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Steamy MFM menage paranormal romance. As the youngest of nine brothers, Cheetah shape shifter twins, Dylan and Ryan thought they had plenty of time before they’d be meeting their mate. After all, not even their eldest brother had found his yet. But when their sweet-as-pie mate turns up at their local pub, the twins don’t waste a moment before going after the woman they know is meant to be theirs. Certain her first story could be her big break, journalist, Lacey, can’t wait to start researching. Following up a young boy’s tale about being rescued by big spotty cats leads her into a country pub, and straight into the path of a pair of mirror image twins who set her body alight with just a glance. But her story isn’t the only thing giving Lacey trouble. Her ex isn’t ready to let her go, and when he sees her with the twins, he’s willing to take drastic measures to get her back.
Looking at one's face in the mirror and finding one's self in the mirror are not the same. The former capacity is something we share with other animals; the latter is a skill: something we have to learn. What does it mean and what does it take to find oneself the mirror? This book provides a comparative anthropological enquiry into the unity and diversity of mirror gazing. The reader is encouraged to reflect upon and experiment with different mirror gazes through a range of case studies. Koukouti and Malafouris weave together anthropology with philosophy and draw on examples from literature and experiments from psychopathology in a way that has never been attempted before. The master metaphor is that of the mirror as trap. Mirror gazing is viewed on a par with hunting. Mirroring signifies the hunt for self-knowledge. In a time obsessed with the digital self-image, Koukouti and Malafouris reflect on the structures of consciousness that underpin the different ways of looking at and through the mirror. Combining metaphor, comparison and estrangement, they gesture towards a therapeutic alliance between body and mirroring. This allows us to look in the mirror, and think of our shared humanity differently.
Which sort of seducer could you be? Siren? Rake? Cold Coquette? Star? Comedian? Charismatic? Or Saint? This book will show you which. Charm, persuasion, the ability to create illusions: these are some of the many dazzling gifts of the Seducer, the compelling figure who is able to manipulate, mislead and give pleasure all at once. When raised to the level of art, seduction, an indirect and subtle form of power, has toppled empires, won elections and enslaved great minds. In this beautiful, sensually designed book, Greene unearths the two sides of seduction: the characters and the process. Discover who you, or your pursuer, most resembles. Learn, too, the pitfalls of the anti-Seducer. Immerse yourself in the twenty-four manoeuvres and strategies of the seductive process, the ritual by which a seducer gains mastery over their target. Understand how to 'Choose the Right Victim', 'Appear to Be an Object of Desire' and 'Confuse Desire and Reality'. In addition, Greene provides instruction on how to identify victims by type. Each fascinating character and each cunning tactic demonstrates a fundamental truth about who we are, and the targets we've become - or hope to win over. The Art of Seduction is an indispensable primer on the essence of one of history's greatest weapons and the ultimate power trip. From the internationally bestselling author of The 48 Laws of Power, Mastery, and The 33 Strategies Of War.
Josef von Sternberg's 1930 film The Blue Angel (Der blaue Engel) is among the best known films of the Weimar Republic (1919-1933). A significant landmark as one of Germany's first major sound films, it is known primarily for launching Marlene Dietrich into Hollywood stardom and for initiating the mythic pairing of the Austrian-born American director von Sternberg with the star performer Dietrich. This fascinating cultural history of The Blue Angel provides a new interpretive framework with which to approach this classic Weimar film and suggests that discourses on mass and high culture are integral to the film's thematic and narrative structure. These discourses surface above all in the relationship between the two main characters, the cabaret entertainer Lola Lola (Marlene Dietrich) and the high school teacher Immanuel Rath (one-time Oscar winner Emil Jannings). In addition to offering insight into some of the major debates that informed the Weimar Republic, this book demonstrates that similar issues continue to shape the contemporary cultural landscape of Germany. Barbara Kosta thus also looks at Dietrich as a contemporary cultural icon and at her symbolic value since German unification and at Lola Lola's various "incarnations."
The Novel: An Anthology of Criticism and Theory1900–2000 is a collection of the most influentialwritings on the theory of the novel from the twentiethcentury. Traces the rise of novel theory and the extension of itsinfluence into other disciplines, especially social, cultural andpolitical theory. Broad in scope, including sections on formalism; the ChicagoSchool; structuralism and narratology; deconstruction;psychoanalysis; Marxism; social discourse; gender;post-colonialism; and more. Includes whole essays or chapters wherever possible. Headnotes introduce and link each piece, enabling readers todraw connections between different schools of thought. Encourages students to approach theoretical texts withconfidence, applying the same skills they bring to literarytexts. Includes a volume introduction, a selected bibliography, anindex of topics and short author biographies to support study.
Containing two previously unpublished essays by Jean Baudrillard, this book provides a series of dazzling demonstrations of the power of Baudrillard’s thought from many of his most accomplished commentators.
A compelling account of politics and social philosophy in Levinas's Talmudic commentaries Emmanuel Levinas (1906-1995) was a French philosopher known for his radical ethics and for his contribution to Jewish thought in his commentaries on Talmudic sources. In Levinas's Politics, Annabel Herzog confronts a major difficulty in Levinas's philosophy: the relationship between ethics and politics. Levinas's ethics describes the encounter with the other, that is, with any other human being. For Levinas, the face-to-face encounter is a relationship in which the ego is commanded by a transcendent and unquestionable order to take responsibility for the other person. Politics, on the other hand, presupposes at least three people: the ego, the other, and any third party. Among three people, nothing can be transcendent; on the contrary, everything must be negotiated. Against the conventional view of Levinas's conception of the political as the interruption and collapse of the ethical, Herzog argues that in the Talmudic readings, Levinas constructed politics positively. She shows that Levinas's Talmudic readings embody a pragmatism that complements, revises, and challenges the extreme ethical analyses he offers in his phenomenological works—Totality and Infinity, Otherwise than Being, and Of God Who Comes to Mind. Her analysis illuminates Levinas's explanations of the relationship between ethics and politics: ethics is the foundation of justice; justice contains a necessary violence that must be moderated by mercy; and justice, general laws, and national aspirations must be linked in an attempt to "improve universality itself."
Provocative insights into the nature of dancing as inseparable from human vitality and distinctiveness emerge from this spiraling study of specific cultural dance traditions brought into conversation with various philosophical/theoretical perspectives centering on the topics: movement, gesture, play, masking, ritual, seduction, performance, religion; each the subject of engaging innovative analysis. The author draws on experience as dancer and academic to address contemporary issues such as gender identity development and plasticity and acuity throughout the lifespan.
In the world of seduction who has done the same thing, will always get the same results! There is nothing more truthful but this sentence! If you haven't obtain success with women in all this time, you don't have to wait any more. Seduction is natural! Is an instinctive process which is created between man and woman. Is an instinct dictated by the laws of nature! Nature wants your reproduction. For animals it is simple, why should it be difficult for humans? Maybe because we are endowed with reason? I think not! On the contrary, this is one thing that should help in the process of coupling with the opposite sex. It could happen sometimes that little interferences are created in the process of seduction, but it is not nature that creates them, we create them! I will explain how to be an alpha male in modern society, the society of the evolution of the roles! Seduction is simply and this is natural! Davide Balesi was born in 1979 in Italy. He wrote a lot of books about interpersonal relations: they are bestsellers in Italy. Balesi is one of the most important italian seducers.