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Airbnb facilitates the booking of over 37 million overnight stays per year. Uber operates in 450 cities in 60 countries. Both claim to be part of the rapidly growing ‘sharing economy’ — but what does that actually mean? Here, Tom Slee offers a razor-sharp examination of the ‘sharing economy’: from its genesis in open-source software and media file sharing, through to the present day popularity of Uber, Airbnb, Taskrabbit, and similar services, which operate outside of normal business regulations, taking on none of the risk or responsibility when something goes wrong. He asks, how did we get from the generosity of what’s mine is yours, to the self-interest and greed of what’s yours is mine?
A twisty, terrifying supernatural mystery about twelve-year-old, her creepy new home in Florida, and the territorial ghost of the young girl who lived there before her. "A fiendishly creepy ghost story."--Chuck Wendig, New York Times bestselling author of Dust & Grim "Hide-under-the-covers terrifying, I loved it.”--Katherine Arden, bestselling author of Small Spaces Lily Horne is a drama queen. It's helped her rise to stardom in the school play, but it's also landed her in trouble. Her parents warn her that Florida has to be different. It's a fresh start. No theatrics. But this time, the drama is coming for her. Her new house is a real nightmare. . . The pool is full of slime, the dock is rotten, and the swamp creeps closer every day. But worst of all, the house isn't empty . . . it's packed full of trash, memories, and, Lily begins to fear, the ghost of the girl who lived there before her. And whatever is waiting in the shadows wants to come out to play.
“Mine” is one of the first words babies learn, and by the time we grow up, the idea of ownership seems natural, whether we are buying a cup of coffee or a house. But who controls the space behind your airplane seat: you, reclining, or the squished laptop user behind you? Why is plagiarism wrong, but it’s okay to knock off a recipe or a dress design? And after a snowstorm, why does a chair in the street hold your parking space in Chicago, while in New York you lose both the space and the chair? In Mine!, Michael Heller and James Salzman, two of the world’s leading authorities on ownership, explain these puzzles and many more. Remarkably, they reveal, there are just six simple rules that everyone uses to claim everything. Owners choose the rule that steers us to do what they want. But we can pick differently. This is true not just for airplane seats, but also for battles over digital privacy, climate change, and wealth inequality. Mine! draws on mind-bending, often infuriating, and always fascinating accounts from business, history, courtrooms, and everyday life to reveal how the rules of ownership control our lives and shape our world.
Family is everything... I always knew my father was a cold, heartless bastard. But the moment he took Elle Castlemaine and her pathetic daughter into our home, barely a month after our mom died, he unleashed something savage inside me. I didn't care they lost their home. Didn't care their father was behind bars. Didn't care he betrayed the notorious Stidda Mafia boss, Benjamin Rossi, and now their lives were in danger. All I cared about was her. Ryth. I wanted to hurt her. Wanted to make her squirm. I wanted to make her pay for the moans coming from my father's bedroom. When he slipped a ring onto her mother's finger, Ryth became mine. Mine to bully. Mine to break. And I'll use my brothers to do it. She'll become our favorite obsession. Our sick, tormented game. She'll become the only thing I think about, until not thinking about her tears me apart. I'll hate her. I'll hate her so much it hurts...
Mindy McGinnis, award-winning author of The Female of the Species and A Madness So Discreet, returns with a new dark and twisted psychological thriller—perfect for fans of Gone Girl and Fight Club. Sasha Stone knows her place—first-chair clarinet, top of her class, and at the side of her Oxford-wearing boyfriend. She’s worked her entire life to ensure her path to Oberlin Conservatory as a star musician is perfectly paved. But suddenly there’s a fork in the road in the shape of Isaac Harver. Her body shifts toward him when he walks by, and her skin misses his touch even though she’s never known it. Why does he act like he knows her so well—too well—when she doesn’t know him at all? Sasha discovers that her by-the-book life began by ending the chapter of another: the twin sister she absorbed in the womb. But that doesn’t explain the gaps of missing time in her practice schedule, or the memories she has of things she certainly never did with Isaac. Armed with the knowledge that her heart might not be hers alone, Sasha must decide what she’s willing to do—and who she’s willing to hurt—to take it back.
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