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Arranged for clarinet and piano from Serenade for Wind Instuments K.361
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
This exciting edition contains 100 early intermediate selections in their original form, spanning the Baroque period to present day. The repertoire, which includes several minuets, folk dances, character pieces and much more, has been carefully graded and selected for student appeal by editor Lynn Freeman Olson.
Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).
This guide to Mozart's last and most celebrated symphony explores the historical background and aesthetic contexts of the work as well as the music itself. The early chapters examine the expectations of the symphony in Mozart's Vienna, Mozart's career in 1788 (the year of the three last symphonies), and the changing reception of the "Jupiter" over the subsequent two hundred years. A separate chapter is devoted to each movement of the symphony with musical discussion illuminated by a broad array of topics.
Much music was written for the two most important dances of the 18th and 19th centuries, the minuet and the waltz. In Decorum of the Minuet, Delirium of the Waltz, Eric McKee argues that to better understand the musical structures and expressive meanings of this dance music, one must be aware of the social contexts and bodily rhythms of the social dances upon which it is based. McKee approaches dance music as a component of a multimedia art form that involves the interaction of physical motion, music, architecture, and dress. Moreover, the activity of attending a ball involves a dynamic network of modalities—sight, sound, bodily awareness, touch, and smell, which can be experienced from the perspectives of a dancer, a spectator, or a musician. McKee considers dance music within a larger system of signifiers and points-of-view that opens new avenues of interpretation.
Simply Beethoven is a collection of the most famous masterpieces by Ludwig van Beethoven. These have been carefully selected and arranged by Jerry Ray for Easy Piano, making them accessible to pianists of all ages. Phrase markings, articulations, fingering and dynamics have been included to aid with interpretation, and a large print size makes the notation easy to read. Titles: * Bagatelle, Op. 33, No. 6 * Ecossaise, WoO 83 * Fí_r Elise * German Dance, WoO 42, No. 6 * Minuet in G * Piano Concerto No. 5 ("Emperor") * Piano Sonata No. 8 in C Minor, Op. 13 ("Pathí©tique") * Rondo a capriccio, Op. 129 ("Rage Over the Lost Penny") and many more!
This series contains all of the pieces from Volumes 1 and 2 of the Suzuki Violin School arranged for three violins. Suzuki Violin Volume 1 serves as the violin 1 part. The pieces can be played with or without piano accompaniment, which expands their performance possibilities. Another advantage is that students at different playing and reading levels can make music together. The score contains a chart that lists the level of difficulty of each piece and each part so that the teacher can easily assign parts. All of the parts were purposely kept as simple as possible. A table listing the reading skills required for each piece is found in the back of the violin 2 and violin 3 books.
(Amadeus). This collection of lectures, talks, and essays focuses on three major composers of the 17th and 18th centuries.