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For a year, a group of16 art students at the Milwaukee Institute of Art & Design walked the city of Milwaukee with sketchpads in hand. The 123 landmarks and scenes captured in the students' artwork and reproduced in the Milwaukee Sketchbook showcase the results of those artistic explorations.
Publisher's description: In this ambitious publication, some one hundred of the world's leading graphic designers and illustrators open up their private sketchbooks to offer a privileged glimpse into their creative process.
An-My Lê On Contested Terrain is the first comprehensive survey of the Vietnamese American artist, published on the occasion of a major exhibition organized by Carnegie Museum of Art, Pittsburgh. Drawing, in part, from her own experiences of the Vietnam War, Lê has created a body of work committed to expanding and complicating our understanding of the activities and motivations behind conflict and war. Throughout her thirty-year career, Lê has photographed noncombatant roles of active-duty service members, often on the sites of former battlefields, including those reserved for training or the reenactment of war, and those created as film sets. This publication includes selections from her well-known series Viêt Nam, Small Wars, 29 Palms, and Events Ashore, in addition to never-before-seen images, including recent photographs from the US-Mexico border, formative early work, and lesser-known projects. Essays by the organizing curator Dan Leers and curator Lisa J. Sutcliffe, as well as a dialogue between Lê and Pulitzer Prize-winning author Viet Thanh Nguyen, address the ways in which Lê's quiet, nuanced work complicates the landscapes of conflict that have long informed American identity. Copublished by Aperture and Carnegie Museum of Art
Matthew tells about himself in pictures in collaboration with another artist.
In her comprehensive study of American sketch writing, Kristic Hamilton gives new insight into the powers of mass-market intimacy more personal and home-like than home - and into leisure, which as a component of middle-class identity is quite as imperative in its achievement as disciplined morality. Here, also, is a more complex story of the aesthetic, as a class-inflected realm, in which factory women and rural and urban middle-class authors debate the shape of literature and life.
Follows Jeremy's adventures as he continues through adolescence, coping with parents, school, friends, and other aspects of everyday teenage life.
Presents a guide to creating illustrated meeting notes which diagram important ideas and people, with tips on drawing techniques.
You’re not going to find a more heartwarming dynamic duo than Pig and Mouse! Join Pig as he learns how to turn his “what if" worries from anxiety to optimism, all with the help of his loving friend Mouse. "Readers will certainly empathize with Pig and his emotions." —Kirkus “Hunter’s picture book will draw its audience with vibrant colors, oh-so-adorable characters, and plenty of silliness” –Bulletin of the Center for Children’s Books "Young readers will learn that being afraid is a common, temporary feeling, and that they can talk to others about it." —School Library Journal Mouse has never had a friend quite like Pig. Pig is so incredibly kind, fabulously fun, but he also has a big secret—he’s a tremendous worrier! When Pig gets the brilliant idea to throw a party for Mouse and their friends, he can’t help but think of everything that could possibly go wrong. After all, what if a lion eats all the invitations? What if nobody comes? Or worse, what if everyone comes and has an awful time? In this adorable story, Linzie Hunter’s charming, bright illustrations pair perfectly with her sweet and funny story about friendship and the endless wonder of "what if" that readers of all ages can relate to. This picture book is a great conversation starter in the home or classroom.