Download Free Miltons Good God Book in PDF and EPUB Free Download. You can read online Miltons Good God and write the review.

Few writers have achieved the synthesis of art and idea that was attained by John Milton in Paradise Lost. In that work the poet addressed one of the most important questions in philosophy and religion: How could God, if he is omnipotent and wholly good, have made a world in which there is so much evil? In this book Professor Danielson examines Paradise Lost, focusing on Milton's treatment of creation, chaos, predestination, free will, God's foreknowledge, the Fall of Man and the nature of human existence before the Fall. The author thereby not only lays a systematic foundation for understanding Milton's defence of the creator's justice and goodness but also explores how the literary character of that defence gives it a unique human vitality, dramatic consistency and logical coherence. Milton's Good God is an interdisciplinary study, which will lead the student of literature to a deeper appreciation of Paradise Lost while drawing the student of ideas to a fuller awareness of the importance of Milton's work for the fields of philosophy, theology and intellectual history.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"Literature and theology are inextricably intertwined in this study of the figure of God as a literary character in the writings of John Milton"--Provided by publisher.
God for Beginners covers a wide range of topics, including the basics such as "who is Jesus," "the Bible," "about God," and more controversial topics such as "religion and science." Down to earth and illustrated with lots of stories and examples, God for Beginners is a delightful introduction to a religion which has had a profound effect on our society and world.
In this first extensive Jungian treatment of Milton's major poems, James P. Driscoll uses archetypal psychology to explore Milton's great themes of God, man, woman, and evil and offers readers deepened understanding of Jung's profound thoughts on Godhead. The Father, the Son, Satan, Messiah, Samson, Adam, and Eve gain new dimensions of meaning as their stories become epiphanies of the archetypes of Godhead. God and Satan of Paradise Lost are seen as the ego and the shadow of a single unfolding personality whose anima is the Holy Spirit and Milton's muse. Samson carries the Yahweh archetype examined by Jung in Answer to Job, and Messiah and Satan in Paradise Regained embody the hostile brothers archetype. Anima, animus and the individuation drive underlie the psychodynamics of Adam and Eve's fall. Driscoll draws on his critical acumen and scholarly knowledge of Renaissance literature to shed new light on Jung's psychology of religion. The Unfolding God of Jung and Milton illumines Jung's heterodox notion of Godhead as a quarternity rather than a trinity, his revolutionary concept of a divine individuation process, his radical solution to the problem of evil, and his wrestling with the feminine in Godhead. The book's glossary of Jungian terms, written for literary critics and theologians rather than clinicians, is exceptionally detailed and insightful. Beyond enriching our understanding of Jung and Milton, Driscoll's discussion contributes to theodicy, to process theology, and to the study of myths and archetypes in literature.
This volume brings John Milton's Paradise Lost into dialogue with the challenges of cosmology and the world of Galileo, whom Milton met and admired: a universe encompassing space travel, an earth that participates vibrantly in the cosmic dance, and stars that are "world[s] / Of destined habitation." Milton's bold depiction of our universe as merely a small part of a larger multiverse allows the removal of hell from the center of the earth to a location in the primordial abyss. In this wide-ranging work, Dennis Danielson lucidly unfolds early modern cosmological debates, engaging not only Galileo but also Copernicus, Tycho, Kepler, and the English Copernicans, thus placing Milton at a rich crossroads of epic poetry and the history of science.