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Excerpt from The Testimony of an Escaped Novice From the Sisterhood of St. Joseph, Emmettsburg, Maryland, the Mother-House of the Sisters of Charity in the United States The history of this book is almost as remarkable as that of its subject. Shortly after Miss Bunkley had escaped from St. Joseph's in the manner she has stated in her narrative, the Superior of that convent published a defamatory letter against her. This de cided Miss Bunkley not only to defend herself, but also to give an exhibition of convent life, as it had come under her observation, for the information and warning of her American countrymen; and, in coming to this determination, she did not act on her own judg ment only, but availed herself of the advice of judi cious friends, who believed that it was a sacred duty to the American community and the best interests of society to do so. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
From the Nobel laureate Derek Walcott, a book-length poem on two educations in painting, a century apart "Between me and Venice the thigh of a hound; my awe of the ordinary, because even as I write, paused on a step of this couplet, I have never found its image again, a hound in astounding light." Tiepolo's Hound joins the quests of two Caribbean men: Camille Pissarro--a Sephardic Jew born in 1830 who leaves his native St. Thomas to follow his vocation as a painter in Paris--and the poet himself, who longs to rediscover a detail--"a slash of pink on the inner thigh / of a white hound"--of a Venetian painting encountered on an early visit from St. Lucia to New York. Both journeys take us through a Europe of the mind's eye, in search of a connection between the lost, actual landscape of a childhood and the mythical landscape of empire. Published with twenty-five full-color reproductions of Derek Walcott's own paintings, the poem is at once the spiritual biography of a great artist in self-imposed exile, a history in verse of Impressionist painting, and a memoir of the poet's desire to catch the visual world in more than words.