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A “funny and tragic and beautiful in all the right places” (Jenny Lawson, #1 New York Times bestseller author of Furiously Happy) memoir about the immigrant experience and life as a perpetual fish-out-of-water, from the acclaimed Serbian-Australian storyteller. Sofija Stefanovic makes the first of many awkward entrances in 1982, when she is born in socialist Yugoslavia. The circumstances of her birth (a blackout, gasoline shortages, bickering parents) don’t exactly get her off to a running start. While around her, ethnic tensions are stoked by totalitarian leaders with violent agendas, Stefanovic’s early life is filled with Yugo rock, inadvisable crushes, and the quirky ups and downs of life in a socialist state. As the political situation grows more dire, the Stefanovics travel back and forth between faraway, peaceful Australia, where they can’t seem to fit in, and their turbulent homeland, which they can’t seem to shake. Meanwhile, Yugoslavia collapses into the bloodiest European conflict in recent history. Featuring warlords and beauty queens, tiger cubs and Baby-Sitters Clubs, Sofija Stefanovic’s memoir is a window to a complicated culture that she both cherishes and resents. Revealing war and immigration from the crucial viewpoint of women and children, Stefanovic chronicles her own coming-of-age, both as a woman and as an artist. Refreshingly candid, poignant, and illuminating, “Stefanovic’s story is as unique and wacky as it is important” (Esquire).
Sofija Stefanovic was born into a country destined to collapse. With Yugoslavia on the brink of war, her family was torn between the socialist existence they’d always known and the pull of stability on offer in the distant land of Australia. Surrounded by conflict and uncertainty, it’s no wonder that Sofija had so many questions as she grew up: which Disney movie would her life mirror? How did Yugo rock songs compare with the Tin Lids? And can you become the centre of attention when English is your second language? Sofija’s family spent her childhood moving back and forth between Australia and Yugoslavia, unable to settle in one home. The war that had been brewing started to rage, and the pain and madness it caused stretched all the way to Melbourne, where Sofija found herself part of a strange community of ex-Yugoslavians. Then, as the Yugoslav Wars moved towards their brutal conclusion, her family faced their own private and desperate battle. Suddenly the world was turned upside-down all over again. By turns moving, hilarious and beautifully candid, Miss Ex-Yugoslavia captures the experience of being a perpetual outsider – and learning, in the end, that perhaps you prefer it that way. It is a story about not quite connecting with your old country, while not quite being embraced by your new one. Featuring war lords and their pet tigers, baby-sitters clubs and immigrant beauty queens, this extraordinary memoir announces a bright and compelling new Australian voice. ‘Sofija has created a hilarious and deeply moving memoir about a place that no longer exists on a map, by rendering its people in their full technicolour glory.’ Alice Pung ‘Sofija can’t even wait to pop out of her mum to begin her funny and tender storytelling. We are lucky such a nosy character has spent her life ruminating over family, love and war.’ John Safran ‘This is a story we yearn to know: how does a girl lose her childhood, family and nation, yet nurture her memories, dreams and art? Stefanovic hits all her marks, and she keeps us in her thrall.’ Min Jin Lee, author of Pachinko, a New York Times bestseller and National Book Award finalist ‘Funny and tragic and beautiful in all the right places. I loved it.’ Jenny Lawson, #1 New York Times bestselling author of Let’s Pretend This Never Happened and Furiously Happy
A “funny and tragic and beautiful in all the right places” (Jenny Lawson, #1 New York Times bestseller author of Furiously Happy) memoir about the immigrant experience and life as a perpetual fish-out-of-water, from the acclaimed Serbian-Australian storyteller. Sofija Stefanovic makes the first of many awkward entrances in 1982, when she is born in socialist Yugoslavia. The circumstances of her birth (a blackout, gasoline shortages, bickering parents) don’t exactly get her off to a running start. While around her, ethnic tensions are stoked by totalitarian leaders with violent agendas, Stefanovic’s early life is filled with Yugo rock, inadvisable crushes, and the quirky ups and downs of life in a socialist state. As the political situation grows more dire, the Stefanovics travel back and forth between faraway, peaceful Australia, where they can’t seem to fit in, and their turbulent homeland, which they can’t seem to shake. Meanwhile, Yugoslavia collapses into the bloodiest European conflict in recent history. Featuring warlords and beauty queens, tiger cubs and Baby-Sitters Clubs, Sofija Stefanovic’s memoir is a window to a complicated culture that she both cherishes and resents. Revealing war and immigration from the crucial viewpoint of women and children, Stefanovic chronicles her own coming-of-age, both as a woman and as an artist. Refreshingly candid, poignant, and illuminating, “Stefanovic’s story is as unique and wacky as it is important” (Esquire).
A collection of 36 extraordinary stories originally told on stage, featuring work by writers, entertainers, thinkers, and community leaders. Spanning comedy and tragedy, Alien Nation brilliantly illuminates what it’s like to be an immigrant in America. America would not be America without its immigrants. This anthology, adapted from storytelling event “This Alien Nation,” captures firsthand the past and present of immigration in all its humor, pain, and weirdness. Contributors—some well-known, others regular (and fascinating) people—share moments from their lives, reminding us that immigration is not just a word dropped in the news (simplified to something you are “for” or “against”), but a world—rich with unique voices, perspectives, and experiences. Travel from the Central Park playground where “tattle-tales” among nannies inspire Christine Lewis’s activism to an Alexandrian garden half a century ago courtesy of writer André Aciman. Visit a refugee camp in Gaza as described by actress and comedian Maysoon Zayid, and follow Intersex activist Tatenda Ngwaru as she flees Zimbabwe with dreams of meeting Oprah. Witness efforts from comedian Aparna Nancherla's mother to make Aparna less shy, and Orange is the New Black's Laura Gómez makes an unlikely connection in a bed-and-breakfast. Compelling and inspirational, Alien Nation is a celebration of immigration and an exploration of culture shock, isolation and community, loneliness and hope, heartbreak and promise—it’s a poignant reminder of our shared humanity at a time we need it greatly, and a thoughtful, entertaining tribute to cultural diversity.
"Discover a world of new and not-so-new things to learn and do. With all sorts of practical and interesting activities ranging from making a scooter and learning to juggle to building an electromagnet and extracting DNA in your own kitchen, there's never an excuse to be bored!" -- cover.
A thriller of the ex-Yugoslavia Wars. "Bodrozic, mediated by Ellen Elias-Bursac’s assured translation, chronicles what a country chooses to remember, and what it consciously forgets, with confidence and grace." —Sarah Weinman, New York Times Book Review The city of Vukovar, situated on Croatia's easternmost periphery, across the Danube River from Serbia, was the site of some of the worst violence in the wars that rocked ex-Yugoslavia in the early '90s. It is referred to only as "the city" throughout this taut political thriller from one of Europe's most celebrated young writers. In this city without a name, fences in schoolyards separate the children of Serbs from those of Croats, and city leaders still fight to free themselves from violent crimes they committed--or permitted--during the war a generation ago. Now, it is left to a new generation--the children, now grown up, to extricate themselves from this tragic place, innocents who are nonetheless connected in different ways to the crimes of the past. Nora is a journalist assigned to do a puff piece on the perpetrator of a crime of passion--a Croatian high school teacher who fell in love with one of her students, a Serb, and is now in prison for having murdered her husband. But Nora herself is the daughter of a man who was murdered years earlier under mysterious circumstances. And she wants, if not to avenge her father, at least to bring to justice whoever committed the crime. There's a hothouse intensity to this extraordinary noir page-turner because of how closely the author sets the novel within the historical record. This city is unnamed, the story is fictional, so it can show us what actually happened there.
'Undoubtedly the most powerful and immediate book to emerge from the Balkan horror of ethnic civil war' Antony Beevor, Daily Telegraph In 1993, Anthony Loyd hitchhiked to the Balkans hoping to become a journalist. Leaving behind him the legends of a distinguished military family, he wanted to see 'a real war' for himself. In Bosnia he found one. The cruelty and chaos of the conflict both appalled and embraced him; the adrenalin lure of the action perhaps the loudest siren call of all. In the midst of the daily life-and-death struggle among Bosnia's Serbs, Croats and Muslims, Loyd was inspired by the extraordinary human fortitude he discovered. But returning home he found the void of peacetime too painful to bear, and so began a longstanding personal battle with drug abuse. This harrowing account shows humanity at its worst and best. It is a breathtaking feat of reportage; an uncompromising look at the terrifyingly seductive power of war. 'As good as reporting gets. I have nowhere read a more vivid account of frontline fear and survival. Forget the strategic overview. All war is local' Martin Bell, The Times
The most powerful autobiographical novel written about the Yugoslav wars. A timely and deeply accessible book that speaks to what it is like to be displaced by war. Hotel Tito is an award-winning autobiographical novel of the Serbo-Croatian War. Author Ivana Bodrožić was born in the Croatian town of Vukovar, just across the Danube from Serbia. In the fall of 1991, Vukovar was besieged by the Yugoslav People's Army for eighty-seven days. When the army broke the siege, people came up out of the basements where they'd been sheltering from bombardment; women and children were allowed out of the besieged city, but the army bused 400 men from the hospital to a farm on the outskirts where soldiers and Serbian paramilitaries massacred them. Bodrožić's father was among those taken and murdered. In Hotel Tito, after fleeing the war zone their town has become, the mother and two children are housed along with other displaced persons at a former communist school in the village of Kumrovec (the birthplace of Josip Tito). For years they share a single room just large enough for their three beds, waiting to hear whether the narrator's father survived and when they'll be granted an apartment of their own. In the meantime life goes on for the teenage protagonist, first loves bloom and burn quickly, new friendships are acquired and lost, new truths emerge, and new emotions. But she never loses her shy, insightful voice, nor her self-deprecating sense of humor. Hotel Tito is a sensitive and forthright coming of age novel in a time of atrocity and loss.
In Robert Pobi's thriller Do No Harm, a series of suicides and accidental deaths in the medical community are actually well-disguised murders and only Lucas Page can see the pattern and discern the truth that no one else believes. Lucas Page is a polymath, astrophysicist, professor, husband, father of five adopted children, bestselling author, and ex-FBI agent—emphasis on "ex." Severely wounded after being caught in an explosion, Page left the FBI behind and put his focus on the rebuilding the rest of his life. But Page is uniquely gifted in being able to recognize patterns that elude others, a skill that brings the F.B.I. knocking at his door again and again. Lucas Page's wife Erin loses a friend, a gifted plastic surgeon, to suicide and Lucas begins to realize how many people Erin knew that have died in the past year, in freak accidents and now suicide. Intrigued despite himself, Page begins digging through obituaries and realizes that there's a pattern—a bad one. These deaths don't make sense unless the doctors are being murdered, the target of a particularly clever killer. This time, the FBI wants as little to do with Lucas as he does with them so he's left with only one option—ignore it and go back to his normal life. But then, the pattern reveals that the next victim is likely to be...Erin herself.
'Here is art which conceals art, and intellect which conceals intellect, so that by the end of the book one feels that one understands something one had not understood before. Mr Hall is witty and amusing, but not snide; he has a lightness of touch which allows him to write of extremely serious matters without solemnity; he knows how to convey a great deal in a few words' Sunday Telegraph 'He is an observant and witty writer...you believe implicitly that he has met the people he writes about, and that they said what he quotes them as saying' Sunday Times