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Immaterial/Ultramaterial, the second volume in the Millennium Matters series, investigates today's revolutionary new materials and methods of fabrication, and the profound impact they are having on the continuing evolution of architecture.
Historical photographs, plans, and elevations document the cultural and artistic flowering in New York.
Contemporary museum buildings are often pure manifestations of the architectural concepts of their designers, making them interesting not only as functional buildings, but as a seismograph of architectural culture as well.
A celebration of architecture from around the world profiling todays leading firms. The top one hundred firms.
Collects the best of Kamin's writings for the Chicago Tribune from the past decade.
The essential walking companion to more than two hundred cutting-edge buildings constructed since the new millennium. The first decade of the 21st century has been a time of lively architectural production in New York City. A veritable building boom gripped the city, giving rise to a host of new—and architecturally cutting-edge—residential, corporate, institutional, academic, and commercial structures. With the boom now waning, this guidebook is perfectly timed to take stock of the city’s new skyline and map them all out, literally. This essential walking companion and guide features 200 of the most notable buildings and spaces constructed in New York’s five boroughs since the new millennium—The High Line, by James Corner Field Operations/Diller Scofidio + Renfro; 100 Eleventh Avenue, by Ateliers Jean Nouvel; Brooklyn Children’s Museum, by Rafael Vinoly Architects; 41 Cooper Square, by Morphosis; Poe Park Visitors Center, by Toshiko Mori Architect; and One Bryant Park, by Cook + Fox, to name just a few. Projects are grouped by neighborhood, allowing for easy, self-guided tours, with photos, maps, directions, and descriptions that highlight the most important aspects of each entry.
Examines the influence of twentieth-century avant-garde movements on the contemporary architectural landscape through the work of “disruptors” such as Frank Gehry, Rem Koolhaas, and Zaha Hadid. With an irregular format designed by celebrated graphic designer Abbott Miller of Pentagram. In Architecture Unbound, noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian architecture. Explorations emerged in the 1970s, and built projects surfaced in the 1980s, taking digital form in the 1990s, with large-scale projects finally landing on the far side of the millennium. Architecture Unbound traces all of these developments and influences, presenting an authoritative and illuminating history not only of the sources of contemporary currents in architecture but also of the twentieth-century avant-garde and the twenty-first-century digital revolution in form-making, and profiling the most influential practitioners and their most notable projects, including Frank Gehry’s Guggenheim Bilbao and Walt Disney Concert Hall, Zaha Hadid’s Guangzhou Opera House, Daniel Libeskind’s master plan for the World Trade Center, Rem Koolhaas’s CCTV Tower, and Herzog and de Meuron’s Bird’s Nest Olympic Stadium in Beijing.
Here, from Pulitzer Prize–winning critic Paul Goldberger, is the first full-fledged critical biography of Frank Gehry, undoubtedly the most famous architect of our time. Goldberger follows Gehry from his humble origins—the son of working-class Jewish immigrants in Toronto—to the heights of his extraordinary career. He explores Gehry’s relationship to Los Angeles, a city that welcomed outsider artists and profoundly shaped him in his formative years. He surveys the full range of his work, from the Bilbao Guggenheim to the Walt Disney Concert Hall in L.A. to the architect’s own home in Santa Monica, which galvanized his neighbors and astonished the world. He analyzes his carefully crafted persona, in which an amiable surface masks a driving ambition. And he discusses his use of technology, not just to change the way a building looks, but to revolutionize the very practice of the field. Comprehensive and incisive, Building Art is a sweeping view of a singular artist—and an essential story of architecture’s modern era.
Topics covered within this set of conference proceedings include: structural analysis - theory and methods; structural design - concept, technique and codes of practice; structural forms - concept and application; and construction of structures.
"Upon opening on July 16, 2004, Chicago's Millennium Park was hailed as one of the world's most important millennium projects. Timothy Gilfoyle's biography of this phenomenal undertaking begins over a hundred years ago - when the site of the park was still part of Lake Michigan - and takes readers right up to the present day. Drawing on the author's comprehensive understanding of Chicago history, interviews with planners, artists, and public officials; and careful documentation of the park's financing and construction, Millennium Park is a thoroughly readable and illustrated testament to the park, the city, and all those attempting to think and act on a global scale. And underlying this history are revelations about the globalization of art, the use of culture as an engine of economic expansion, and the nature of political and philanthropic power."--BOOK JACKET.