtle undertone of seriousness. I enjoyed it immensely.” —Howard Zinn, author of A People’s History of the United States History is distorted the moment it’s recorded—and in these politically dishonest times, challenging the stories we’re told is more important than ever. In this groundbreaking anthology of original fiction, a diverse group of America’s best writers takes on the task of creating counter-narratives to mainstream American history. Here are some of the moments and the people left out of the textbooks. Here is what else happened—on the margins of American life, and in between the lines of our history books. A Fictional History of the United States with Huge Chunks Missing brings together an eclectic array of celebrated authors and cartoonists to create a patchwork, anecdotal history of this complicated country. From the Chinese discovery of America in 1426 to the new McCarthyism of a post–9/11 world, this collection recasts everything from the moon landing to the Lindbergh kidnapping, westward expansion to the sexual proclivities of Civil War officers. Riveting, inventive, and politically vital, this anthology picks up—and yanks on—America’s supposed commitment to seeking the truth . . . even if that truth is revealed in fiction. Original stories & artwork by: Daniel Alarcon, Amy Bloom, Kate Bornstein, Alexander Chee, T Cooper, Keith Knight, Ron Kovic, Paul La Farge, Felicia Luna Lemus, Adam Mansbach, Valerie Miner, Tommy O’Malley, Neal Pollack, David Rees, Sarah Schulman, Darin Strauss, and Benjamin Weissman.
This title is Scheffer's account of the international gamble to prosecute those responsible for genocide, war crimes, and crimes against humanity, and to redress some of the bloodiest human rights atrocities in our time.
As political dishonesty continues to infect the ongoing process of history's creation, a diverse group of America's best fiction writers take on the challenge of creating counter-narratives. This ground-breaking anthology seeks to challenge, tease and expand upon the hegemonic, single narrative of mainstream American history - moving beyond the canonical to create a patchwork, anecdotal history of the young nation. Here are the moments and the people left out of the textbooks.
Historically, major women artists have been excluded from the mainstream art canon. Aligned with the resurgence of feminism in pop culture, Broad Strokes offers an entertaining corrective to that omission. Art historian Bridget Quinn delves into the lives and careers of 15 female artists from around the globe in text that's smart, feisty, educational, and an enjoyable read. Replete with beautiful reproductions of the artists' works and contemporary portraits of each artist by renowned illustrator Lisa Congdon, this is art history from the Renaissance to Abstract Expressionism for the modern art lover, reader, and feminist.
A literary history of our most influential book of all time, by an Oxford scholar and Anglican priest In our culture, the Bible is monolithic: It is a collection of books that has been unchanged and unchallenged since the earliest days of the Christian church. The idea of the Bible as "Holy Scripture," a non-negotiable authority straight from God, has prevailed in Western society for some time. And while it provides a firm foundation for centuries of Christian teaching, it denies the depth, variety, and richness of this fascinating text. In A History of the Bible, John Barton argues that the Bible is not a prescription to a complete, fixed religious system, but rather a product of a long and intriguing process, which has inspired Judaism and Christianity, but still does not describe the whole of either religion. Barton shows how the Bible is indeed an important source of religious insight for Jews and Christians alike, yet argues that it must be read in its historical context--from its beginnings in myth and folklore to its many interpretations throughout the centuries. It is a book full of narratives, laws, proverbs, prophecies, poems, and letters, each with their own character and origin stories. Barton explains how and by whom these disparate pieces were written, how they were canonized (and which ones weren't), and how they were assembled, disseminated, and interpreted around the world--and, importantly, to what effect. Ultimately, A History of the Bible argues that a thorough understanding of the history and context of its writing encourages religious communities to move away from the Bible's literal wording--which is impossible to determine--and focus instead on the broader meanings of scripture.
New York Times bestselling author Barbara Leaming answers the question: What was it like to be Mrs. John F. Kennedy during the dramatic thousand days of the Kennedy presidency? Here for the first time is the full story of the extravagant interplay of sex and politics that constitutes one of modern history's most spectacular dramas. Drawing from recently declassified top-secret material, as well as revelatory eyewitness accounts, Secret Service records, and Jacqueline Kennedy’s personal letters, bestselling biographer Barbara Leaming answers the question: what was it like to be Mrs. John F. Kennedy during the dramatic thousand days of the Kennedy presidency? Brilliantly researched, Leaming’s poignant and powerful chronicle illuminates the tumultuous day-to-day life of a woman who entered the White House at age thirty-one, seven years into a complex and troubled marriage, and left at thirty-four after her husband's assassination. Revealing the full story of the interplay of sex and politics in Washington, Mrs. Kennedy will indelibly challenge our vision of this fascinating woman, and bring a new perspective to her crucial role in the Kennedy presidency.
“Examines all the possible fates of the famous IX legion . . . takes you on a fascinating detective journey through all the corners of the Roman Empire.” —History . . . The Interesting Bits! Legio IX Hispana had a long and active history, later founding York from where it guarded the northern frontiers in Britain. But the last evidence for its existence in Britain comes from AD 108. The mystery of their disappearance has inspired debate and imagination for decades. The most popular theory, immortalized in Rosemary Sutcliffe’s novel The Eagle of the Ninth, is that the legion was sent to fight the Caledonians in Scotland and wiped out there. But more recent archaeology (including evidence that London was burnt to the ground and dozens of decapitated heads) suggests a crisis, not on the border but in the heart of the province, previously thought to have been peaceful at this time. What if IX Hispana took part in a rebellion, leading to their punishment, disbandment and damnatio memoriae (official erasure from the records)? This proposed ‘Hadrianic War’ would then be the real context for Hadrian’s ‘visit’ in 122 with a whole legion, VI Victrix, which replaced the ‘vanished’ IX as the garrison at York. Other theories are that it was lost on the Rhine or Danube, or in the East. Simon Elliott considers the evidence for these four theories, and other possibilities. “A great and fascinating read . . . a page turner . . . The book offers some interesting and intriguing ideas around the fate of the Ninth.” —Irregular Magazine “An historical detective story pursued with academic rigour.” —Clash of Steel “A seminal and landmark study.” —Midwest Book Review
"In the vein of The Lovely Bones and The Little Friend, Ghosts of the Missing follows the mysterious disappearance of a twelve-year-old girl during a town parade and the reverberations of this tragedy throughout the town"--