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The start of a fun middle-grade series, The Ghost Handlers, follows Heather Tildy, an Atlanta teen with a troublesome habit of attracting ghosts. Middle-child Heather has enough to worry about with sisters, boys and school. Now that a trouble-making girl from the 1800's is poking her nose in Heather's business, her life has taken a supernatural turn for the worse! Before her life can get better, she has to figure out how to help the ghost move on. Debut author Hardegree is a veteran short-story author for the well-known MOSSY CREEK HOMETOWN series. She plans multiple titles in this warm and funny YA series. "Ghostly fun!" ~Gillian Summers, The Faire Folk Series "A fun package of crushes, quests for popularity, and summertime antics, tied together with a paranormal bow. Fans of Meg Cabot's Mediator novels will find much to like in Haint Misbehavin', the first of Hardegree's Ghost Handler series." ~Trish Milburn HEARTBREAK RIVER (as Tricia Mills), Razorbill
An updated new edition of Ted Gioia's acclaimed compendium of jazz standards, featuring 15 additional selections, hundreds of additional recommended tracks, and enhancements and additions on almost every page. Since the first edition of The Jazz Standards was published in 2012, author Ted Gioia has received almost non-stop feedback and suggestions from the passionate global community of jazz enthusiasts and performers requesting crucial additions and corrections to the book. In this second edition, Gioia expands the scope of the book to include more songs, and features new recordings by rising contemporary artists. The Jazz Standards is an essential comprehensive guide to some of the most important jazz compositions, telling the story of more than 250 key jazz songs and providing a listening guide to more than 2,000 recordings. The fan who wants to know more about a tune heard at the club or on the radio will find this book indispensable. Musicians who play these songs night after night will find it to be a handy guide, as it outlines the standards' history and significance and tells how they have been performed by different generations of jazz artists. Students learning about jazz standards will find it to be a go-to reference work for these cornerstones of the repertoire. This book is a unique resource, a browser's companion, and an invaluable introduction to the art form.
For the ten generations since the evil first came to Woodcutter's Grim, the Guardians have sworn an oath to protect the town from the childhood horrors that lurk in the black woods. Without them, the town would be defenseless...and the terrors would escape to the world at large. A four-book miniseries within the Woodcutter's Grim Series, dealing with the curse on the Shaussegeny family. Moonlight Becomes You (Book 4) {romantic paranormal} Very loosely based on "The Town Mouse and the Country Mouse". When her child becomes deathly ill and none of the doctors and specialists can help him, Heather Rowe rushes to Woodcutter's Grim, hoping the boy's father can explain what's happening. But Lance Shaussegeny both intrigues and terrifies Heather as much as what he's told her of his hometown does. She soon learns that nothing in Woodcutter's Grim--including Lance--is what it seems. Bewitched (Book 5) {romantic paranormal} Very loosely based on "The Little Mermaid". Glynnis Shaussegeny becomes bewitched by the mystery man who appears out of nowhere on the abandoned property across the lake from her family's estate. But does Aric Sayer have even more dark secrets than she does? One Night of Eternity (Book 6) {romantic paranormal} Very loosely based on "The House That Jack Built". The curse pronounced on the Shaussegeny clan for all time was very clear: "Because the Shaussegeny name has long been synonymous with faithlessness, even unto your own chosen mates, only one chosen mate will be allotted to each of your kin henceforth. These chosen mates must also fall under the family curse, but these pairs will know true peace when they become one. Herein lays your salvation--and your damnation. Only if each of your clan remains faithful to their chosen mates in word and deed for all of their days will they have blissful contentment. Apart, mates shall be restless and forever unsettled, gripped by a sadness and despair unlike any other. A terrible fate will come upon the one who breaks the mate covenant." Gavin Shaussegeny has broken the covenant with his wife, Marnie, by cheating on her, and the betrayal carries a harsh penalty and punishment. Although Gavin regrets his faithlessness and loves his wife more than anyone or anything else, the house that he's built for himself is rapidly beginning to tumble down around him. There is only one chance for salvation for him now: Only his mate's undeserved forgiveness will free him from his punishment to re-live his betrayal over and over for all time. Beauty is the Beast (Book 7) {romantic paranormal} Very loosely based on "Beauty and the Beast". The Shaussegeny family curse came with one final pronouncement: "And now there is but one manner in which this curse can be broken and obliterated entirely: That beauty falls in love with the beast and vice versa, that evil loves good and good loves evil. If this should happen, your family shall be released from each aspect of my curse and your alliance with evil shall be ended." Ransom Shaussegeny attempts to cure the family of the curse they live under. Instead, he becomes a werewolf trapped in his beast form and isolates himself inside the family fortress. When he meets Tess Moore, a beautiful enchantress, and falls under her spell, Ransom no longer knows who or what is real--or whether the evil in Woodcutter's Grim is about to have the last laugh by dooming him, the woman he loves, and his family for all time...
This is a collection of jazz music arranged for fingerstyle guitar and spanning the years from the turn of the last century until the end of the 1930s. There are classical ragtime numbers, jazz band tunes, stride piano, and blues. All are a part of an important musical legacy that shaped the beginnings of popular music. Written in standard notation and tablature.
In The Last Balladeer, author Gregg Akkerman skillfully reveals the life-long achievements and occasional missteps of Johnny Hartman as an African-American artist dedicated to his craft. In the first full-length biography and discography to chronicle the rhapsodic life and music of Johnny Hartman, the author completes a previously missing dimension of vocal-jazz history by documenting Hartman as the balladeer who crooned his way into so many hearts. Backed by impeccable research but conveyed in a conversational style, this book will interest not only musicians and scholars but any fan of the Great American Songbook and the singers who brought it to life.
The B-29 Superfortress was for many years a cornerstone of American military aviation. Best known as a bomber, it also served in reconnaissance, as a tanker, and as a rescue plane. It was a crucial tool for American and Allied forces during World War II, Korea and beyond. This operational history of the B-29 gives in-depth information on the career of each plane. A list of the names and serial numbers of the planes, each plane's history from delivery date to removal from service, a description of the B-29's physical characteristics and performance parameters, and a description of the five B-29 variants are provided. Sections of the book give complete mission data for the B-29's World War II service in the China-Burma-India theater of operations, operations over Japan, aerial mining missions and test atomic bombing runs.
In his foreword, Jim Bishop says of Jackie Gleason that when the comedian read the manuscript for the Fust time “he did not ask that anything be either omitted or altered. And yet there were parts of this biography that made him wince.” For The Golden Ham is candid biography. To it Mr. Bishop brought his painstaking interest in detail, his reporter’s curiosity, his layman’s interest in the world of the theater, and his detachment. And most important, he began and ended his job with Jackie Gleason’s guarantee that nothing Bishop wrote would be censored. The result is a kind of theatrical biography that is entirely new and, like Gleason himself, is made up of a great deal of a great many things. As Bishop says: “There are several Jackie Gleasons. I know some of them. There is Gleason the comedian. Millions know him, and he’s a great talent. Then there is Gleason the producer and Gleason the writer. Some people know these....Gleason the businessman—second-rate, but he thinks he’s good at it—and then there is Gleason the thinker (apt and fast) and Gleason the man (fat, out of shape, but light on his feet) and Gleason the tenement-house kid from Brooklyn (nervy and not a bit surprised that he’s on top) and Gleason the lover, Gleason the musician, Gleason the moody, and Gleason the lonely, tormented soul.” This is a book about Jackie Gleason. If you like him, it may make you like him more, or less, depending on the kind of person you are. If you never liked him, it may change your mind a little. If you never had any special attitude toward Jackie Gleason, you will have one by the time you have finished this book.