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"Listen to your heart..." When Joey Cale is almost knocked down by a car, he finds himself alone in a world which is familiar but also ominously different. Can he overcome the odds and the threat of the terrifying Screamers to find his way home, or is he doomed to be lost forever amongst The Missing? The first book in an exciting new trilogy.
“Something came from somewhere else and crashed onto Trafalgar Square.” Joey Cale thought he was going home but instead has ended up on another version of Earth just as dangerous as the last. Aided by his friends, he must discover the cause of one of the greatest disasters Britain has seen. But a threat as old as time is pursuing him and will do anything to stop him. Who are the sinister Green Jackets? Why are the birds gathering and watching? And what is buried in a wall deep beneath London? Beat Surrender is the second book in the heart-stopping trilogy which began with Missing Beat.
Sangeet loves music, and she's good at composing it, too. Her favourite instruments are the tablay. One day, Sangeet hears all kinds of noises everywhere and together, they have the most incredible beat. But when she tries to play it on her tablay-- something is missing! Will Sangeet be able to find her Missing Beat? Teacher resources available on publisher website: rebelmountainpress.com/sangeet-and-the-missing-beat-teacher-resources
“The Liver Birds were dead and the city had died with them…” Can it really be that evil has won and the world has fallen? Raj Chowdhury must lead a group of survivors on one last quest to confront their adversary, the hideously changed Saunders, who is now at the peak of his powers. They must brave the dreaded Screamers and treachery in their own ranks. As the journey which began with Missing Beat reaches its nail-biting climax, who will survive? And where, exactly, are Joey Cale and Emma Winrush? Perfect Beat is the final book in the heart-stopping trilogy that includes Missing Beat and Beat Surrender.
'I wish I had copies like this at Drama School. Essential notes on the language for those who will get up and speak it, not purely for those who will sit and study it. An incredibly useful tool with room on every page to make notes. Next time I'm in rehearsal on a Shakespeare play, I have no doubt that a copy from this series will be in my hand.' ADRIAN LESTER, Actor, Director and Writer Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Each edition offers: -Facing-page notes -Short, clear definitions of words -Easily accessible information about key textual variants -Notes on pronunciation of difficult names and unfamiliar words -An easy to read layout -Space to write notes -A short introduction to the play
King Lear has ruled for many years. As age overtakes him, he divides his kingdom amongst his children. Misjudging their loyalty, he soon finds himself stripped of all the trappings of state, wealth and power that had defined him. Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate. Each edition offers: - Short, clear definitions of words - Information about key textual variants - Notes on pronunciation of difficult names and unfamiliar words - An easy to read layout with space to write your own notes - A short introduction to the play
In 1961, Beat writer Seymour Krim set Greenwich Village on its ear with a slim volume of essays that featured an unleashed voice, a brash title, and a foreword by Norman Mailer. James Baldwin called Views of a Nearsighted Cannoneer an "extraordinary volume." Saul Bellow published an excerpt in his journal The Noble Savage, and Mailer saluted Krim’s jazzy prose with its "shifts and shatterings of mood." Despite such praise and critical attention, Krim’s work is excluded from most Beat anthologies and is little known outside literary circles. With Missing a Beat, a collection of eighteen essays by Krim published between 1957 and 1989, Cohen introduces this influential writer to a new generation. In the Village Voice, New York Magazine, New York Times, and elsewhere, Krim pioneered a new style of subjective and personal reporting to write about the postwar American scene from a Jewish angle. Aggressively unacademic, Krim’s journalism displays the "rapid, nervous, breathless tempo" that Irving Howe called a hallmark of Jewish literature. Krim outlived his early literary fame, but he produced an impressive body of work and was a tremendous prose stylist. Missing a Beat resurrects an American original, finding Krim a new literary home among such celebrated writers as Norman Mailer, David Mamet, and Saul Bellow.
Off Beat: Pluralizing Rhythm draws attention to rhythm as a tool for analyzing various cultural objects. In fields as diverse as music, culture, nature, and economy, rhythm can be seen as a phenomenon that both connects and divides. It suggests a certain measure with which people, practices, and cultures may comply. Yet, for this very reason rhythm can also function as a field of exclusion, contestation, and debate. In that respect, rhythm possesses an underestimated meaning-creating potential. Whereas its connecting force is often accentuated in the aesthetic, political, and commercial usage of the term, the divisive aspect of rhythm is at least as important. This volume wants to rid rhythm of its harmless, nearly esoteric, reputation as a cosmic unifier by understanding it in the light of the contemporary medial turn. In the present collection of essays, we have encouraged approaches that combine political, aesthetic, musical, and theoretical dimensions of rhythm. Jan Hein Hoogstad is Assistant Professor in Comparative Literature and Cultural Analysis at the University of Amsterdam, the Netherlands. Birgitte Stougaard Pedersen is Associate Professor in the Section for Aesthetics and Culture, Department of Aesthetics and Communication, Aarhus University, Denmark.
On the outside, Josefina Navarro's life seems fortunate enough—she lives with her father and her nursemaid, Regla, who raises her after the death of her mother in a luxurious home in Vedado, one of Cuba's wealthiest districts. She attends society dances and is courted by all of Havana's elite young bachelors. Enchanted by the rituals of her nursemaid, Josefina learns about the profound mysticism inherent in even the most mundane affairs. Though she is pampered, Josefina feels that her life is without passion or excitement. Her father, Sergeant Antonio Navarro, a Spaniard by birth, is a stern and demanding man whose past is a tightly kept secret. When she meets and marries Lorenzo Concepción, a poor, reckless young man, the sergeant tells her, "So, you have chosen him...and you will be hungry and miserable all your life." The couple moves to El Cotorro, a poverty-stricken town that is far removed from the Vedado plazas and carefully tended gardens Josefina knew. Lorenzo begins to leave her for months at a time, "looking for work," but in reality, womanizing and carousing all over the island. Even after the birth of two healthy children, Josefina is not happy. This is not the life she had envisioned. During a political maelstrom, history brings the sergeant to El Cotorro to quell a riot, where he is attacked and presumed dead. But perception is reality on an island in which darkness and light commingle, and magic and truth are one in the same. When Josefina begins receiving letters from her father, she believes that what she holds are heaven's missives, ghost letters. Through the letters, Josefina comes to know her father intimately, as a ghost and guardian, as he reveals the truth about his life. In the act of writing and reading, she has found a love to fill the empty places in her heart. Set in Cuba and Miami, covering nearly fifty years of the island's history, LOVE AND GHOST LETTERS unfolds the lives of the Navarro-Concepción families in the patterns and permutations of memory, and conjures a Cuban setting that evokes mysticism and magic.