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MIRIAM: A Tale of Pole Moor and the Greenfield Hills links the protagonists to The Burn Platts, an area above Slaithwaite near Pole Moor where a group of Romanys or Gypsies lived around the time of an incident which took place, in 1832, at the Moorcock Inn, on the edge of the bleak moorland above Greenfield near Saddleworth. It was at this remote pub that the landlord and his gamekeeper son were violently murdered. The Burnplatters were described by MR. G. S. Philips in 1848 as a group of savages "living in log huts thatched with sods, and paying neither rent nor taxes. They were a community to themselves, and had their own wild laws and government. They were the terror likewise of all wayfarers, and it was dangerous for any man to go amongst them alone." It includes substantial portions of dialect spoken at that time in the area when Greenfield was still part of the West Riding of Yorkshire. The author has attempted to reproduce this phonetically using the conventional alphabet. He is not always consistent in the way the dialect is transcribed though this in itself illustrates the nature of dialect.
This fiction presents a thrilling murder mystery connecting the lead characters to The Burn Platts, an area above Slaithwaite near Pole Moor where some Romanies lived around the time of an incident that occurred in 1832, at the Moorcock Inn, on the border of the bleak moorland above Greenfield near Saddleworth. At this isolated pub, the landlord and his gamekeeper son were brutally murdered. This quest to find the murders is worth reading. The gripping plot, memorable characters, and unique writing style make this work enjoyable. This work includes significant portions of the dialect used at that time in the region when Greenfield was a part of the West Riding of Yorkshire. The local Saddleworth author, D. F. E. Sykes, has tried to reproduce this phonetically using the traditional alphabet. This work is a must-read for anyone curious about this dialect and, of course, all the murder mystery lovers.
In all of Sykes' novels he draws heavily on his own life experiences though none more so than in this, his third, semi-autobiographical novel. The Edward Beaumont of the novel is indeed Sykes; his solicitors practice and early political aspirations are featured along with his romance of the daughter of a Lincolnshire vicar. From newspaper articles we can also confirm that he was a councillor and a potential parliamentary candidate for the West Staffordshire constituency; his embroilment with the weavers dispute, bankruptcy and his dependency on alcohol are also well documented. He is however selective in what he chooses to reveal about himself and uses artistic licence to make the book more readable. He does give us an insight into his ideas, opinions and aspirations and the turmoil he must have endured before turning his life around. It is a salutary lesson in how a talented man can be destroyed for his convictions and his struggle, with support, to regain his self-respect.
Pioneering and interdisciplinary in nature, this bibliography constitutes a comprehensive list of regional fiction for every county of Ireland, Scotland, Wales and England over the past two centuries. In addition, other regions of a usually topographical or urban nature have been used, such as Birmingham and the Black Country; London; The Fens; the Brecklands; the Highlands; the Hebrides; or the Welsh border. Each entry lists the author, title, and date of first publication. The geographical coverage is encompassing and complete, from the Channel Islands to the Shetlands. An original introduction discusses such matters as definition, bibliographical method, popular readerships, trends in output, and the scholarly literature on regional fiction.
With its vivid descriptions of courtly society, gardens, and architecture in early eleventh-century Japan, The Tale of Genji—recognized as the world’s first novel—has captivated audiences around the globe and inspired artistic traditions for one thousand years. Its female author, Murasaki Shikibu, was a diarist, a renowned poet, and, as a tutor to the young empress, the ultimate palace insider; her monumental work of fiction offers entry into an elaborate, mysterious world of court romance, political intrigue, elite customs, and religious life. This handsomely designed and illustrated book explores the outstanding art associated with Genji through in-depth essays and discussions of more than one hundred works. The Tale of Genji has influenced all forms of Japanese artistic expression, from intimately scaled albums to boldly designed hanging scrolls and screen paintings, lacquer boxes, incense burners, games, palanquins for transporting young brides to their new homes, and even contemporary manga. The authors, both art historians and Genji scholars, discuss the tale’s transmission and reception over the centuries; illuminate its place within the history of Japanese literature and calligraphy; highlight its key episodes and characters; and explore its wide-ranging influence on Japanese culture, design, and aesthetics into the modern era. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
This book retains the accessibility of the previous editions while incorporating the latest research findings, and updated organizational applications of the principles of I-O psychology. The scientist-practitioner model continues to be used as the philosophical cornerstone of the textbook. The writing continues to be topical, readable, and interesting. Furthermore, the text includes additional consideration of technological change and the concomitant change in the reality of work, as well as keeps and reinforces the systems approach whenever possible, stressing the interplay among different I-O psychology variables and constructs.
Why have so many central and inner cities in Europe, North America and Australia been so radically revamped in the last three decades, converting urban decay into new chic? Will the process continue in the twenty-first century or has it ended? What does this mean for the people who live there? Can they do anything about it? This book challenges conventional wisdom, which holds gentrification to be the simple outcome of new middle-class tastes and a demand for urban living. It reveals gentrification as part of a much larger shift in the political economy and culture of the late twentieth century. Documenting in gritty detail the conflicts that gentrification brings to the new urban 'frontiers', the author explores the interconnections of urban policy, patterns of investment, eviction, and homelessness. The failure of liberal urban policy and the end of the 1980s financial boom have made the end-of-the-century city a darker and more dangerous place. Public policy and the private market are conspiring against minorities, working people, the poor, and the homeless as never before. In the emerging revanchist city, gentrification has become part of this policy of revenge.