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The Immortal Six Hundred were 600 Confederate officers сфзегкув by the Union Army in 1864–65. In 1863, the Confederacy passed a resolution stating all arrested African-American soldiers and the officers of colored troops would not be returned. That resolution also allowed any captured officer of colored troops to be executed or sold into slavery. John Ogden Murray, a major in the Confederate Army and an author, wrote a firsthand account of Confederate prisoners of war. He is also credited with coining the phrase "Immortal Six Hundred."
Long after the Civil War ended, one conflict raged on: the battle to define and shape the war's legacy. Across the Bloody Chasm deftly examines Civil War veterans' commemorative efforts and the concomitant -- and sometimes conflicting -- movement for reconciliation. Though former soldiers from both sides of the war celebrated the history and values of the newly reunited America, a deep divide remained between people in the North and South as to how the country's past should be remembered and the nation's ideals honored. Union soldiers could not forget that their southern counterparts had taken up arms against them, while Confederates maintained that the principles of states' rights and freedom from tyranny aligned with the beliefs and intentions of the founding fathers. Confederate soldiers also challenged northern claims of a moral victory, insisting that slavery had not been the cause of the war, and ferociously resisting the imposition of postwar racial policies. M. Keith Har-ris argues that although veterans remained committed to reconciliation, the sectional sensibilities that influenced the memory of the war left the North and South far from a meaningful accord. Harris's masterful analysis of veteran memory assesses the ideological commitments of a generation of former soldiers, weaving their stories into the larger narrative of the process of national reunification. Through regimental histories, speeches at veterans' gatherings, monument dedications, and war narratives, Harris uncovers how veterans from both sides kept the deadliest war in American history alive in memory at a time when the nation seemed determined to move beyond conflict.
In 1864, six hundred Confederate prisoners of war, all officers, were taken out of a prison camp in Delaware and transported to South Carolina, where most were confined in a Union stockade prison on Morris Island. They were placed in front of two Union forts as "human shields" during the siege of Charleston and exposed to a fearful barrage of artillery fire from Confederate forts. Many of these men would suffer an even worse ordeal at Union-held Fort Pulaski near Savannah, Georgia, where they were subjected to severe food rationing as retaliatory policy. Author and historian Karen Stokes uses the prisoners' writings to relive the courage, fraternity and struggle of the "Immortal 600."
The Washington Monument is one of the most easily recognized structures in America, if not the world, yet the long and tortuous history of its construction is much less well known. Beginning with its sponsorship by the Washington National Monument Society and the grudging support of a largely indifferent Congress, the Monument's 1848 groundbreaking led only to a truncated obelisk, beset by attacks by the Know Nothing Party and lack of secured funding and, from the mid-1850s, to a twenty-year interregnum. It was only 1n 1876 that a Joint Commission of Congress revived the Monument and entrusted its completion to the U.S. Army Corps of Engineers.In "To the Immortal Name and Memory of George Washington": The United States Corps of Engineers and the Construction of the Washington Monument, historian Louis Torres tells the fascinating story of the Monument, with a particular focus on the efforts of Lieutenant Colonel Thomas Lincoln Casey, Captain George W. Davis, and civilian Corps employee Bernard Richardson Green and the details of how they completed the construction of this great American landmark. The book also includes a discussion and images of the various designs, some of them incredibly elaborate compared to the austere simplicity of the original, and an account of Corps stewardship of the Monument up to its takeover by the National Park Service in 1933. First published in 1985. 148 pages, ill.
Alexander and James Campbell, born and raised in Scotland, immigrated to the United States as teenagers in the 1850s and settled in vastly different regions of the country - Alexander in New York City and James in Charleston, South Carolina. When the American Civil War broke out in 1861, Alexander and James opted to fight for their adopted states and causes: Alexander enlisted in the 79th New York "Highlanders" and James in the 1st South Carolina ("Charleston") Battalion. "Him on the One Side and Me on the Other" tells the remarkable story of these two brothers divided by the Civil War. Through their wartime letters to family and to each other, the brothers expose the deep fractures in American society caused by the most destructive war in this country's history. In the most dramatic moment in this story of the brothers' wartime experiences, the letters reveal a near-reunion on the battlefield of Secessionville, South Carolina, on June 16, 1862. There Alexander was part of the Union force that assaulted Tower Battery, a fort inhabited by James and his Confederate comrades.
Hendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them "Thoughts on Style in Architecture", "Architecture's Place in Modern Aesthetics", and "Art and Society", this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings.
In preparing a book of etiquette for ladies, I would lay down as the first rule, "Do unto others as you would others should do to you." You can never be rude if you bear the rule always in mind, for what lady likes to be treated rudely? True Christian politeness will always be the result of an unselfish regard for the feelings of others, and though you may err in the ceremonious points of etiquette, you will never be impolite. Politeness, founded upon such a rule, becomes the expression, in graceful manner, of social virtues. The spirit of politeness consists in a certain attention to forms and ceremonies, which are meant both to please others and ourselves, and to make others pleased with us; a still clearer definition may be given by saying that politeness is goodness of heart put into daily practice; there can be no _true_ politeness without kindness, purity, singleness of heart, and sensibility.