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Miranda's Passion is a sensual, adventure of a young woman who latches onto a new passion. Riding horses once occupied her time, but now her first kiss has her on a new mission. Trying to captivate the experienced Luke Garrison is often humorous, yet naive. She is determined to explore this new emotion called love, at any cost.
Love & Passion Through The Ages is a riveting boxed-set collection that traverses the evolving landscapes of love and passion through the lenses of some of the most illustrious names in literature. Spanning centuries and encapsulating a variety of literary stylesfrom the refined elegance of the Regency period to the poignant realism of the late 19th centurythis anthology celebrates the timeless nature of human emotion and connection. It showcases the remarkable breadth of narrative techniques and thematic explorations, from the windswept moors of Brontë to the lavish courts of Dumas, illuminating the universality and diversity of romantic experience. The inclusion of seminal works by Mary Wollstonecraft and Edith Wharton, among others, serves to highlight the collection's literary significance and its contribution to the evolving discourse on love and relationships. The diverse group of authors represented in this collection brings a rich array of cultural, historical, and personal perspectives to the theme of love and passion. Drawing from various movements and epochs, these writersranging from the pioneering feminist insight of Wollstonecraft to the tragic romanticism of Hardyoffer a panoramic view of how love has been conceived, portrayed, and reimagined across time and space. Their collective works, informed by their distinct backgrounds and the socio-political climates they navigated, provide a multilayered exploration of love's complexity, enriching the anthology with depth and authenticity. Love & Passion Through The Ages invites readers on a journey through the heart's many seasons, offering an unparalleled opportunity to engage with the myriad forms love has taken in literature. This collection is a compelling testament to the enduring power of love as a universal theme, appealing to students of literature, enthusiasts of historical fiction, and anyone captivated by the inexhaustible nuances of human emotion. It promises not only a rich educational experience but also a deeply personal exploration of the passion and poignancy that love, in its countless incarnations, brings to the human experience.
In the period when the constraining customs and public scrutiny prevailed, there were still writers who wrote about the true nature of woman's passion. e-artnow presents to you the collection of the greatest tales of love, lust, pleasure and betrayal. _x000D_ Content:_x000D_ Fantomina (Eliza Haywood)_x000D_ The History of Miss Betsy Thoughtless (Eliza Haywood)_x000D_ The Fortunate Foundlings (Eliza Haywood)_x000D_ Powder and Patch (Georgette Heyer)_x000D_ The Black Moth: A Romance of the XVIIIth Century (Georgette Heyer)_x000D_ Belinda (Maria Edgeworth)_x000D_ Patronage (Maria Edgeworth)_x000D_ Dangerous Liaisons (Pierre Choderlos de Laclos)_x000D_ Evelina (Fanny Burney)_x000D_ Cecilia (Fanny Burney)_x000D_ Camilla (Fanny Burney)_x000D_ The Wanderer (Fanny Burney)_x000D_ Mary: A Fiction (Mary Wollstonecraft)_x000D_ Pride and Prejudice (Jane Austen)_x000D_ Sense and Sensibility (Jane Austen)_x000D_ Mansfield Park (Jane Austen)_x000D_ Emma (Jane Austen)_x000D_ Persuasion (Jane Austen)_x000D_ Miss Marjoribanks (Mrs. Olifant)_x000D_ Phoebe, Junior (Mrs. Olifant)_x000D_ Vanity Fair (William Makepeace Thackeray)_x000D_ Pamela (Samuel Richardson)_x000D_ Anti-Pamela (Eliza Haywood)_x000D_ Shamela (Henry Fielding)_x000D_ The Lady of the Camellias (Alexandre Dumas)_x000D_ The Portrait of a Lady (Henry James)_x000D_ The Wings of the Dove (Henry James) _x000D_ Anna Karenina (Leo Tolstoy)_x000D_ The Age of Innocence (Edith Wharton)_x000D_ Jane Eyre (Charlotte Brontë)_x000D_ Wuthering Heights (Emily Brontë)_x000D_ The Tenant of Wildfell Hall (Anne Brontë)_x000D_ Tess of the d'Urbervilles (Thomas Hardy)_x000D_ Scarlet Letter (Nathaniel Hawthorne)_x000D_ The Miranda Trilogy (Grace Livingston Hill)
Four centuries ago, a spurned lover damned Lord Zachary Kensington to eternity as a vampire. Convinced no woman could love the beast within, he concentrates his attention on the quest for redemption. He now stalks evil in the 21st century, working as a police detective. His job puts him up close and personal with Dr. Miranda James when she is carjacked. The sensual doctor captures his heart, but before he can claim her as his, Zacke's past comes back to haunt him. Miranda James falls hard and fast for the seductive Detective Zacke Kensington, but the closer she gets to him the more elusive he becomes. His mysterious air grates on her nerves and when she discovers him kissing a beautiful woman, Miranda is devastated. Tables turn when ex-lover and vampire, Gabriella designates Miranda as her next meal. Miranda swears off of men while Zacke vows to stop Gabriella's vindictive murder spree before she turns Savannah into a city of carnage.
He's just a warm body on a cold Alaskan night… Miranda Sinclair, reeling on the anniversary of her sister's death, indulges in a passionate night with a stranger. The next day she's shocked to discover he's her new boss, Jeremiah Burke! And he got the job she thought was hers. Still, she's nothing if not practical. She wants to forget about their night together and focus on tracking the poachers killing black bears on her mountain. Besides, she's not looking for a relationship, and her instincts tell her Jeremiah is hiding something. Too bad the attraction between them won't go away, and Miranda starts to wonder if one night will ever be enough….
In Desire, the Self, the Social Critic, Professor Buckley shows that while few transcendentalists ever agree for long on philosophical or epistemological matters, four of them develop the use of "antisocial" desire into a transcendental critique of nineteenth-century American culture. Margaret Fuller, Walt Whitman, Herman Melville, and Emily Dickinson represent the individual's inherent divinity and the individual's inherent ability to transcend the exigencies of the sensate world in terms that might appear to be homosexual, bisexual, or "pansexual." They alone among their contemporaries give expression to desire for the social other, give expression to desire for the self not to be seen in the heterosexist, homophobic, misogynist social realm of everyday life.