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Winner of the PEN/Voelcker career achievement award in poetry Misgivings is C. K. William's searing recollection of his family's extreme dynamics and of his parents' deaths after years of struggle, bitterness, inner conflict, and, finally, love. Like Kafka's self-revealing Letter to His Father, Misgivings is a full of doubt, both philosophical and personal, but as a work of art it is sure and true. Williams's father was an "ordinary businessman"--angry, demanding, addicted to the tension he created with the people he loved; a man who could recite the Greek myths to his son yet vowed never to apologize to anybody. Wiiiams's mother was a housewife, a woman with a great capacity for pleasure, who was stoical about the family's dire early poverty yet remained affected by it even when they became well-off. Together, these two formed what Williams calls the "conspiracy that made me who I am." His account of their life together and of their deaths--his father's in a final abandonment of the will to live, his mother's with calm resignation--is a literary form of the reconciliation the family achieved at the end of his parents' lives, composed as a series of short takes, a double helix of experience and recollection.
An intense, refractory memoir by a major poet Misgivings is C. K. Williams's searing recollection of his family's extreme dynamics and of his parents' deaths after years of struggle, bitterness, and inner conflict. Like Kafka's self-revealing Letter to His Father, Misgivings is full of doubt, both philosophical and personal, but as a work of art it is sure and true. Williams's father was an "ordinary businessman"--angry, demanding, addicted to the tension he created with the people he loved; a man who could read the Greek myths aloud to his son yet vowed never to apologize to anybody. His mother was a housewife, a woman with a great capacity for pleasure, who was stoical about the family's dire early poverty yet remained affected by it even when they became well-off. Together, these two formed what Williams calls the "conspiracy that made me who I am." His account of their life together and their deaths--his father's with suicidal despair, and his mother's with calm resignation--is a literary form of the reconciliation the family achieved at the end of his parents' lives. And as literary form it is novel, a series of brilliant short takes, a double helix of experience and recollection. Few contemporary writers have understood their origins so acutely, or so eloquently.
They thought they were safe in their elite little world. They couldn't have been more wrong. When Charity Daniels was seventeen she fell in love with Literature, and a man who taught it. Their forbidden love was held back until graduation, until legally she could be his. Flash forward three years, Charity is studying at Yale and still in love with her Princeton Man. Quinn (Q) Everett is on scholarship at Yale, and finds himself inexplicably in Charity's path. He tries to stay away, but his mouthy best friend thinks he knows better. Suddenly it's lunches and crashing private plans for the duo just to see her. But their flirtations do not go unseen, and Logan's love turns and goes from jealousy to murderous intent. Can these unproven lovers stay the course and avoid the devious plot of a scorn man or will everything crash and burn?
How does one talk about love? Is it even possible to describe something at once utterly mundane and wholly transcendent, that has the power to consume our lives completely, while making us feel part of something infinitely larger than ourselves? Taking a unique approach to this age-old problem, the nameless narrator of David Levithan's The Lover's Dictionary constructs the story of a relationship as a dictionary. Through these sharp entries, he provides an intimate window into the great events and quotidian trifles of coupledom, giving us an indelible and deeply moving portrait of love in our time.
Beginning in late 1945, the United States, Britain, China, Australia, France, the Netherlands, and later the Philippines, the Soviet Union, and the People's Republic of China convened national courts to prosecute Japanese military personnel for war crimes. The defendants included ethnic Koreans and Taiwanese who had served with the armed forces as Japanese subjects. In Tokyo, the International Military Tribunal for the Far East tried Japanese leaders. While the fairness of these trials has been a focus for decades, Japanese War Criminals instead argues that the most important issues arose outside the courtroom. What was the legal basis for identifying and detaining subjects, determining who should be prosecuted, collecting evidence, and granting clemency after conviction? The answers to these questions helped set the norms for transitional justice in the postwar era and today contribute to strategies for addressing problematic areas of international law. Examining the complex moral, ethical, legal, and political issues surrounding the Allied prosecution project, from the first investigations during the war to the final release of prisoners in 1958, Japanese War Criminals shows how a simple effort to punish the guilty evolved into a multidimensional struggle that muddied the assignment of criminal responsibility for war crimes. Over time, indignation in Japan over Allied military actions, particularly the deployment of the atomic bombs, eclipsed anger over Japanese atrocities, and, among the Western powers, new Cold War imperatives took hold. This book makes a unique contribution to our understanding of the construction of the postwar international order in Asia and to our comprehension of the difficulties of implementing transitional justice.
Faith Taylor has a secret. Several, actually: One, she's been in love with her sister's husband, Myles Wellington, for years. Two, she's having his baby. Three, he doesn't know it. Myles is consumed with grief, having lost his wife to a terminal illness. Then he discovers that his late wife convinced her sister to be a surrogate to their baby. Torn between fury and gratitude, Myles insists that Faith move in so they can raise the child together, and unknowingly gets too close to Faith's biggest secret of all... until an even bigger secret threatens a loss neither ever imagined. Previously titled: Behind Closed Doors SHADES OF DECEPTION, in series order Just a Little Lie Just a Little Taboo Just a Little Misgiving Just a Little Sin OTHER TITLES by Mallory Rush Outlaws and Heroes, a three book series Bad Boy of New Orleans Hurts So Good Between the Sheets Half-Moon Hearts Kissed by the Beast
Heart surgeon Miller presents his personal reflections on the nature of life, addressing the subjects of sex, self-interest, God, Schopenhauer, music, compassion, life as a heart surgeon, and the finality of death.