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Dr. James Rota is a pioneer in holistic dentistry. After 50 years in dentistry, he is sharing his uncommon story about biological dentistry, the dangers of mercury fillings, and what you can do to save yourself and to stop the madness of mercury in dentistry. Dr. Rota answers questions that the American Dental Association may not want you to ask: 1. Why don't dentists know or speak about mercury in the dental filling? 2. How are teeth connected to the rest of the body? 3. What is the scientific basis for the position of both the ADA and anti-mercury filling groups? 4. How are "silver" dental fillings related to chronic diseases? Mercury - a highly toxic element - has played a central theme in Dr. Rota's life, from his childhood and throughout his dental career. "Silver" fillings contain 50 percent mercury. It made him sick, causing Chronic Fatigue Syndrome, burnout, depression and Epstein-Barr Syndrome, among other diseases. As one of many people hoping to ban the use of mercury in dentistry, Dr. Rota stands by the importance of safe mercury removal protocols. Mirror of the Body chronicles his life, delving deep into the Amalgam Wars and scientific evidence, offering dentists, health professionals, and consumers an expert and revelatory view on the toxins in dentistry and their effect on the rest of the body.
This rich, wide-ranging book explores Italy's national film style by relating it closely to politics and to the historicist thought of Croce, Gentile, and Gramsci. Here is a new kind of film history--a nonlinear, intertextual approach that confronts the total story of the growth of a national cinema while challenging the traditional formats of general histories and period studies. Examining Italian silent films of the fascist era through neorealism to modernist filmmaking after May 1968, Angela Dalle Vacche reveals opera and the commedia dell'arte to be the strongest influences. As she presents the whole history of Italian cinema from the standpoint of a dialectic between these two styles, she offers brilliant interpretations of individual films. The "body in the mirror" is the national self-image on the screen, which changes shape in response to historical and political context. To discover how the nation represents, understands, and recognizes this fictional "body," Dalle Vacche discusses changes in the strongest parameters of Italian cinema: allegory, spectacle, body, history, unity, and continuity. In her hands these concepts yield a wealth of insights for film scholars, art historians, political scientists, and those concerned with cultural studies in general, as well as for other educated readers interested in Italian cinema. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A scholar and bride-to-be spends a year without mirrors to get a better view of what really matters When Kjerstin Gruys became engaged, she was thrilled—until it was time to shop for a wedding dress. Having overcome an eating disorder years before, Gruys found herself struggling to maintain a positive self-image; so she decided to refocus her attention. Mirror, Mirror Off the Wall charts Gruys’s awakening as she vows to give up mirrors and other reflective surfaces, relying on friends and her fiancé to help her gauge both her appearance and outlook on life. The result? A renewed focus on what truly matters, regardless of smeared makeup or messy hair. With humorous and poignant scenes from Gruys’ life, Mirror, Mirror Off the Wall sparks important conversations about body image and reclaiming the power to define beauty.
Physiognomy, the history of racial classifications, and the interplay between natural philosophy, medicine, and ethics The idea of the body as a mirror of the soul has fascinated mankind throughout history. Being able to see through an individual, and drawing conclusions on their character solely based on a selection of external features, is the subject of physiognomy, and has a long tradition running well into recent times. However, the pre-modern, especially medieval background of this discipline has remained underexplored. The selected case studies in this volume each contribute to a better understanding of the history of physiognomy from antiquity to the Renaissance, and offer discussions on unedited treatises and on the application, development, and reception of this field of knowledge, as well as on visual sources inspired by physiognomic theory. Contributors: Enikő Békés (Hungarian Academy of Sciences), Joël Biard (University of Tours), Lisa Devriese (KU Leuven), Maria Fernanda Ferrini (University of Macerata), Christophe Grellard (École Pratique des Hautes Études), Luís Campos Ribeiro (University of Lisbon), Maria Michela Sassi (University of Pisa), Oleg Voskoboynikov (Higher School of Economics Moscow), Steven J. Williams (New Mexico Highlands University), Joseph Ziegler (University of Haifa), Gabriella Zuccolin (University of Pavia)
Mom in the Mirror: Body Image, Beauty, and Life after Pregnancy is for every woman who has ever doubted herself or her self-worth after the birth of a child. Because most women spend much of their lives attempting to change their bodies, it’s not surprising that the weight gain that comes along with pregnancy (and post-pregnancy), coupled with the challenges of parenting, only exacerbate issues with weight, body image, disordered eating, and self-esteem. Drawing on the wisdom of eating disorders expert Dr. Dena Cabrera, as well as the personal experiences of former anorexic Emily Wierenga, Mom in the Mirror is a physical, mental, emotional, and spiritual response to a female generation seeking its true identity in an appearance-based world. With chapters that deal with bruises from the past, misconceptions about pregnancy, life before and after children, marriage and motherhood, spiritual and physical nourishment, relationships with friends and family, and the changing role of a mother as her children age, it is a holistic approach to the age-old questions: Who am I, and why am I here? Comprising personal stories, expert advice, reflection questions, and helpful tools, this book is an inspiring read intended for women everywhere who want to restore a positive body image and to overcome the insecurities that arise when pregnancy is over and child-rearing begins.
The world of yoga is astonishingly rich in its array of schools and practices. Yet, as diverse as they seem, they share a common aim: the discovery of the essence of existence that can be found at the core of our being, and the liberation that comes from that discovery. With this worthy goal in mind, Richard Freeman presents an enlightening overview of the many teachings, practices, and scriptures that serve as the basis for all the schools of yoga—hatha, bhakti, jnana, karma, tantra, and others. He shows how the myriad forms are ultimately related, and can even be perceived to make up a vast, interpenetrating matrix, symbolizing the unity, profundity, and beauty of the ancient tradition. Richard's wide-ranging discussion includes the Upanisads and Samkhya philosophies, the Yoga Sutra of Patanjali, the eight limbs of astanga yoga, the process and purpose of hatha yoga, and much more. He also explores the role of the guru, chanting, meditation, and the yogic imperative of offering service to others. All of this is applied to the actual practice, giving the reader the tools to digest and apply the wealth of information to daily life. The Mirror of Yoga will be a welcome resource to all yogis who wish to better practice the profound philosophy underlying their practice.
Basing our psychospiritual development on the model of the tree a symbol of the continuity of life Stephanie Sorrell shows how we may understand the rhythms and cycles of the tree and integrate them into our vision in a conscious way.
This body of work is a contemplation of human beings' passage on earth and their intimate interrelation with the environment. This book attempts to bring humour to the things we are getting attached to. It points at the invisible within the visible, the immaterial within the material or the vertical nature of being (and its mirror-like quality) within our horizontal way of living (where our mind, time, and space condition our experiences). The naked body is seen as our primary indivisible unit of perception which is usually pushed and pulled by our thinking mind's desire to either get less or more. In other words, our lives are coloured by our minds and since body-mind is a single entity, most of the colours painted on the body are an allusion to the range of our changing desires from being invisible or transparent to wanting to be singular and the centre of attention. The book's Interviews (the interviewers are from Russia, Colombia, Korea, Germany, and the US) stanzas, and photographs are not seen as being subservient to one another but can be seen as an assemblage of three independent directions that may or may not intersect following each reader.
When we witness a great actor, musician, or sportsperson performing, we share something of their experience. It become clear just how this sharing of experience is realised within the human brain. This text provides an accessible overview of mirror neurons, written by the man who first discovered them.
Explores the symptoms and causes of BDD, in which a victim is obsessed with perceived flaws in her appearance, and describes therapies used to treat the disorder.