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With an introduction by award-winning author Alberto Manguel, Milongas is Edgardo Cozarinsky's love letter to tango, and the diverse array of people who give it life. From tango’s origins in the gritty bars of Buenos Aires, to milongas tucked away in the crypt of a London Church, a café in Kraków, or the quays of the Seine, Cozarinsky guides us through a shape-shifting dance’s phantasmagoric past. In neighborhood dance halls vibrant and alive through the early hours of the morning, where young and old, foreign and native, novice and master come together to traverse borders, demographics, and social mores, “it is impossible to distinguish the dance from the dancer.” As conspiratorial as he is candid, Cozarinsky shares the secrets and culture of this timeless dance with us through glimmering anecdote, to celebrate its traditions, evolution, and the devotees who give it life.
This collection features 40 dance pieces from the Caribbean and South America, including pieces by Ignacio Cervantes, Carlos Gomes, Juan Morel Campos, Ernesto Nazareth, Manuel Ponce, José Quintón, Manuel Saumell, and Alberto Williams.
A new collection by Argentine guitar virtuoso and composer Jorge Morel. This collection features solos by three renowned Latin composers plus two original solo guitar compositions by the author/compiler. All works are in the tango/milonga dance form and are presented in notation and tablature. Selections include: Don Agustin Bardi, by Horacio Salgan; Gallo Ciego, by Agustin Bardi; El Choclo, by Angel Villoldo; and Milonga del Viento and Otro Tango; Buenos Aires, by Jorge Morel. A companion CD featuring Mr. Morel's performance of each solo is included.
Begin your tango journey to Buenos Aires! Experience the tango dance halls (milongas), the dinner shows, tango bars, and restaurants that feature tango. Learn where the icons of tango are immortalized. Know where to dance and what is expected of the visitor who traverses the culture of tango. The author, a single woman traveling alone, visited Buenos Aries many times over many years. Recently, she lived there for a year, keeping a journal of her odyssey. She interviewed and taped milongueros to discover secrets of the dance and traditions that shaped their attitudes and behavior. Tango Lover's Guide to Buenos Aires is the author's memoir as well as a guide for tango aficionados who want to see, feel, and hear tango at every turn and on every corner. Whether you are on a mission to dance until it hurts, or you simply want to immerse yourself in the music and history of tango 24/7; this book shows you how to: - Visit tango hotspots online - Hit the ground dancing in 24 hours - Know what to expect at the milongas - Explore the barrios that give tango life - Learn Spanish words and phrases to negotiate the world of tango
Gotta Tango is your guide to the authentic Argentine tango. Master teachers Alberto Paz and Valorie Hart take you on a journey through the rich culture, history, and music of Buenos Aires that inspired the romantic passion, alluring creativity, and natural elegance of the Argentine tango dance. You will learn the fundamentals and roles each partner plays in this exhilarating and intimate social dance.
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Argentinean tango is a global phenomenon. Since its origin among immigrants from the slums of Buenos Aires and Montevideo, it has crossed and re-crossed many borders.Yet, never before has tango been danced by so many people and in so many different places as today. Argentinean tango is more than a specific music and style of dancing. It is also a cultural imaginary which embodies intense passion, hyper-heterosexuality, and dangerous exoticism. In the wake of its latest revival, tango has become both a cultural symbol of Argentinean national identity and a transnational cultural space in which a modest, yet growing number of dancers from different parts of the globe meet on the dance floor. Through interviews and ethnographical research in Amsterdam and Buenos Aires, Kathy Davis shows why a dance from another era and another place appeals to men and women from different parts of the world and what happens to them as they become caught up in the tango salon culture. She shows how they negotiate the ambivalences, contradictions, and hierarchies of gender, sexuality, and global relations of power between North and South in which Argentinean tango is—and has always been—embroiled. Davis also explores her uneasiness about her own passion for a dance which—when seen through the lens of contemporary critical feminist and postcolonial theories—seems, at best, odd, and, at worst, disreputable and even a bit shameful. She uses the disjuncture between the incorrect pleasures and complicated politics of dancing tango as a resource for exploring the workings of passion as experience, as performance, and as cultural discourse. She concludes that dancing tango should be viewed less as a love/hate embrace with colonial overtones than a passionate encounter across many different borders between dancers who share a desire for difference and a taste of the ‘elsewhere.’ Dancing Tango is a vivid, intriguing account of an important global cultural phenomenon.
Culture Works addresses and critiques an important dimension of the “work of culture,” an argument made by enthusiasts of creative economies that culture contributes to the GDP, employment, social cohesion, and other forms of neoliberal development. While culture does make important contributions to national and urban economies, the incentives and benefits of participating in this economy are not distributed equally, due to restructuring that neoliberal policies have wrought from the 1980s on, as well as long-standing social structures, such as racism and classism, that breed inequality. The cultural economy promises to make life better, particularly in cities, but not everyone can take advantage of it for decent jobs. Exposing and challenging the taken-for-granted assumptions around questions of space, value and mobility that are sustained by neoliberal treatments of culture, Culture Works explores some of the hierarchies of cultural workers that these engender, as they play out in a variety of settings, from shopping malls in Puerto Rico and art galleries in New York to tango tourism in Buenos Aires. Noted scholar Arlene Dávila brilliantly reveals how similar dynamics of space, value and mobility come to bear in each location, inspiring particular cultural politics that have repercussions that are both geographically specific, but also ultimately global in scope.
Poetry. Latinx Studies. Lucian Mattison's poetry collection, REAPER'S MILONGA, is one that holds Lorca's notion of duende at its core. The reader travels from places, both real and imagined, with the cloaked figure of Death as her guide. Poems range in subject matter, touching on politics, music, love, art, and cultural identity, all with vulnerability, mortality, and sensuality as the pistons driving the whole.
From the backstreets of Buenos Aires to Parisian high society, this is the extraordinary story of the dance that captivated the world - a tale of politics and passion, immigration and romance. The Tango was the cornerstone of Argentine culture, and has lasted for more than a hundred years, popular today in America, Japan and Europe. 'The Meaning of Tango' traces the roots of this captivating dance, from it's birth in the poverty stricken Buenos Aires, the craze of the early 20th century, right up until it's revival today, thanks to shows such as Strictly Come Dancing. This book offers history, knowledge, teachings and in-sights which makes it valuable for beginners, yet its in-depth analysis makes it essential for experienced dancers. It is an elegant and cohesive critique of the fascinating tale of the Tango, which not only documents its culture and politics, but is also technically useful.