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A collection of the lesser-known short works of the most significant American horror writer between Poe and Stephen King. Includes correspondence, juvenilia, literary criticism, philosophical speculation, and eccentric travelogues, plus comments on his own creative aesthetic. Introductory notes to each section reveal the breadth of Lovecraft's intellectual curiosity and the gradual process of overcoming such self-imposed handicaps as dogmatism, racism, and intolerance. Lacks an index. Published by Arkham House, Sauk City, WI 53583. Annotation copyright by Book News, Inc., Portland, OR
This anthology, reflecting virtually every stage of Hegel's life and every area of his interests, provides a complete picture of the intellectual development and activity of this philosophical great.
Are the Writings a miscellaneous collection of books, as is so often asserted, or do they have a purposeful design or arrangement? Over the past 35 years, there has been a significant amount of scholarly interest in the shape of the Law, Former Prophets, Twelve Minor Prophets and the Psalms, while examinations of the shape of the Writings were almost nonexistent until very recently. The 11 essays in this volume explore this often-neglected issue from a variety of critical perspectives—reader-centered approaches, canonical, structural-canonical, and redactional—made more robust by the mix of German- and English-language scholarship on this question, including 4 articles translated from German into English. Essays range from the historical development of the collection, to analysis of the collection’s different arrangements, to the relationship of books and subcollections within the Writings, to the reception of the collection in Jewish and Christian sources. Every book in the Writings is discussed, with particular attention given to Job, Ruth, and 1 and 2 Chronicles. The volume closes with 3 critical responses from John Barton, Tamara Cohn Eskenazi, and Christopher Seitz.
This book is a collection of selected papers which have been delivered at numerous international conferences. They are classified into two main categories: poetry and prose. The first section deals with poetry of the Pre-Romantic, Romantic, modern, and contemporary eras, while the section on prose concerns the eighteenth and nineteenth centuries.