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Reprint of the original, first published in 1882.
Johann Wolfgang von Goethe is considered the greatest German literary figure of the modern era. He was a German writer and statesman. His works include: four novels; epic and lyric poetry; prose and verse dramas; memoirs; an autobiography; literary and aesthetic criticism; and treatises on botany, anatomy, and colour. This collection includes the following: The Sorrows of Young Werther (1774) Wilhelm Meister’s Apprenticeship (1794) Elective Affinities (1809) Wilhelm Meister’s Journeyman Years (1821) The Green Snake and the Beautiful Lily (1795) A Tale (1797) The Good Women (1797) The Wayward Lover (1768) The Fellow Culprits (1769) Goetz von Berlichingen (1773) Clavigo (1774) Egmont (1788) The Brother and Sister (1776) Stella (1776) Iphigenia in Tauris (1779) Torquato Tasso (1790) The Natural Daughter (1803) Faust: Part One (1808) Faust: Part Two (1832) The Poems of Goethe Reynard the Fox (1794) The Siege of Mainz (1793) Theory of Colours (1810) Introduction to ‘The Propyläen’ (1798) Winckelmann and His Age (1805) The Travel Writing Letters from Switzerland and Travels in Italy (1816) The Criticism Goethe the Writer by Ralph Waldo Emerson Goethe by C. E. Vaughan Goethe by John Cowper Powys Goethe’s Faust by George Santayana Shakespeare and Goethe by David Masson Goethe’s Theory of Colors by John Tyndall Extracts of Correspondence by Sir Walter Scott The Autobiography Truth and Fiction Relating to My Life (1811) The Biographies Conversations with Goethe (1836) by Johann Peter Eckermann The Life of Goethe by Calvin Thomas (1886) Life of Johann Wolfgang Goethe by James Sime (1888)
Widely regarded as the greatest German literary figure of the modern era, Johann Wolfgang von Goethe was a prolific author of novels, epic and lyric poetry, prose, plays, scientific treatises and autobiography. A literary celebrity by the age of 25, Goethe achieved enormous success with his first novel, ‘The Sorrows of Young Werther’. Inspiring the imagination of a generation, it was the first novel of the Sturm und Drang movement, which exalted nature, feeling, and human individualism, seeking to overthrow Rationalism. ‘Faust’, Goethe’s two-part dramatic masterpiece, is regarded as the supreme work of his later years and is often cited as Germany’s greatest contribution to world literature. Based on the traditional theme of the eponymous scholar making a pact with the demon Mephistopheles, the drama explores themes that encapsulate the fullest expression of the European Romantic movement, to which Goethe was an early and major contributor. This comprehensive eBook presents Goethe’s complete fictional works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 2) * Beautifully illustrated with images relating to Goethe’s life and works * Concise introductions to the major texts * All of the novels and short fiction, with individual contents tables * Features rare works appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * All 12 plays and the complete poetry (tr. Edgar A. Bowring) * Includes the rare epic poem ‘Reynard the Fox’ (tr. Hjalmar Hjorth Boyesen) * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes a large selection Goethe’s non-fiction – available in no other collection * Includes Goethe’s travel writing and autobiography * Special criticism section, with essays evaluating Goethe’s contribution to literature * Features three biographies – discover Goethe’s incredible life * Johann Peter Eckermann’s seminal memoir ‘Conversations with Goethe’ (tr. John Oxenford) * Ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Novels The Sorrows of Young Werther (1774) Wilhelm Meister’s Apprenticeship (1794) Elective Affinities (1809) Wilhelm Meister’s Journeyman Years (1821) The Shorter Fiction The Green Snake and the Beautiful Lily (1795) A Tale (1797) The Good Women (1797) The Plays The Wayward Lover (1768) The Fellow Culprits (1769) Goetz von Berlichingen (1773) Clavigo (1774) Egmont (1788) The Brother and Sister (1776) Stella (1776) Iphigenia in Tauris (1779) Torquato Tasso (1790) The Natural Daughter (1803) Faust: Part One (1808) Faust: Part Two (1832) The Poetry The Poems of Goethe Reynard the Fox (1794) The Non-Fiction The Siege of Mainz (1793) Theory of Colours (1810) Introduction to ‘The Propyläen’ (1798) Winckelmann and His Age (1805) Maxims and Reflections The Travel Writing Letters from Switzerland and Travels in Italy (1816) The Criticism Goethe the Writer by Ralph Waldo Emerson Goethe by C. E. Vaughan Goethe by John Cowper Powys Goethe’s Faust by George Santayana Shakespeare and Goethe by David Masson Goethe’s Theory of Colors by John Tyndall Extracts of Correspondence by Sir Walter Scott The Autobiography Truth and Fiction Relating to My Life (1811) The Biographies Conversations with Goethe (1836) by Johann Peter Eckermann The Life of Goethe by Calvin Thomas (1886) Life of Johann Wolfgang Goethe by James Sime (1888) Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
This bibliography was commissioned by the English Goethe Society as a contribution to the celebration in 1999 of the 250th anniversary of Goethes birth. It sets out to record translations of his works into English that have been published in the twentieth century, up to and including material published in that anniversary year. It aims to serve as wide a constituency as possible, be it as a simple reference tool for tracing a translation of a given work or as a documentary source for specialized studies of Goethe reception in the English-speaking world. The work records publications during the century, not merely translations that originated during this period. It includes numerous reprintings of older material, as well as some belated first publications of translations from the nineteenth century. It shows how frequent and how long enduring was the recourse of publishers and anthologists to a Goethe Victorian in diction, a signal factor in perceptions and misperceptions. Derek Glass was putting the finishing touches to the bibliography at the time of his sudden death in March 2004. Colleagues at Kings College London have edited the final manuscript, which is now published jointly by the English Goethe Society and the Modern Humanities Research Association both as a worthy commemoration of Goethes anniversary and as a tribute to Derek himself.
WINNER OF THE PULITZER PRIZE FOR BIOGRAPHY • ONE OF ESQUIRE’S BEST BIOGRAPHIES OF ALL TIME General Alex Dumas is a man almost unknown today, yet his story is strikingly familiar—because his son, the novelist Alexandre Dumas, used his larger-than-life feats as inspiration for such classics as The Count of Monte Cristo and The Three Musketeers. But, hidden behind General Dumas's swashbuckling adventures was an even more incredible secret: he was the son of a black slave—who rose higher in the white world than any man of his race would before our own time. Born in Saint-Domingue (now Haiti), Alex Dumas made his way to Paris, where he rose to command armies at the height of the Revolution—until he met an implacable enemy he could not defeat. The Black Count is simultaneously a riveting adventure story, a lushly textured evocation of 18th-century France, and a window into the modern world’s first multi-racial society. TIME magazine called The Black Count "one of those quintessentially human stories of strength and courage that sheds light on the historical moment that made it possible." But it is also a heartbreaking story of the enduring bonds of love between a father and son.
Between 1793 and 1794, thousands of French citizens were imprisoned and hundreds sent to the guillotine by a powerful dictatorship that claimed to be acting in the public interest. Only a few years earlier, revolutionaries had proclaimed a new era of tolerance, equal justice, and human rights. How and why did the French Revolution’s lofty ideals of liberty, equality, and fraternity descend into violence and terror? “By attending to the role of emotions in propelling the Terror, Tackett steers a more nuanced course than many previous historians have managed...Imagined terrors, as...Tackett very usefully reminds us, can have even more political potency than real ones.” —David A. Bell, The Atlantic “[Tackett] analyzes the mentalité of those who became ‘terrorists’ in 18th-century France...In emphasizing weakness and uncertainty instead of fanatical strength as the driving force behind the Terror...Tackett...contributes to an important realignment in the study of French history.” —Ruth Scurr, The Spectator “[A] boldly conceived and important book...This is a thought-provoking book that makes a major contribution to our understanding of terror and political intolerance, and also to the history of emotions more generally. It helps expose the complexity of a revolution that cannot be adequately understood in terms of principles alone.” —Alan Forrest, Times Literary Supplement