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This book is the first major study of the theme of misanthropy, its history, arguments both for and against it, and its significance for us today. Misanthropy is not strictly a philosophy. It is an inconsistent thought, and so has often been mocked. But from Timon of Athens to Motörhead it has had a very long life, vast historical purchase and is seemingly indomitable and unignorable. Human beings have always nursed a profound distrust of who and what they are. This book does not seek to rationalize that distrust, but asks how far misanthropy might have a reason on its side, if a confused reason. There are obvious arguments against misanthropy. It is often born of a hatred of physical being. It can be historically explained. It particularly appears in undemocratic cultures. But what of the misanthropy of terminally defeated and disempowered peoples? Or born of progressivisms? Or the misanthropy that quarrels with specious or easy positivities (from Pelagius to Leibniz to the corporate cheer of contemporary `total capital`)? From the Greek Cynics to Roman satire, St Augustine to Jacobean drama, the misanthropy of the French Ancien Regime to Swift, Smollett and Johnson, Hobbes, Schopenhauer and Rousseau, from the Irish and American misanthropic traditions to modern women`s misanthropy, the book explores such questions. It ends with a debate about contemporary culture that ranges from the `dark radicalisms`, queer misanthropy, posthumanism and eco-misanthropy to Houellebecq, punk rock and gangsta rap.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.
Misanthrope, n.: 1.) One who hates mankind; a curmudgeon; a loner; 2.) The guy in your office who responded to your e-mail of baby photos with "D-. Passing, but not college material"; 3.) A Realist From The Misanthrope's Guide to Life In this guide, you'll learn how to get away from the pain-in-the-asses who make you seriously consider investing in a fallout shelter and making it your new home. You'll take isolated comfort in these survival strategies, including how to: Conduct managed incoherence to get the delivery boy from the lobby to your door Take a "French leave" in order to eat alone at work Get ousted from your kickball league by dressing as Magnum, P.I. for every game Get back at the jerk yapping on his cell phone by reciting the lyrics to Harry Chapin's version of "Cat's in the Cradle" End a conversation by "Gwynething" (also known as playing the "I'm delightfully foreign" act) someone to death This is the survival guide you will be annoyed not to have.
This book argues that it can be both reasonable and appropriate to adopt a certain kind of misanthropy. The author defends a cognitivist version of misanthropy, an attitude whose central feature is the judgment that humanity is morally bad. Misanthropy is often dismissed on moral grounds. Many people hold that malice toward human persons is problematic and vulnerable to moral objections. In this book, the author advocates for cognitivist misanthropy. He defends an Asymmetry Thesis, according to which a morally bad deed carries more weight than a morally good deed, even if the harm of the former is exactly equal to the benefit of the latter. He makes the case that being misanthropic in the cognitivist sense is morally permissible and compatible with a broad range of moral reasons for action. He also considers the role of misanthropy in environmental thought, arguing that charges of misanthropy against certain "non-anthropocentric" views do not have the force they are typically thought to carry. Finally, the author investigates the practical implications of adopting cognitivist misanthropy, asking what living with such an attitude would involve. A Philosophical Defense of Misanthropy will appeal to researchers and advanced students working in ethics and the philosophy of human nature.
The unreconstructed people-hater offers her piece de resistance: a guided tour of the misanthropic life, and an inspirational handbook for Americans grown tired of goo-goo humanitarianism and sensitivity that never sleeps. The only trouble with this book is that its covers are too close together.--The New York Times.
This engaging volume explores and defends the claim that misanthropy is a justified attitude towards humankind in the light of how human beings both compare with and treat animals. Reflection on differences between humans and animals helps to confirm the misanthropic verdict, while reflection on the moral and other failings manifest in our treatment of animals illuminates what is wrong with this treatment. Human failings, it is argued, are too entrenched to permit optimism about the future of animals, but ways are proposed in which individual people may accommodate to the truth of misanthropy through cultivating mindful, humble and compassionate relationships to animals. Drawing on both Eastern and Western philosophical traditions David E. Cooper offers an original and challenging approach to the complex field of animal ethics.
Hugo Whittier–failed poet and former kept man–is a wily misanthrope with a taste for whiskey, women, and his own cooking. Afflicted with a rare disease that will be fatal unless he quits smoking, Hugo retreats to his once aristocratic family’s dilapidated mansion, determined to smoke himself to death without forfeiting any of his pleasures. To his chagrin, the world that he has forsaken is not quite finished with him. First, his sanctimonious older brother moves in, closely followed by his estranged wife, their alleged daughter, and his gay uncle. Infuriated at the violation of his sanctum, Hugo devises hilariously perverse ploys to send the intruders packing. Yet the unexpected consequences of his schemes keep forcing him to reconsider, however fleetingly, the more wholesome ingredients of love, and life itself. BONUS: This edition includes an excerpt from Kate Christensen's Blue Plate Special.
An personal account of life in a Californian University town in the 1970s.
Ever since Timon of Athens shunned his fellow-countrymen and went to live out in the wilderness, the misanthrope has proved to be a fascinating but troubling figure for writers and thinkers. This comparative study brings together a range of material from various genres, periods, and countries to explore the developing status of misanthropy in the European literary and intellectual imagination from the late Renaissance to the dawn of Romanticism. During this period, the term 'misanthropy' shifts from being an obscure Greek calque to being almost banal in its ubiquity. In order to trace the contours of the period's evolving attitudes towards misanthropy, this study takes a combined thematic and historical approach. After two chapters offering close readings of the period's key icons of misanthropy--Shakespeare's Timon of Athens and Molière's Alceste--the remaining six chapters each explore different thematic issues of misanthropy as they surface across the period. Drawing on works by Shakespeare, Molière, Hobbes, Pascal, Rochester, Swift, Rousseau, Kotzebue, Schiller, Wollstonecraft, and Leopardi, as well as countless less canonical writers, this study demonstrates that the misanthrope is not a fixed, stable figure in early modern literature. Rather, he--or very occasionally she--emerges in many guises, from philosopher to comic grouch, from tragic hero to moral censor, from cynical villain to disappointed idealist, from quasi-bestial outsider to worldly satirist. As both critic of humanity and object of critical scrutiny, the misanthrope challenges straightforward oppositions between individual and society, virtue and vice, reason and folly, human and animal.
'Why does he write those ghastly plays that the whole of Paris flocks to see? And why does he paint such lifelike portraits that everyone recognizes themselves?' Moliere, The Impromptu at Versailles This volume brings together four of Moliere's greatest verse comedies covering the best years of his prolific writing career. Actor, director, and playwright, Moliere (1622-73) was one of the finest and most influential French dramatists, adept at portraying human foibles and puncturing pomposity. The School for Wives was his first great success; Tartuffe, condemned and banned for five years, his most controversial play. The Misanthrope is his acknowledged masterpiece, and The Clever Women his last, and perhaps best-constructed, verse piece. In addition this collection includes a spirited attack on his enemies and a defence of his theatre, in the form of two sparkling short plays, The School for Wives Criticized and The Impromptu at Versailles. Moliere's prose plays are available in a complementary Oxford World's Classics edition, Don Juan and Other Plays. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.