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Biography of feminist journalist, Margaret Fuller.
A biography of the American feminist and author.
If you want to improve your skills in some kind of art, or want to retain knowledge to pass an exam, or even need help in court cases, you can ask Minerva for help, and get supernatural support to solve your problems. Minerva is the Goddess of wisdom, knowledge, arts and justice. Goddess Minerva is especially powerful at improving skills or gifting people with artistic gifts, whether it's music, writing or dancing, or any other type of artistic expression you can imagine. CONTENTS Absorb knowledge. Increase Intelligence. Pass tests and exams. Finding Balance. Legal Matters. For Artistic Gifts. For Music. For Painting. For Drawing. For Dance. For Writing.
Cultivating the Muse looks beyond the secure and benign images traditionally associated with inspiration in classical literature and scholarship. In contrast to the shapeless collectivity of the Muses in ancient accounts, this collection aspires to redeem their shape in other more vitalforms, closer or more distant incarnations of the ever-elusive maiden. Protagonists -- or victims -- in a complex game of cultural exploration, the alternative Muses and muse-like figures of this book are manipulated, abused, or effaced, but at the same time they also advocate or resist their fatesand explore their own powers of persuasion. Inspiration is here not so much explored in its traditional cultic dimensions, but rather invoked for its capacity to trigger fervent debates about power, desire, knowledge, identity, and gender in the societies of ancient Greece and Rome.
How to rebuild higher education from the ground up for the twenty-first century. Higher education is in crisis. It is too expensive, ineffective, and impractical for many of the world's students. But how would you reinvent it for the twenty-first century—how would you build it from the ground up? Many have speculated about changing higher education, but Minerva has actually created a new kind of university program. Its founders raised the funding, assembled the team, devised the curriculum and pedagogy, recruited the students, hired the faculty, and implemented a bold vision of a new and improved higher education. This book explains that vision and how it is being realized. The Minerva curriculum focuses on “practical knowledge” (knowledge students can use to adapt to a changing world); its pedagogy is based on scientific research on learning; it uses a novel technology platform to deliver small seminars in real time; and it offers a hybrid residential model where students live together, rotating through seven cities around the world. Minerva equips students with the cognitive tools they need to succeed in the world after graduation, building the core competencies of critical thinking, creative thinking, effective communication, and effective interaction. The book offers readers both the story of this grand and sweeping idea and a blueprint for transforming higher education.
Muse No More is a paranormal fantasy women’s fiction novel and is a women’s action and adventure tale from USA Today Bestselling Author Donna McDonald. Was it necessary for an entire task of the prophecy to be about me making amends? With four tasks of the Doomsday Prophecy solved and five more to go, I need time some time off to rest and recharge before tackling task five. My goddess power is dwindling daily. Signs of mortal aging are warning me that my goddess days may be nearing their Mortal Realm end. Should I admit failure to the Fates and beg for help from them? That’s never happening. Or at least it’s not happening until I’ve run out of other options. I’m not sure what other goddesses would do in my situation, but I’m taking my dragon champion and heading to Rome for a break. Who knows? Maybe I’m just tired. So what if I can’t make a portal and have to ask a magical friend to do it for me? A visit to my secret treasure vault in Rome will hopefully be worth swallowing that much of my pride. My mortal sins are few. My goddess sins are many. Maybe a walk down memory lane is long overdue. AUTHOR NOTE: This story is paranormal fantasy (think Dark Fairies, Demons, Pegasi, and Dragons) and a women’s action and adventure novel. Some romantic elements are also included. This is the third book in the Nine Heirs and a Spare series which has its roots in Greek mythology. You can count on the good guys (or rather good women) winning some of their battles, but that’s the only promise I can make. As with all my work, there will be some good laughs along the way. Topics: mythology, Greek mythology, goddess, series starter, first in series, fantasy series, paranormal action and adventure, women's fiction, fantasy fiction, paranormal romance, shifter romance, romance ebook, romance series, fantasy romance, paranormal elements, contemporary fantasy, urban fantasy, HEA, strong heroine, alpha hero, romance fiction, romance books, USA Today Bestseller, paranormal romance shifters series
Between 1790 and 1820, William Lane’s Minerva Press published an unprecedented number of circulating-library novels by obscure female authors. Because these novels catered to the day’s fashion for sentimental themes and Gothic romance, they were and continue to be generally dismissed as ephemera. Recently, however, scholars interested in historicizing Romantic conceptions of genius and authorship have begun to write Minerva back into literary history. By making Minerva novels themselves the centre of the analysis, Minerva’s Gothics illustrates how Romantic ‘anxiety’ is better conceptualized as a mutual though not entirely equitable ‘exchange’, a dynamic interrelationship between Minerva novels and Romantic-era politics and poetics that started in 1780, when Lane began publishing novels with some regularity. Reading Minerva novels for their shared popular conventions demonstrates that circulating-library novelists collectively recirculate, engage and modify commonplaces about women’s nature, the social order and, most importantly, the very Romantic redefinitions of authorship and literature that render their novels not worth reading. By recognizing Minerva’s collaborative rather than merely derivative authorial model, a forgotten pathway is restored between first-generation Romantic reactions to popular print culture and Percy Shelley’s influential conceptualization of the poet in A Defence of Poetry.
Interdisciplinary in approach and methodologically sophisticated, this book explores the dynamic reception of Latin erotic elegy in Renaissance love poetry.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Transfiguring America is the product of more than ten years of research and numerous published articles on Margaret Fuller, arguably America's first feminist theorist and one of the most important woman writers in the nineteenth century. Focusing on Fuller's development of a powerful language that paired cultural critique with mythmaking, Steele shows why her writing had such a vital impact on the woman's rights movement and modern conceptions of gender. This groundbreaking study pays special attention to the ways in which Fuller's feminist consciousness and social theory emerged out of her mourning for herself and others, her dialogue with Emersonian Transcendentalism, and her eclectic reading in occult and mythical sources. Transfiguring America is the first book to provide detailed analyses of all of Fuller's major texts, including her mystical Dial essays, correspondence with Emerson, Summer on the Lakes, 1844 poetry, Woman in the Nineteenth Century, and New York Tribune essays written both in New York and Europe. Starting from her own profound sense of loss as a marginalized woman, Fuller eventually recognized the ways in which the foundational myths of American society, buttressed by conservative religious ideologies, replicated dysfunctional images of manhood and womanhood. With Woman in the Nineteenth Century, after exploring the roots of oppression in her essays and poetry, Fuller advanced the cause of woman's rights by conceptualizing a more fluid and equitable model of gender founded upon the mythical reconfiguration of human potential. But as her horizons expanded, Fuller demanded not only political equality for women, but also emotional, intellectual, and spiritual freedom for all victims of social oppression. By the end of her career, Steele shows, Fuller had blended personal experience and cultural critique into the imaginative reconstruction of American society. Beginning with a fervent belief in personal reform, she ended her career with the apocalyptic conviction that the dominant myths both of selfhood and national identity must be transfigured. Out of the ashes of personal turmoil and political revolution, she looked for the phoenix of a revitalized society founded upon the ideal of political justice.