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This volume sheds new light on the experience of ancient Greek warfare by identifying and examining three fundamental transitions undergone by the classical Athenian hoplite as a result of his military service: his departure to war, his homecoming from war having survived, and his homecoming from war having died. As a conscript, a man regularly called upon by his city-state to serve in the battle lines and perform his citizen duty, the most common military experience of the hoplite was one of transition – he was departing to or returning from war on a regular basis, especially during extended periods of conflict. Scholarship has focused primarily on the experience of the hoplite after his return, with a special emphasis on his susceptibility to Post-Traumatic Stress Disorder (PTSD), but the moments of transition themselves have yet to be explored in detail. Taking each in turn, Owen Rees examines the transitions from two sides: from within the domestic environment as a member of an oikos, and from within the military environment as a member of the army. This analysis presents a new template for each and effectively maps the experience of the hoplite as he moves between his domestic and military duties. This allows us to reconstruct the effects of war more fully and to identify moments with the potential for a traumatic impact on the individual.
This volume sheds new light on the experience of ancient Greek warfare by identifying and examining three fundamental transitions undergone by the classical Athenian hoplite as a result of his military service: his departure to war, his homecoming from war having survived, and his homecoming from war having died. As a conscript, a man regularly called upon by his city-state to serve in the battle lines and perform his citizen duty, the most common military experience of the hoplite was one of transition – he was departing to or returning from war on a regular basis, especially during extended periods of conflict. Scholarship has focused primarily on the experience of the hoplite after his return, with a special emphasis on his susceptibility to Post-Traumatic Stress Disorder (PTSD), but the moments of transition themselves have yet to be explored in detail. Taking each in turn, Owen Rees examines the transitions from two sides: from within the domestic environment as a member of an oikos, and from within the military environment as a member of the army. This analysis presents a new template for each and effectively maps the experience of the hoplite as he moves between his domestic and military duties. This allows us to reconstruct the effects of war more fully and to identify moments with the potential for a traumatic impact on the individual.
Brill’s Companion to Ancient Greek and Roman Warfare on Film is the first volume exclusively dedicated to the study of a theme that informs virtually every reimagining of the classical world on the big screen: armed conflict. Through a vast array of case studies, from the silent era to recent years, the collection traces cinema’s enduring fascination with battles and violence in antiquity and explores the reasons, both synchronic and diachronic, for the central place that war occupies in celluloid Greece and Rome. Situating films in their artistic, economic, and sociopolitical context, the essays cast light on the industrial mechanisms through which the ancient battlefield is refashioned in cinema and investigate why the medium adopts a revisionist approach to textual and visual sources.
This volume explores a broad range of perceptions, receptions and constructions of the soldierly body in the ancient world, putting the notion of embodiment at the forefront of its engagement with ancient warfare. The 10 chapters presented here respond directly to the question of how war was embodied in antiquity by drawing on detailed case studies to examine the sensory and bodily experience of combat across wide-ranging time periods and geographies, from classical Greece and Rome to Roman Britain and Persia. Together they illustrate how the body in war is a vital universal element that unites these vastly different contexts. Although the centrality of the human body in war-making was recognized in antiquity, a body-centric approach to combat has yet to be widely adopted in modern Classical Studies. This collection brings together new research in ancient history, classical literature, material culture, bioarchaeology and art history within a theoretical framework drawn from recent developments in War Studies that places the body front and centre. The new perspectives it offers on brutality in battle, the physical expression of warrior identity, and post-combat remembrance and recovery challenge readers to re-assess and expand their existing ideas as part of a broader ongoing 'call to arms' to revolutionize the study of ancient warfare in the 21st century.
This book examines the lasting impact of war on individuals and their communities in pre-modern Europe. Research on combat stress in the modern era regularly draws upon the past for inspiration and validation, but to date no single volume has effectively scrutinised the universal nature of combat stress and its associated modern diagnoses. Highlighting the methodological obstacles of using modern medical and psychological models to understand pre-modern experiences, this book challenges existing studies and presents innovative new directions for future research. With cutting-edge contributions from experts in history, classics and medical humanities, the collection has a broad chronological focus, covering periods from Archaic Greece (c. sixth and early fifth century BCE) to the British Civil Wars (seventeenth century CE). Topics range from the methodological, such as the dangers of retrospective diagnosis and the applicability of Moral Injury to the past, to the conventionally historical, examining how combat stress and post-traumatic stress disorder may or may not have manifested in different time periods. With chapters focusing on combatants, women, children and the collective trauma of their communities, this collection will be of great interest to those researching the history of mental health in the pre-modern period.
This volume fills a gap in current research on the Hellenistic Peloponnese, complementing and challenging traditional interpretations by adopting new perspectives on its complex social and political history. The resurgence of interest in the Hellenistic period brings the Peloponnese to the front in response to emerging trends in research. By examining aspects of the region's interstate relations, contemporary politics, and modes of representation, this volume explores current research on the region, creating a much more well-rounded picture of the Hellenistic Peloponnese and a rich basis for invigorating scholarly debate and inspiring further research. The chapters adopt interdisciplinary approaches, analysing a wide array of ancient evidence and material culture. As a result, the volume offers a renewed understanding of how socio-political transformations unfolded within the region. The contributors illuminate critical agents of the period, their interactions, material evidence, and political history both in and beyond the Peloponnese: from the Macedonian influence over the region since the 3rd century BCE and the rise of the Achaian Koinon to strategies of identity construction and memory politics wielded by local elites, and their manifestation in the material evidence. This volume will be a crucial reference point for graduate students and scholars interested in the region.
Revenge was an all important part of the ancient Athenian mentality, intruding on all forms of life - even where we might not expect to find it today. Revenge was of prime importance as a means of survival for the people of early Greece and remained in force as a ‘cultural emotion’ during the rise of the poleis, even when the socio-political situation allowed people to live together more peaceably. A key reason for this was the concept of revenge as ‘justice’, which survived strongly in Athens even after the rise of the law-courts. Only the radical thoughts of Plato suggested that revenge was immoral and did not constitute justice. Nevertheless, this does not mean that all forms of revenge were seen as equally acceptable in Athens. Through a close examination of the texts, a more complex picture of how the Athenian people viewed revenge emerges.
This book is a study both of anachronism in antiquity and of anachronism as a vehicle for understanding antiquity. It explores the post-classical origins and changing meanings of the term 'anachronism' as well as the presence of anachronism in all its forms in classical literature, criticism and material objects. Contrary to the position taken by many modern philosophers of history, this book argues that classical antiquity had a rich and varied understanding of historical difference, which is reflected in sophisticated notions of anachronism. This central hypothesis is tested by an examination of attitudes to temporal errors in ancient literary texts and chronological writings and by analysing notions of anachronistic survival and multitemporality. Rather than seeing a sense of anachronism as something that separates modernity from antiquity, the book suggests that in both ancient writings and their modern receptions chronological rupture can be used as a way of creating a dialogue between past and present. With a selection of case-studies and theoretical discussions presented in a manner suitable for scholars and students both of classical antiquity and of modern history, anthropology, and visual culture, the book's ambition is to offer a new conceptual map of antiquity through the notion of anachronism.
Exploring the representations of the war dead in early Greek mythology, particularly the Homeric poems and the Epic Cycle, alongside iconographic images on black-figure pottery and the evidence of funerary monuments adorning the graves of early Athenian elites, this book provides much-needed insight into the customs associated with the war dead in Archaic Athens. It is demonstrated that this period had remarkably little in common with the much-celebrated institutions of the Classical era, standing in fact much closer to the hierarchical ideals enshrined in the epics of Homer and early mythology. While the public burial of the war dead in Classical Athens has traditionally been a subject of much scholarly interest, and the origins of the procedures described by Thucydides as patrios nomos are still a matter of some debate, far less attention has been devoted to the Athenian war dead of the preceding era. This book aims to redress the imbalance in modern scholarship and put the spotlight on the Athenian war dead of the Archaic period. In addition, the book deepens our understanding of the processes which led to the establishment of first public burials and the Classical customs of patrios nomos, shedding significant light on the military, cultural and social history of Archaic Athens. Challenging previous assumptions and bringing new material to the table, the book proposes a number of new ways to investigate a period where many 'ancestral customs' were thought to have their roots.
This book offers a concise introduction to Xenophon, the Athenian historian, political thinker, moral philosopher and literary innovator who was also a pupil of Socrates, a military general on campaign in Persia, and an exile in residence in the Peloponnese during the late fifth and fourth centuries BC. Alive during one of the most turbulent periods in Greek history, Xenophon wrote extensively about the past and present. In doing so he not only invented several new genres, but also developed pointed political analyses and probing moral critiques. It is the purpose of this book to explore Xenophon's life, writing and ideas, and reception through thematic studies that draw upon the full range of his work. Starting with his approach to the past and to Socrates, it demonstrates how the depiction of events and people from previous times and places are inflected with contemporary concerns about political instability and the challenges of leadership, as well as by a 'Socratic' perspective on politics and morality. The following in-depth examination of Xenophon's theories concerning political organization and the bases for a good life highlight the interconnectivity of his ideas about how to live together and how to live well. Although Xenophon addresses conceptual issues, his writings provide a practical response to real-life problems. Finally, an evaluation of his significance as an inspiration to later writers in their creative interrogations of human affairs brings the investigations to a close. This book thus illuminates Xenophon's importance within the vibrant intellectual culture of ancient Greece as an active participant in and evaluator of his world, as well as his impact over time.