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This classic play by German Enlightenment writer Gotthold Ephraim Lessing is a witty and engaging exploration of love and class struggle. With a new translation by Marcus Bachman Lambert, this edition is a must-read for anyone interested in the history of European drama. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Lessing was a playwright, scholar, poet, archeologist, philosopher, and critic. His genius is evident in the works collected in this volume, which includes the comedy Minna von Barnhelm, the tragedy Emilia, Galotti, Nathan the Wise, The Jews (and related correspondence), Ernst and Falk: Conversations for the Freemasons, and selections from philosophical and theological writings>
'Minna von Barnhelm' is a timeless classic of German literature, a comedy written by Gotthold Ephraim Lessing. Set during the aftermath of the Seven Years' War, it tells the story of Major von Tellheim, who is dishonorably discharged from the army and facing financial ruin. When his possessions are removed from his hotel room, a sealed envelope containing a large sum of money is discovered, leading to a series of misunderstandings and unexpected reunions. Full of wit and charm, 'Minna von Barnhelm' is a must-read for anyone interested in the history of German theater and the human condition.
Gotthold Ephraim Lessing (1729-1781) was a German writer, philosopher, and art critic, and one of the most outstanding representatives of the Enlightenment era. His plays and other writings substantially influenced the development of German literature. --- The importance of Lessing's masterpiece in comedy, "Minna von Barnhelm," is difficult to exaggerate. It was the beginning of German national drama; and by the patriotic interest of its historical background, by its sympathetic treatment of the German soldier and the German woman, and by its happy blending of the amusing and the pathetic, it won a place in the national heart from which no succeeding comedy has been able to dislodge it. (Ernest Bell)
Minna Von Barnhelm By Gotthold Ephraim Lessing
This volume investigates the impact of the Radical Enlightenment on German culture during the eighteenth century, taking recent work by Jonathan Israel as its point of departure. The collection documents the cultural dimension of the debate on the Radical Enlightenment. In a series of readings of known and lesser-known fictional and essayistic texts, individual contributors show that these can be read not only as articulating a conflict between Enlightenment and Counter-Enlightenment, but also as documents of a debate about the precise nature of Enlightenment. At stake is the question whether the Enlightenment should aim to be an atheist, materialist, and political movement that wants to change society, or, in spite of its belief in rationality, should respect monarchy, aristocracy, and established religion. Contributors are: Mary Helen Dupree, Sean Franzel, Peter Höyng, John A. McCarthy, Monika Nenon, Carl Niekerk, Daniel Purdy, William Rasch, Ann Schmiesing, Paul S. Spalding, Gabriela Stoicea, Birgit Tautz, Andrew Weeks, Chunjie Zhang
^BAVAILABLE FOR FIRST TIME IN U.S. ^RThis work is a highly original analysis of how the bourgeoisie created themselves as the heroes of the literature of the eighteenth and nineteenth centuries. It is a systematic study of bourgeois literature which clearly shows the integral relationship between a social class and the ideals projected in its literary works. The idea of the bourgeois as hero is pursued through a brilliant reading of the major texts of classical German literature. The author focuses on opposing literary forms: epic and novel in Jean Paul's Titan; poetry and prose in Goethe's Bridegroom; tragedy and comedy in Lessing's Minna von Barnhelm. Schlaffer links these forms to bourgeois preoccupations with love, work, honour and money to show how the interests of the bourgeoisie as a class underpin and subvert its idealistic literary aspirations. This challenging new analysis demonstrates how literature can be used to interpret social structure, and also how the influence of social structure can generate deviation and ambivalence in literary themes and forms. In The Bourgeois as Hero, Schlaffer has produced a major new synthesis of sociology and literary theory in a manner similar to Luk·cs. It will be of great importance for students and academics, in modern languages and literature, literary theory, sociology and cultural studies. Contents: Introduction; 1 Epic and Novel. Action and Consciousness. Jean Paul's^R Titan; 2 Poetry and Prose. Love and Labour. Goethe's Bridegroom; 3 Tragedy and Comedy. Honour and Money. Lessing's Minna von Barnhelm; 4 Conclusions and Method. Pre-Bourgeois Heroism in Burgeois Society. Problems of Socio-Historical Interpretation; Notes; Index