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This book is a collection of writings taken from my journals. It is my hope that these words may encourage others to tell their unique stories. Sharing our stories heals old wounds and encourages growth and transformation through increased self awareness.This book of poems is a realization of my childhood dream. May you pursue the desires of your heart. Embrace your passion, and live your dreams.
The prolific scholar-poet Callimachus of Cyrene spent his career at the royal court and great Library at Alexandria. Creatively reworking the language and generic properties of his predecessors, Callimachus developed a distinctive style, learned and elegant, that became an important model for subsequent poets both Greek and Roman.
This book is a collection of selected papers which have been delivered at numerous international conferences. They are classified into two main categories: poetry and prose. The first section deals with poetry of the Pre-Romantic, Romantic, modern, and contemporary eras, while the section on prose concerns the eighteenth and nineteenth centuries.
A one-of-a-kind collection of work by little-known Late Tang poetic master Li Shangyin. Li Shangyin is one of the foremost poets of the late Tang, but until now he has rarely been translated into English, perhaps because the esotericism and sensuality of his work set him apart from the austere masters of the Chinese literary canon. Li favored allusiveness over directness, and his poems unfurl through mysterious images before coalescing into an emotional whole. Combining hedonistic aestheticism with stark fatalism, Li’s poetry is an intoxicating mixture of pleasure and grief, desire and loss, everywhere imbued with a singular nostalgia for the present moment. This pioneering, bilingual edition presents Chloe Garcia Roberts’s translations of a wide selection of Li’s verse in the company of other versions by the prominent sinologist A. C. Graham and the scholar-poet Lucas Klein.
This book is a critical study of the ancestors of contemporary poetry anthologies: the poetic miscellanies of the late seventeenth and eighteenth centuries. It argues that miscellanies are a distinctive kind of literary collection and that their popularity in the period 1680–1800 had a far-reaching impact on authors, publishers, and readers of poetry. This study expands the definition of miscellanies to include single-author collections called miscellanies as well as the multiple-author collections that have traditionally been the focus of scholarly attention. It shows how multiple-author miscellanies fostered different kinds of literary community and explores the neglected role of single-author miscellanies in the self-fashioning of eighteenth-century writers. Later chapters examine miscellanies’ relationships with periodicals, their contribution to the formation of the literary canon, and their reception and transformation in the hands of readers. The book draws on newly available digital data as well as evidence from hundreds of printed miscellanies to shed new light on how poetry was written, published, and read in the long eighteenth century.