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Nobel laureate poet Czeslaw Milosz personal selection of 300 of the world's greatest poems written throughout the ages and around the world.
To find my home in one sentence, concise, as if hammered in metal. No to enchant anybody. Not to earn a lasting name in posterity. An unnamed need for order, for rhythm, for form, which three words are opposed to chaos and nothingness. -- Czeslaw Milosz
Andrzej Franaszek’s award-winning biography of Czeslaw Milosz—winner of the Nobel Prize in Literature—recounts the poet’s odyssey through WWI, the Bolshevik revolution, the Nazi invasion of Poland, and the USSR’s postwar dominance of Eastern Europe. This edition contains a new introduction by the translators, along with maps and a chronology.
This book is a survey of Polish letters and culture from its beginnings to modern times. Czeslaw Milosz updated this edition in 1983 and added an epilogue to bring the discussion up to date.
Milosz's poems move forward while attending to his past, and deal with how his Lithuania, and Europe at large, maintain their habit of partial memory and forgetting. In these poems, such as the sequence Lithuania. After Fifty-Two Years, Wanda (about the painter Wanda Telakowska), Sarajevo, Translating Anna Swir on an Island in the Caribbean, visible worlds exist and sensations of body and soul exist in memory, a living resource and not a nostalgia. Milosz remains aware of suffering but aware too, of the poet's duty to celebrate. Facing the River does not have the tone of finality, but of a restless seeking which finds.
Nobel laureate Czeslaw Milosz's most recent collection Second Space marks a new stage in one of the great poetic pilgrimages of our time. Few poets have inhabited the land of old age as long or energetically as Milosz, for whom this territory holds both openings and closings, affirmations as well as losses. "Not soon, as late as the approach of my ninetieth year, / I felt a door opening in me and I entered / the clarity of early morning," he writes in "Late Ripeness." Elsewhere he laments the loss of his voracious vision -- "My wondrously quick eyes, you saw many things, / Lands and cities, islands and oceans" -- only to discover a new light that defies the limits of physical sight: "Without eyes, my gaze is fixed on one bright point, / That grows large and takes me in." Second Space is typically capacious in the range of voices, forms, and subjects it embraces. It moves seamlessly from dramatic monologues to theological treatises, from philosophy and history to epigrams, elegies, and metaphysical meditations. It is unified by Milosz's ongoing quest to find the bond linking the things of this world with the order of a "second space," shaped not by necessity, but grace. Second Space invites us to accompany a self-proclaimed "apprentice" on this extraordinary quest. In "Treatise on Theology," Milosz calls himself "a one day's master." He is, of course, far more than this. Second Space reveals an artist peerless both in his capacity to confront the world's suffering and in his eagerness to embrace its joys: "Sun. And sky. And in the sky white clouds. / Only now everything cried to him: Eurydice! / How will I live without you, my consoling one! / But there was a fragrant scent of herbs, the low humming of bees, / And he fell asleep with his cheek on the sun-warmed earth."
The Nobel laureate's unfinished science fiction novel--available in English for the first time ever Awarded the Nobel Prize in literature in 1980, Czeslaw Milosz was one of the twentieth century's most esteemed poets and essayists. This outstanding translation of his only hitherto unavailable work is classic Milosz and a necessary companion volume for scholars and general readers seeking a deeper understanding of his themes. Written in the 1970s and published posthumously in Polish in 2012, Milosz's deliberately unfinished novel is set in a dystopian future where hierarchy, patriarchy, and religion no longer exist. Echoing the structure of The Captive Mind and written in an experimental, postmodern style, Milosz's sole work of science fiction follows four individuals: Karel, a disaffected young rebel; Lino, an astronaut who abandons his life of privilege; Petro, a cardinal racked with doubt; and Ephraim, a potential prophet in exile.
"I went on a journey in order to acquaint myself with my province, in a two-horse wagon with a lot of fodder and a tin bucket rattling in the back. The bucket was required for the horses to drink from. I traveled through a country of hills and pine groves that gave way to woodlands, where swirls of smoke hovered over the roofs of houses, as if they were on fire, for they were chimneyless cabins; I crossed districts of fields and lakes. It was so interesting to be moving, to give the horses their rein, and wait until, in the next valley, a village slowly appeared, or a park with the white spot of a manor in it. And always we were barked at by a dog, assiduous in its duty. That was the beginning of the century; this is its . I have been thinking not only of the people who lived there once but also of the generations of dogs accompanying them in their everyday bustle, and one night-I don't know where it came from-in a pre-dawn sleep, that funny and tender phrase composed itself: a road-side dog." --Road-Side Dog
Collects five decades of essays by the Nobel Prize-winning writer, covering topics including war, human nature, faith, communism, and Polish culture.