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Tonight is the Mouston school dance and Minnie can't wait to go! She even designed a special dress to wear. The only problem is, she spent so much time working on her dress that she forgot to find a date, and she doesn't want to go alone! Daisy, on the other hand, wants nothing to do with the dance. She would much rather watch a monster movie with her friend Leonard. So when Mrs. Flamingo gives Daisy two tickets to tonight's Monster Mayhem movie festival, Daisy knows just who to ask to go with her. But when she goes to find Leonard, she overhears him working up a speech. He's planning to ask her to the dance! Daisy doesn't like like Leonard, but she doesn't want to hurt his feelings. Should she agree to go with him? And can she find Minnie a date before it's too late?
In this second chapter book in the Minnie & Daisy B.F.F. series, there isn't a sport on the planet that Daisy Duck doesn't like. So when she takes her first surfing lesson, she falls in love with wave-riding immediately and becomes determined to buy her very own surfboard. The only problem is, surfboards are expensive! So when Daisy hears that her neighbor needs a pet-sitter, she volunteers eagerly, thinking that it will be an easy way to jumpstart her surfboard savings fund. But as it turns out, this is no ordinary pet-sitting job. Daisy's furry charge turns out to be a sugar glider, and while the little guy may look adorable, he turns out to be quite the handful. Daisy soon realizes that she is in way over her head, so she calls in her BFF, Minnie, for reinforcements. Can the two of them hold down the fort until Daisy's neighbor gets home?
Before they met Mickey and Donald, Minnie and Daisy were best friends! In this middle-grade chapter book, when Minnie finds out that the drama department at Mouston Central is going to put on a production of Shakespeare's Romeo and Juliet, she is desperate to audition. But then in a "comedy of errors," Daisy gets the part instead! Will their friendship make it through the "tempest"?
Minnie and Daisy's class is going on a field trip to the Moushattan Museum of History. Minnie is really excited because she loves art and history; Daisy thinks it's going to be a snoozefest. When they get to the museum, their history teacher announces that the students will be doing a scavenger hunt. They have a list of questions to solve, and the answers can be found in the museum's exhibits. The first team to finish with correct answers will get extra credit toward their history grade! The hunt is going fine, until Daisy suggests that she and Minnie split up. She thinks they can divide and conquer, and she really wants to win because her history grade is suffering. Minnie sets off in search of a famous painting and Daisy heads out to the Bumblebeegypt room. They are supposed to meet back at the lobby, but when Daisy doesn't show up, Minnie is worried. Is Daisy lost? Will she get back in time--and with the correct answer--so they can win the scavenger hunt?
On March 2, 1965, "The Sound of Music" was released in the United States and the love affair between moviegoers and the classic Rodgers and Hammerstein musical was on. Rarely has a film captured the love and imagination of the moviegoing public in the way that "The Sound of Music" did as it blended history, music, Austrian location filming, heartfelt emotion and the yodeling of Julie Andrews into a monster hit. Now, Tom Santopietro has written the ultimate "Sound of Music" fan book with all the inside dope from behind the scenes stories of the filming in Austria and Hollywood to new interviews with Johannes von Trapp and others. Santopietro looks back at the real life story of Maria von Trapp, goes on to chronicle the sensational success of the Broadway musical, and recounts the story of the near cancellation of the film when the "Cleopatra" bankrupted 20th Century Fox. We all know that Julie Andrews and Christopher Plummer played Maria and Captain Von Trapp, but who else had been considered? Tom Santopietro knows and will tell all while providing a historian's critical analysis of the careers of director Robert Wise and screenwriter Ernest Lehman, a look at the critical controversy which greeted the movie, the film's relationship to the turbulent 1960s and the super stardom which engulfed Julie Andrews. Tom Santopietro's "The Story of 'The Sound of Music'" is book for everyone who cherishes this American classic.
Ever since Patty Farmer was a little girl, she dreamed of living at the Plaza--just like Eloise of storybook fame. Decades later, she realized that dream when she moved into an apartment on the eighth floor of the famed hotel and became more passionate than ever about immersing herself in its history. She soon discovered that one of the most magical places within the Plaza now exists only in memory: the nightclub known as the Persian Room. For more than forty years, from 1934 to 1975, the Persian Room was the place to be in New York City. An unparalleled array of performers graced its stage--everyone from the incomparable Hildegarde and Kay Thompson to Julie Wilson, Andy Williams, Lainie Kazan, and Michelle Lee. And, though more than three decades have passed since the final ovation, there are many from both sides of the footlights who remember this extravagant nightclub with great fondness. To create this unique and memorable oral history, Farmer traveled far and wide to meet the Persian Room's most popular stars and collect their precious memories. Over the course of three years, these idols of the past and present opened their homes and hearts to her, relishing the opportunity to share cherished moments from their long careers. Many contributed photos and memorabilia from their personal collections as well, making The Persian Room Presents... a vivid journey through the stars elegant history. Among the many stars who generously gave their time are Andy Williams, Marge Champion, Polly Bergen, Diahann Carroll, Connie Stevens, Lesley Gore, Patti Page, Carol Lawrence, Michelle Lee, Lainie Kazan, Julie Wilson, Tony Butala, Tony Sandler, Celeste Holm, Kaye Ballard, Jack Jones, and Roslyn Kind. Don Dellair shared funny and touching tales of both Hildegarde and Liberace. Hilary Knight--the legendary illustrator who brought Eloise to life--spoke wistfully of Kay Thompson and Lisa Kirk. Each offered his or her own perspective on the club, but they all agreed on one thing: There was no place on Earth like the Persian Room and there never will be.
Pryor Wright's ultra-conservative radio show has millions of devout fans who are sure that the slurs and wild accusations fired at the liberal left prove him a true patriot. But when his venomous rantings catch Maren Garrity's twin brother in the crossfire, the struggling actress pursues her own style of justice and enlists a troupe of fellow unemployed actors to teach Wright just how powerful words can be.
“Christopher Moore is a very sick man, in the very best sense of that word.” —Carl Hiassen A magnificent “Comedy d’Art” from the author of Lamb, Fool, and Bite Me, Moore’s Sacré Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed “suicide” of Vincent van Gogh. It is the color of the Virgin Mary's cloak, a dazzling pigment desired by artists, an exquisite hue infused with danger, adventure, and perhaps even the supernatural. It is . . . Sacré Bleu In July 1890, Vincent van Gogh went into a cornfield and shot himself. Or did he? Why would an artist at the height of his creative powers attempt to take his own life . . . and then walk a mile to a doctor's house for help? Who was the crooked little "color man" Vincent had claimed was stalking him across France? And why had the painter recently become deathly afraid of a certain shade of blue? These are just a few of the questions confronting Vincent's friends—baker-turned-painter Lucien Lessard and bon vivant Henri Toulouse-Lautrec—who vow to discover the truth about van Gogh's untimely death. Their quest will lead them on a surreal odyssey and brothel-crawl deep into the art world of late nineteenth-century Paris. Oh là là, quelle surprise, and zut alors! A delectable confection of intrigue, passion, and art history—with cancan girls, baguettes, and fine French cognac thrown in for good measure—Sacré Bleu is another masterpiece of wit and wonder from the one, the only, Christopher Moore.