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Modernism.
Big art for little hands, these enchanting activity books allow young artists to explore the world’s masterpieces on their own terms and with plenty of space to color outside the lines.
In Constellations of Miro, Breton Paul Hammond unravels some of the mysteries of the call-and-response of these two Surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind."--BOOK JACKET.
Among the great 20th-century masters, the surrealist painter Joan Miró stands out for the atmosphere of wit and spontaneity that pervades his work. Mirós art went through many phases, and its major features his signs and symbols, his series of anguished peintures sauvages in the 1930s, his lyrical, poetic gouaches, his monumental sculptures and ceramics, his unprecedented use of poetic titles, and his attachment to nature and to the night are discussed here by Roland Penrose, a friend of the artist for almost five decades. A brief epilogue by Eduardo de Benito, London correspondent of the Spanish art periodical Lápiz, illustrates the developments of Mirós last years. This new revised edition, now illustrated in colour throughout, includes a foreword by Antony Penrose, outlining the relationship between his father and the artist, as well as updates to the Bibliography.
A superbly illustrated, retrospective survey that focuses on Miró's politically engaged art, published to accompany a major touring exhibition.
Gabriel Francisco Miró Ferrer was born on July 28th 1879, in Alicante on the Costa Blanca. Brought up in the Castilian-speaking Alicante, Miró was sent away to school in nearby Orihela, aged eight. The Jesuit Colegio de Santo Domingo would become the "Jesús" in The Leper Bishop .
In 1958, artist Joan Miró and critic Yvon Taillandier sat down for an in-depth discussion on Miró's life and work. Their conversation, one of the most illuminating and insightful looks into Miró's philosophy and creative process, was first published in a limited edition of seventy five copies in 1964. Though long out of print, this bilingual "treasure," in the words of Maria Popova, "remains the most direct and comprehensive record of Miró's ideas on art." This beautiful new edition presents an updated English translation of Miró's invaluable text in an elegant and striking package. In addition to Taillandier's original foreword, a new preface by preeminent Miró scholar Robert Lubar provides wider context and insight. An appendix includes the original French text in its entirety. Joan Miró: I Work Like a Gardener brings to life the words and work of one of the most beloved and influential artists of the twentieth century.
A new edition of this classic illustrated survey on the life and work of Spanish surrealist Joan Miró by historian and close friend Roland Penrose. Among the great twentieth-century masters, the surrealist painter Joan Miró stands out for the atmosphere of wit and spontaneity that pervades his work. Author and artist Roland Penrose, a friend of Miró’s for almost five decades, discusses Miró’s art through its many phases. Penrose also examines its major features—the birth of his signs and symbols; his series of anguished peintures sauvages in the 1930s; his lyrical, poetic gouaches; his monumental sculptures and ceramics; his unprecedented use of poetic titles; and his attachment to nature and the night. A brief epilogue by Eduardo de Benito, London correspondent of the Spanish art periodical Lápiz, illustrates the developments of Miró’s last years. This new revised edition, now illustrated in color throughout, includes a foreword by Antony Penrose, Roland’s son, outlining the relationship between his father and the artist, as well as updates to the bibliography.
The bright colours and graphic strength of paintings by Joan Miro have made him an immensely popular modern painter, but the artist would have been extremely disappointed to see his work treated as little more than interior décor. In this accessible survey of the artist's life and career, Iria Candela explains the complex roots and darker shades that lie behind the evolution of Miró's work, from the culture of his Catalan homeland to his exposure as a young man to the latest experiments of the avant-garde in Paris and the rise of Fascism in Spain. She examines not only Miró's paintings but also his sculpture, prints and murals, quoting from many of the artist's own revealing statements. For anyone wanting to explore the legacy left by the artist who declared that he wanted to 'assassinate painting', this concise introduction is the perfect guide.