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With the assistance of several scholars, including James M. McPherson and Gary Gallagher, and a long-time specialist in Civil War books, Ralph Newman, David Eicher has selected for inclusion in The Civil War in Books the 1,100 most important books on the war. These are organized into categories as wide-ranging as "Battles and Campaigns," "Biographies, Memoirs, and Letters," "Unit Histories," and "General Works." The last of these includes volumes on black Americans and the war, battlefields, fiction, pictorial works, politics, prisons, railroads, and a host of other topics. Annotations are included for all entries in the work, which is presented in an oversized 8 1/2 x 11 inch volume in two-column format. Appendixes list "prolific" Civil War publishers and other Civil War bibliographies, and the works included in Eicher's mammoth undertaking are indexed by author or editor and by title. Gary Gallagher's foreword traces the development of Civil War bibliographies and declares that Eicher's annotation exceeds that of any previous comprehensive volume. The Civil War in Books, Gallagher believes, is "precisely the type of guide" that has been needed. The first full-scale, fully-annotated bibliography on the Civil War to appear in more than thirty years, Eicher's The Civil War in Books is a remarkable compendium of the best reading available about the worst conflict ever to strike the United States. The bibliography, the most valuable reference book on the subject since The Civil War Day by Day, will be essential for college and university libraries, dealers in rare and secondhand books, and Civil War buffs.
Victor Hicken tells the richly detailed story of the common soldiers who marched from Illinois to fight and die on Civil War battlefields. The second edition of the 1966 classic includes a new preface, twenty-four illustrations, and a twenty-five-page addendum to the bibliography that provides many new sources of information on Illinois regiments.
Despite its important role in the early years of the Civil War, the Army of the Ohio remains one of the least studied of all Union commands. With All for the Regiment, Gerald Prokopowicz deftly fills this surprising gap. He offers an engaging history of the army from its formation in 1861 to its costly triumph at Shiloh and its failure at Perryville in 1862. Prokopowicz shows how the amateur soldiers who formed the Army of the Ohio organized themselves into individual regiments of remarkable strength and cohesion. Successive commanders Robert Anderson, William T. Sherman, and Don Carlos Buell all failed to integrate those regiments into an effective organization, however. The result was a decentralized and elastic army that was easily disrupted and difficult to command--but also nearly impossible to destroy in combat. Exploring the army's behavior at minor engagements such as Rowlett's Station and Logan's Cross Roads, as well as major battles such as Shiloh and Perryville, Prokopowicz reveals how its regiment-oriented culture prevented the army from experiencing decisive results--either complete victory or catastrophic defeat--on the battlefield. Regimental solidarity was at once the Army of the Ohio's greatest strength, he argues, and its most dangerous vulnerability.
In this magnificent biography, Jean Edward Smith skillfully reconciles the disparate, conflicting assessments of Ulysses S. Grant, confirming his genius as a general, but convincingly showing that Grant's presidential accomplishments were as considerable as his military victories. 40 photos.
Music was everywhere during the Civil War. Tunes could be heard ringing out from parlor pianos, thundering at political rallies, and setting the rhythms of military and domestic life. With literacy still limited, music was an important vehicle for communicating ideas about the war, and it had a lasting impact in the decades that followed. Drawing on an array of published and archival sources, Christian McWhirter analyzes the myriad ways music influenced popular culture in the years surrounding the war and discusses its deep resonance for both whites and blacks, South and North. Though published songs of the time have long been catalogued and appreciated, McWhirter is the first to explore what Americans actually said and did with these pieces. By gauging the popularity of the most prominent songs and examining how Americans used them, McWhirter returns music to its central place in American life during the nation's greatest crisis. The result is a portrait of a war fought to music.