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This title contains all three volumes of the Fallen Gods Saga in one bundle. It also includes an exclusive Fallen Gods Trilogy cover. Fallen Gods: Sanctuary 12 FOLLOW HER VOICE Nine strangers, linked by the inner whisperings of a mysterious little girl. Each must piece together the origins of their other-worldly abilities and the location of the white manor, where they will be reunited, and the questions that have plagued their existence will finally be answered. But someone else marks their every step. The sinister Mr Cradleworth has other plans for them, plans that could bring about catastrophic consequences, not just for Earth, but the whole universe. This epic tale covers half the globe, as it follows each character into the darkest recesses of their soul. Combining eighties-style horror with science fiction, this dark fantasy will take you on a journey you will never forget. Fallen Gods: Infanticide FACE YOUR FEARS An ominous burning cloud covers the skies across the entire world. Scientists speculate on its origins and its purpose. Panic starts to spread like a disease as people prepare for the worst. Within the relative security of the manor’s walls, the first-born begin to come to terms with their true identity, all except Jerrico, who soon discovers that Cradleworth has enslaved his home town of Walton. Meanwhile, Kaleb convinces Celeste to allow him to take on an important but dangerous mission, one which could reveal Cradleworth’s end game. In this fast-paced sequel to Sanctuary 12, the fallen gods must go head to head with their evil nemesis in a battle to prevent ultimate destruction. The Fallen Gods Saga combines classic horror, sci fi and urban fantasy. The idea spawned from the author’s love of 70’s and 80’s horror. Like all good horror of that era, it deals with themes such as unrequited love, loneliness, transcendence, death, rebirth and transformation. Fallen Gods: Mind Over Matterless THE FINAL WAR BEGINS Divided and leaderless, the first-born must fight through the ruined landscape of the Urker invasion to reunite, enlisting human allies along the way. Meanwhile, Charles Cradleworth searches for his home and his identity under a cloud of amnesia. New loyalties are forged and armies are assembled on both sides for the final confrontation. In this dramatic conclusion to the Fallen Gods Saga, the first-born must triumph or become part of Cradleworth’s sadistic collection of souls.
Are you puzzled by the nature and system of Aidan Nicholss theological contribution? Are you looking for a way to renew your appreciation for Nicholss theological activity? Do you want to clarify your understanding of Nicholss anthropological view? Father Engoulou Paul discusses these and many others interesting matters in this book. He carefully analyzes the different layers on which Nichols posits his philosophical and theological principles of order. He explains historically each foundational step from which Nichols draws his public doctrine of man and God. He arrives at the conclusion that man arrives at a self-knowledge and the knowledge of God, to the extent that he makes use of practical, liturgical, and rational concepts and forms embedded in Philosophy, theology, and visual art. Designed to be primarily a scholarly treatment of Gods evidences into personal, communal nature of man, and the meaning of his life-work, this book is also a critical treatment of secularism and its attendants: liberalism, relativism and positivism.
It's wartime London. Inspector Gringall of the Yard, long-time friendly rival of private detective Slim Callaghan, sends Slim on a mission to meet Doria Varette, a torch singer at Ferdie's Place. Callaghan knows Gringall has something up his sleeve. And when, backstage, Doria asks him to take on a job - to find her boyfriend Lionel Wilbery, a poet with the wrong friends and a drug problem - Callaghan finds Gringall has more than a missing person in his sights.
This book has been done in a way and in a style that makes for very easy reading and understanding, even by those who have not been familiar with the deep changes going on in science. This is a fine piece of communication to the wider public and will be widely received.-The Reverend Professor T.F. Torrance.
This book is not a novel. It is not about religion. It is about the mystery of God and life as revealed to the author by God. The event recounted in the chapter headed "The Revelation" occured to the author when twenty-six years old. This book is intended for the consumption of all the people of the world regardless of their religious beliefs or lack of it.
FACE YOUR FEARS An ominous burning cloud covers the skies across the entire world. Scientists speculate on its origins and its purpose. Panic starts to spread like a disease as people prepare for the worst. Within the relative security of the manor’s walls, the first-born begin to come to terms with their true identity, all except Jerrico, who soon discovers that Cradleworth has enslaved his home town of Walton. Meanwhile, Kaleb convinces Celeste to allow him to take on an important but dangerous mission, one which could reveal Cradleworth’s end game. In this fast-paced sequel to Sanctuary 12, the fallen gods must go head to head with their evil nemesis in a battle to prevent ultimate destruction. The Fallen Gods Saga combines classic horror, sci fi and urban fantasy. The idea spawned from the author’s love of 70’s and 80’s horror. Like all good horror of that era, it deals with themes such as unrequited love, loneliness, transcendence, death, rebirth and transformation.
YOU LISTEN, YOU BLEED. After receiving the news that her younger sister has been rushed into hospital, teenager Jamie Miller is mortified to discover that her wounds may have been self-inflicted. With the help of her sister’s boyfriend, she unearths a dreadful plot involving Venom Records and the popular music mogul, Irwin Forrester. Jamie and Todd face a race against time to foil Venom Records before the new episode of their singing talent show airs to millions of unsuspecting viewers. Cherry Licks is a deliciously dark novella that takes a cynical sideswipe at pop music culture.
This book focuses on how chemical agents may affect the health of aging populations.
'Why are you making this about race?' This question is repeated daily in public and in the media. Calling someone racist in these times of mounting white supremacy seems to be a worse insult than racism itself. In our supposedly post-racial society, surely it’s time to stop talking about race? This powerful refutation is a call to notice not just when and how race still matters but when, how and why it is said not to matter. Race critical scholar Alana Lentin argues that society is in urgent need of developing the skills of racial literacy, by jettisoning the idea that race is something and unveiling what race does as a key technology of modern rule, hidden in plain sight. Weaving together international examples, she eviscerates misconceptions such as reverse racism and the newfound acceptability of 'race realism', bursts the 'I’m not racist, but' justification, complicates the common criticisms of identity politics and warns against using concerns about antisemitism as a proxy for antiracism. Dominant voices in society suggest we are talking too much about race. Lentin shows why we actually need to talk about it more and how in doing so we can act to make it matter less.