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The boxing stories that inspired the Oscar-winning Clint Eastwood film: a New York Times Notable Book from “a heavyweight fiction contender” (Publishers Weekly). F. X. Toole knew boxing. Between bouts, he wrote, and two years before his death he published this collection of stories, giving readers an unprecedented look at the gritty life around the ring. He tells of a cutman with a sweet tooth, young fighters with dreams of celebrity, and a talented boxer who goes to Atlantic City for his biggest bout, only to be humiliated by the prejudices of a callous promoter. In “Million $$$ Baby,” the inspiration for the Oscar-winning Clint Eastwood film, an aged trainer takes on a female fighter, guiding her through disappointment, pain, and tragedy. And in “Rope Burns,” Toole realizes his epic vision, showing that even the purest fighter can succumb to the pressures of the world outside the sport. Throughout these stories, boxing’s violence is redeemed by the respect these men and women share, as they strap on gloves and prepare their bodies for the ultimate test. This ebook features an illustrated biography of F. X. Toole including rare images and never-before-seen documents from the author’s estate.
"Barbara Woolworth Hutton (November 14, 1912? May 11, 1979) was an American socialite, heiress and debutante, often dubbed "Poor Little Rich Girl" due to the fact that she was given a lavish and expensive debutante ball during the depression era and due to her troubled life."--Wikipedia.
Compassion, redemption, and love—don’t miss this classic story from #1 New York Times bestselling author Lisa Jackson! When Chandra Hill is awakened by a cry in the night, she is shocked to discover an abandoned newborn in her barn. She rushes him to the hospital, but as a former pediatrician her instincts have already kicked in. Before she knows it, she’s discussing options for the baby with the emergency room doctor, Dallas O'Rourke. Dallas finds himself bonding instantly with the baby—and with the intriguing woman who brought him in. Though Chandra and Dallas try not to get attached, as days pass without a blood relative coming to claim the baby, it becomes difficult to imagine their lives without the little boy. And when the baby’s story becomes national news, the two could realize that all they want is the family they've found. Previously published.
In this hard-hitting collection of powerful and moving tales, F.X. Toole breathes life into vivid, compelling characters who radiate the fierce intensity of the worlds they inhabit: An aging cut man with an incorrigible sweet tooth Fearless Maggie Fitzgerald and her quest to become a champion boxer Señora Cabrera who makes low-fat refried beans to keep a local fighter in top form
Dalia is in a dire need of money. To prevent being kicked out and living on the streets, she responds to an ad promising one million dollars. The only requirement? The applicant must be a fertile woman. Though Dalia is cunning and intelligent, she never thought she would fall for the man behind the ad. But is he even capable of loving her back?
Dalia is in a dire need of money. To prevent being kicked out and living on the streets, she responds to an ad promising one million dollars. The only requirement? The applicant must be a fertile woman. Though Dalia is cunning and intelligent, she never thought she would fall for the man behind the ad. But is he even capable of loving her back?
When Greek tycoon Nikos Theakis offered grieving Ann Turner a million dollars for his orphaned nephew, she took the money and walked away. Young, penniless and alone, Ann did what she thought was best—and it nearly broke her. But now little Ari needs her, and the ruthless Greek is offering Ann a bargain of a very different kind… One month on his island—at his mercy….
Interviews with the Oscar-winning director of Unforgiven and Million Dollar Baby
Million Dollar Quartet’ is the name given to recordings made on Tuesday December 4, 1956 in the Sun Record Studios in Memphis, Tennessee. The recordings were of an impromptu jam session among Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash.The events of the session. Very few participants survive. Includes interviews with the drummer and the sound engineer. A detailed analysis of the music played – and its relevance to subsequent popular music. The early lives and careers of the quartet – where they were in 1956. Relevant social and economic factors which meant that a massive audience of young people were keenly looking for a new kind of music they could call their own. The “reunions” of surviving members of the quartet. The emergence of the tapes, first on bootleg and then on legitimate CDs. The genesis of the stage show and its reception – the enduring appeal of the music.
One of the first women's organizations to mask and perform during Mardi Gras, the Million Dollar Baby Dolls redefined the New Orleans carnival tradition. Tracing their origins from Storyville-era brothels and dance halls to their re-emergence in post-Katrina New Orleans, author Kim Marie Vaz uncovers the fascinating history of the "raddy-walking, shake-dancing, cigar-smoking, money-flinging" ladies who strutted their way into a predominantly male establishment. The Baby Dolls formed around 1912 as an organization of African American women who used their profits from working in New Orleans's red-light district to compete with other Black prostitutes on Mardi Gras. Part of this event involved the tradition of masking, in which carnival groups create a collective identity through costuming. Their baby doll costumes -- short satin dresses, stockings with garters, and bonnets -- set against a bold and provocative public behavior not only exploited stereotypes but also empowered and made visible an otherwise marginalized female demographic. Over time, different neighborhoods adopted the Baby Doll tradition, stirring the creative imagination of Black women and men across New Orleans, from the downtown Trem area to the uptown community of Mahalia Jackson. Vaz follows the Baby Doll phenomenon through one hundred years with photos, articles, and interviews and concludes with the birth of contemporary groups, emphasizing these organizations' crucial contribution to Louisiana's cultural history.