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Wouldn’t it be great to be a fly on the wall as the great writers took pen to paper (or fingers to keyboard)? While reading this work, you’ll be just that. Here are behind-the-book stories and facts about authors, publishing and everything literary that will entertain both casual and serious readers. Among the questions asked and answered: • When Did Literature Finally Get Sexy? • Is Coffee or Opium Better for Literary Creativity? • Why Are the Best Autobiographies so Embarrassing? • Why Do Some Detectives Use Their Minds and Others Their Fists? Who knew that bestseller lists and children’s books could be the source of intense controversy? Or that even the biggest writers had to scrape by, with odd jobs and inventions like the Mark Twain Self-Pasting Scrapbook? In Literary Miscellany, examine the trend of “fake memoirs,” with a list of who lied about what, and a rogues’ gallery of hoaxers dating back centuries. From epic poetry and Homer to pulp fiction and Harry Potter, Literary Miscellany is a breezy tour through the literature of today and yesterday, packed with enough interesting facts to entertain both the erudite professor and pleasure reader.
This book is a critical study of the ancestors of contemporary poetry anthologies: the poetic miscellanies of the late seventeenth and eighteenth centuries. It argues that miscellanies are a distinctive kind of literary collection and that their popularity in the period 1680–1800 had a far-reaching impact on authors, publishers, and readers of poetry. This study expands the definition of miscellanies to include single-author collections called miscellanies as well as the multiple-author collections that have traditionally been the focus of scholarly attention. It shows how multiple-author miscellanies fostered different kinds of literary community and explores the neglected role of single-author miscellanies in the self-fashioning of eighteenth-century writers. Later chapters examine miscellanies’ relationships with periodicals, their contribution to the formation of the literary canon, and their reception and transformation in the hands of readers. The book draws on newly available digital data as well as evidence from hundreds of printed miscellanies to shed new light on how poetry was written, published, and read in the long eighteenth century.
Throughout his adult life Jonathan Edwards kept a series of personal theological notebooks on a wide variety of miscellaneous subjects. This volume includes the notebook entries written during the eventful and tumultuous years 1740-1751, when Edwards was plagued by a series of bitter controversies with his Northampton congregation that culminated in his dismissal. This was also the period during which he witnessed, documented, and pondered the surprising revivals of the Great Awakening, as well as their precipitous decline.
In the Miscellanies, the great Italian Renaissance scholar-poet Angelo Poliziano penned two sets of mini-essays focused on lexical or textual problems. He solves these with his characteristic deep learning and brash criticism. The two volumes presented here are the first translation of both collection into any modern language
Introducing the all-new, indispensable collection of necessary trivia, uncommon knowledge, and vital irrelevance from Schott--the inventor of the Miscellany genre.
This book is both an engaging compendium of nautical knowledge and a random accounting of the ways of the sea. It is the product of Peter H. Spectre's lifelong fascination with the sea, a guide to the good, the bad, and the ugly of a way of life that is as old as civilization.
Stromata was the third in the trilogy of Clement of Alexandria and continues with the individual cases of conduct began in Paedagogus. Protrepticus, the first in the trilogy, deals with the religious basis of Christian morality and lays a foundation in the knowledge of divine truth. Paedagogus, the second and Stromata, third with the individual cases of conduct. As with Epictetus, true virtue shows itself with him in its external evidences by a natural, simple, and moderate way of living. Titus Flavius Clemens, known as Clement of Alexandria, was a Christian theologian who taught at the Catechetical School of Alexandria. A convert to Christianity, he was an educated man who was familiar with classical Greek philosophy and literature. Clement was influenced by Hellenistic philosophy to a greater extent than any other Christian thinker of his time, and in particular by Plato and the Stoics.
Littlewood's Miscellany, which includes most of the earlier work as well as much of the material Professor Littlewood collected after the publication of A Mathematician's Miscellany, allows us to see academic life in Cambridge, especially in Trinity College, through the eyes of one of its greatest figures. The joy that Professor Littlewood found in life and mathematics is reflected in the many amusing anecdotes about his contemporaries, written in his pungent, aphoristic style. The general reader should, in most instances, have no trouble following the mathematical passages. For this publication, the new material has been prepared by Béla Bollobás; his foreword is based on a talk he gave to the British Society for the History of Mathematics on the occasion of Littlewood's centenary.
Taking up the invitation extended by tentative attempts over the past three decades to construct a functioning definition of the genre, Jonathan Bradbury traces the development of the vernacular miscellany in sixteenth- and seventeenth-century Spain and Spanish-America. In the first full-length study of this commercially successful and intellectually significant genre, Bradbury underlines the service performed by the miscellanists as disseminators of knowledge and information to a popular readership. His comprehensive analysis of the miscelánea corrects long-standing misconceptions, starting from its poorly-understood terminology, and erects divisions between it and other related genres. His work illuminates the relationship between the Golden Age Spanish miscellany and those of the classical world and humanist milieu, and illustrates how the vernacular tradition moved away from these forebears. Bradbury examines in particular the later inclusion of explicitly fictional components, such as poetic compositions and short prose fiction, alongside the vulgarisation of erudite or inaccessible prose material, which was the primary function of the earlier Spanish miscellanies. He tackles the flexibility of the miscelánea as a genre by assessing the conceptual, thematic and formal aspects of such works, and exploring the interaction of these features. As a result, a genre model emerges, through which Golden Age works with fragmentary and non-continuous contents can better be interpreted and classified.