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They stood firm on their convictions despite the odds. Some paid a heavy toll for their beliefs – deprivations, long prison terms, lonely lives in self-imposed exile. But they never broke. Some will say the unflinching attitude of these dissidents against what they perceived as coercive authority has been an exercise in futility. Yet other say the course of Singapore’s history might have been altered if their will had prevailed. Their stories need to be told. The first of it’s kind, this book will inform and educate. Rather than to glorify their tough stance, these memoirs are a record of human endurance. It exemplifies the extremes sacrifices some people will make in pursuit of their ideals. Written by veteran journalist and author Clement Mesenas, this book chronicles the lives of twenty of this country’s leading dissidents – including Lim Chin Siong, David Marshall and Ong Eng Guan, among many others. Clement Mesenas started his career in The Straits Times in 1968, cutting his teeth in journalism as a young crime reporter before moving on to the sub-editors desk and then to the field of magazine publishing. He was branch union chairman and secretary-general of the Singapore National Union of Journalists. He also co-founded the Asean Confederation of journalists. He left Singapore in 1979 to become managing editor of the Kuwait Times, where he worked for 10 years before moving to the Gulf News in Dubai, where he served 10 years as its deputy editor. He returned to Singapore in 2000 to join MediaCorp’s TODAY newspaper as one of its pioneering editors and retired in 2011. He now publishes a number of community publications and is working towards establishing a global network through digital media platforms.
This book brings Anglophone Singapore literature to a global audience for the first time, embedding it within literary developments worldwide. Drawing on postcolonial studies, Singapore studies, and critical discussions in transnationalism and globalization, essays introduce neglected writers, cast new light on established writers, and examine texts in relation to their local-historical contexts while engaging with contemporary issues in Singapore society. It sets new directions for further scholarship on a body of writing that has much to say to those interested in issues of nationalism, diaspora, cosmopolitanism, neoliberalism, immigration, urban space, and literary form and content.
The living and the dead – there is something that binds them. For the living are endlessly fascinated by tales of the dead, whether they are about an old ancestor whose ghost reputedly haunts an old ancestral home about to be torn down; a child never allowed to be born, whose little frightened call "Mummy! Mummy!" fills his mother's dreams at night; an airline pilot whose ghost is forever condemned to roam the earth with that of his mistress for an unspeakably cruel suicide pact that plunges a hundred others to their deaths. In this collection of 14 short stories set in Singapore, Catherine Lim tells tales of the dead and their return, bringing readers on a journey of unease, excitement, trepidation and, above all, awe for the mystery that surrounds death.
This collection of eight short stories combines Catherine Lim’s sharp powers of observation with her insightful comments on the conflicts, both internal and external, brought about by love in the lives of men and women in modern-day Singapore. The result is a vibrant assortment of stories and voices brimming with courage, deep introspection and heartfelt emotion. Powerful and riveting, this collection is sure to captivate your mind and tug at your heartstrings and with its relentless prose and evocative charm.
The 12 stories in this collection electrify by their dazzling diversity of subject, their relentless observation and comment and their adroit use of language. Through the dark labyrinths of the secret lives of men and women in Singapore, Catherine Lim once again uses her sharp powers of observation to comment masterfully on our complex relationships against the immense and brilliant backdrop of our society’s achievements. Laying bare the infinite longing and inevitable weakness of the human heart, these stories celebrate the surprising power of love and its effects on every one of us.
This volume describes both the history and the contemporary forms, functions, and status of English in Southeast Asia. The chapters provide a comprehensive overview of current research on a wide range of topics, addressing the impact of English as a language of globalization and exploring new approaches to the spread of English in the region.
“I have noticed, increasingly, that people after the age of 65 or thereabouts begin to experience the fear of death in a very palpable way. While in their childhood and youth they had viewed death as happening only to grandparents, while in middle age they could still afford to relegate death to remote corners of their consciousness where it could not intrude upon the pleasures of living, the advent of old age after 65 brings to them a deeply disturbing sense of mortality.” So begins An Equal Joy, a collection of essays in which award-winning author Catherine Lim undertakes a bold and intense exploration into the fear of death, the nature of religion and the question of who we are. Drawing on her own experiences and myraid influences—from the Taoist “Sky God” of her childhood and the Christian God Jesus of her adulthood to scientist Pascal and philosopher Socrates; from intimate conversations with close friends to the imagined world of fictional characters—Lim reflects on the beauty of both the natural world and the world of faith. As Lim writes, “Truth, Goodness and Beauty. For me, they form the goals of a perfect life.” In sharing her insights, Lim not only provokes us to reflect on the meaning of life but also encourages us to live as meaningful a life as possible.
Catherine Lim’s free-wheeling imagination cheerfully dispenses with all constraints to tell stories of that other world. Written with an exaggerated sense of earnestness and caution, the eighteen tales in this collection elicit in the reader the very goosebumps of terror she had herself experienced as a child listening to such tales. As an adult, these goosebumps persist for her. However, they no longer arise from fear, but from a sense of awe and mystery that she feels when she considers this large existential question: Despite our extensive scientific knowledge today, what do we know of the supernatural? What can we know of the supernatural? Catherine’s deep and abiding sense of mystery is reflected in the pronouncement by one of her characters in the last story in this collection: “I don't know, I don't know. I wish I did.”