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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Mirk's Festial: A Collection Of Homilies, Volume 1; Volume 96 Of Early English Text Society (Series).: Extra Series; Mirk's Festial: A Collection Of Homilies; John Mirk; Volume 96 Of Extra Series; Issue 96 Of Publications: Extra Series; Early English Text Society John Mirk Theodor Erbe Pub. for the Early English Text Society, by K. Paul, Trench, Trubner & Co., ltd., 1905 Sermons, English; Sermons, English (Middle); Sermons, Medieval
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
First edition for over 100 years of The Festial, the best-known of medieval English sermon collections, by the Augustinian canon, John Mirk, of Lilleshall Abbey. Volume 1 volume contains the Introduction and the first half of the text; Volume 2 (to be published in 2010) will contain the remainder of the text, Explanatory Notes, and Glossary.
The Festial, most probably composed in the late 1380s by the Augustinian canon, John Mirk, of Lilleshall Abbey, Shropshire, was the most popular and influential collection of sermons in English in the late medieval and early Tudor period, surviving in many copies, and printed by Caxton and his successors. The collection was designed to be accessible and entertaining, as well as orthodox, to counter the success of Lollard preaching, and taught both the priests who used the sermons, as well as their audiences, the fundamentals of the Christian faith and doctrine, illustrated by many stories. The Festial is is the only English sermon collection to be printed in England before the Reformation and is probably the most frequently printed work of its time, before religious change made it unacceptable. This new edition, in two volumes with full editorial apparatus, supersedes the incomplete EETS edition by Theodor Erbe (E.S. 96 (1905)). Volume 1 contains the Introduction and the first half of the text; Volume 2 (to be published in 2010) will contain the remainder of the text, Explanatory Notes, and Glossary.
Shamanism can be defined as the practice of initiated shamans who are distinguished by their mastery of a range of altered states of consciousness. Shamanism arises from the actions the shaman takes in non-ordinary reality and the results of those actions in ordinary reality. It is not a religion, yet it demands spiritual discipline and personal sacrifice from the mature shaman who seeks the highest stages of mystical development.
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Titles: * Alman (Morley, arr. Dishinger) * All Through the Night (arr. Rascher) * Ballade (Gee) * Intermezzo (Mascagni, arr. Rousseau) * A Joyous Tune (Rascher) * Let's Sing A Song of Praise (arr. Rascher) * March of the Saxmen (Foster) * Minuet in D Minor (Bach, arr. Coggins) * Portrait (Pelz) * Rhapsodie (Monroe) * Rondeau (Couperin, arr. Dishinger) * Saraband and Minuet (Galliard, arr. Gee) * Sweet Betsy from Pike (arr. Rascher) * Toselli's Serenade (Toselli, arr. Leonard)
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Titles: * Bourree (Handel, arr. Dishinger) * Chalet (Smith) * Champagne Song (Mozart, arr. Ployhar) * Elegie (Scheurer) * Hornpipe (Handel, arr. Ployhar) * Humoresque (Tschaikowsky, arr. Smith) * Lady In Blue (Pelz) * March of the Grenadiers (Ployhar) * Menuet (K. 164) (Mozart, arr. Dishinger) * Nobodyes Gigge (Farnaby, arr. Dishinger) * Romanza and Allegro (Scarmolin) * Soliloquy (Kaplan) * Valse Triste (Sibelius, arr. Ployhar) * Viking (Smith)
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Titles: * Andantino (Sor, arr. Dishinger) * Canzonetta (Girlamo, arr. Coggins) * Flow Gently, Sweet Afton (arr. Rascher) * Gently the Moon Has Risen (Claudius, arr. Rascher) * Happy Valley (Leonard) * Introduction and Theme (Paganini, arr. Leonard) * Largo (Handel, arr. Rousseau) * Little March (Schulz, arr. Rascher) * Little Waltz (Coggins) * Non Piu Andrai (Mozart, arr. Foster) * Panis Angelicus (Franck, arr Leonard) * Rocking Carol (Czech Carol, arr. Rousseau) * Shenandoah (arr. Foster) * Vivace (Telemann, arr. Coggins)
Paprika is a successful New York businesswoman. She neglects her personal life and relationships in favor of pursuing her career. Her heart was broken by an old flame, and her rigid upbringing has made her introverted to a debilitating degree. Despite all this, she still wants a romantic relationship—she just doesn’t know what she’s doing. Not like Dill, the handsome delivery boy with an angelic attitude who’s always surrounded by besotted women. He doesn’t have a worry in the world, and that makes Paprika very nervous. But maybe he’s the guy who can help her with her feelings—and with sex. Bridget Jones’s Diary meets Sex and the City with a pinch of The Devil Wears Prada in the new international hit by acclaimed creator MIRKA ANDOLFO (UNNATURAL, MERCY). Collects MIRKA ANDOLFO’S SWEET PAPRIKA #1-6