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Searing stories that critique the gender pressures and injustices rife in modern Korea from the author of Kim Jiyoung, Born 1982 Eight women. Eight stories. One reality. A woman is born. A woman is filmed in public without consent. A woman suffers domestic violence. A woman is gaslit. A woman is discriminated against at work. A woman grows old. A woman becomes famous. A woman is hated, and loved, and then hated again. Written in Cho Nam-Joo’s masterful, razor-sharp prose, Miss Kim Knows brings together the lives of eight Korean women, aged ten to eighty. Contained in each of these sensational stories is a microcosm of contemporary Korea, and the challenges and injustices that women face from childhood to old age. As with Kim Jiyoung, Born 1982, the fates of these eight women are the fates of women the world over. And under Cho Nam-Joo’s precise, unveiled gaze, nothing and nobody escapes scrutiny—not even herself.
One of TIME's Most Anticipated Books of Fall 2024: "A thought-provoking anthology for the #MeToo age." From the international best-selling author of Kim Jiyoung, Born 1982, a collection exploring the intimacies of contemporary Korean womanhood. Written in Cho Nam-joo’s signature razor-sharp prose, Miss Kim Knows follows eight women as they confront how gender shapes and orders their lives. A woman is born. A woman is filmed in public without consent. A woman is gaslit. A woman is discriminated against at work. A woman grows old. A woman becomes famous. A woman is hated, and loved, and then hated again. As with Kim Jiyoung, Born 1982, these microcosmic stories prove eerily relatable under Cho Nam-joo’s precise, unveiled gaze, offering another captivating read from an essential voice in fiction. “There is mischief and glee to be found in these pages, along with the kind of laughter that sets two women over 50 rolling in snow with tears streaming down their frozen cheeks and the aurora borealis dancing above them.” —Hephzibah Anderson, The Guardian
A New York Times Editors Choice Selection A global sensation, Kim Jiyoung, Born 1982 “has become...a touchstone for a conversation around feminism and gender” (Sarah Shin, Guardian). One of the most notable novels of the year, hailed by both critics and K-pop stars alike, Kim Jiyoung, Born 1982 follows one woman’s psychic deterioration in the face of rampant misogyny. In a tidy apartment on the outskirts of Seoul, millennial “everywoman” Kim Jiyoung spends her days caring for her infant daughter. But strange symptoms appear: Jiyoung begins to impersonate the voices of other women, dead and alive. As she plunges deeper into this psychosis, her concerned husband sends her to a psychiatrist. Jiyoung narrates her story to this doctor—from her birth to parents who expected a son to elementary school teachers who policed girls’ outfits to male coworkers who installed hidden cameras in women’s restrooms. But can her psychiatrist cure her, or even discover what truly ails her? “A social treatise as well as a work of art” (Alexandra Alter, New York Times), Kim Jiyoung, Born 1982 heralds the arrival of international powerhouse Cho Nam-Joo.
FROM THE AUTHOR OF KIM JIYOUNG, BORN 1982 'There is laughter and joy to be found in these pages, along with the kind of laughter that sets two women over 50 rolling in the snow with tears streaming down their frozen cheeks and the aurora borealis dancing above them.' The Observer 'A thought-provoking, nuanced read' Sarah Manning, Red 'Dazzling prose' Elle Eight women. Eight stories. One reality. A woman is born. A woman is filmed in public without consent. A woman suffers domestic violence. A woman is gaslit. A woman is discriminated against at work. A woman grows old. A woman becomes famous. A woman is hated, and loved, and then hated again. Written in Cho Nam-Joo's masterful, razor-sharp prose, Miss Kim Knows brings together the lives of eight Korean women, aged 10 to 80. Contained in each of these biographies is a microcosm of contemporary Korea, and the challenges and injustices that women face from childhood to old age. As with Kim Jiyoung, Born 1982, the fates of these eight women are the fates of women the world over. And under Cho Nam-Joo's precise, unveiled gaze, nothing and nobody escapes scrutiny--not even herself.