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Lately we published the “Manners, Customs, and Dress during the Middle Ages,” a necessary sequel to “The Arts of the Middle Ages.” To understand this important period of our history, we must, as was pointed out at the time, go back to the very source of art, and study society itself—the life of our forefathers. The volume of “Manners and Customs” initiated our readers into all the secrets of Civil Life; the present work treats of the Military and Religious Life of the same period. The subject is not wanting in grandeur, and we shall endeavour to throw into relief the two parallel forces—namely, the military and the religious life—which shaped the habits of the nation in the epoch of which our work treats. The influence of these forces was immense. Society was made up of barbarous nations and of the corrupt remnants of the heathen world. Conquerors and conquered had nothing to put in common, with a view to forming a new society, beyond their ruins and their vices. How was a state of things, higher and better than that which had gone before, to be created out of this shapeless mass? What principle of life was there powerful enough to evoke from amid this chaos modern Europe, with all its variety of forces and of glory, its influence and authority over the rest of the world? Religious life, aided by military power, has brought about such a creation, after all the misery and suffering preceding its birth. Gradually gaining a hold upon society, and elevating its ideas as the tie became closer, religious life endowed it with new manners, a new social life, a set of institutions of which it before knew nothing, and a character which raised it to a degree of moral grandeur which humanity had never as yet attained. Christianity civilised the barbarians; by unity of faith, it established political unity amongst peoples who were split up into hostile races—a result which would only have been arrived at in former days by the annihilation of nationalities, the dominion of the sword, and the force of oppression. History presents no spectacle more worthy of our attention than the steady and deep operation of this new principle of life infused into a society in a state of decay. This principle could only succeed in remoulding and directing the world by first assimilating men as individuals, and that amidst the excesses, the violence, and the disorders of a barbarism which, even after the lapse of centuries, would not allow itself to be crushed. But it was endowed with a persevering and indomitable energy. Consider how it affected everything, how it enlisted into its service all the forces which society from time to time placed at its disposal, or, to speak more correctly, permitted it to create! By means of the monastic orders, how many necessary works did it not accomplish? The soil was transformed by cultivation; bridges, dykes, and aqueducts were constructed in every direction; manuscripts were preserved in the monasteries; education was given in numberless schools, where the poor were taught gratuitously; the universities were made learned and prosperous; architecture was raised into a science; beneficent institutions were established and liberally endowed.
Excerpt from Military and Religious Life in the Middle Ages and at the Period of the Renaissance This transformation took place gradually and slowly, as being necessary and inevitable, by the continued and simultaneous enfranchisement of men and of land. The slave whom paganism, as it disappeared, handed over to the Christian religion, passed first from a state of servitude to a state of bondage, from bondage he rose to mortmain, and from mortmain to liberty. Under the influence of the bishops, legislation was formed upon the principles of Christian morality. In the great councils of the nation, and in the royal councils, they gave a Christian direction to the government of the country, and more than once preserved national unity from being broken up. The bishops, says Gibbon, constructed the French monarchy just as the bees construct the hive. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Art must be the faithful expression of a society, since it represents it by its works as it has created them -- undeniable witnesses of its spirit and manners for future generations. But it must be acknowledged that art is only the consequence of the ideas which it expresses; it is the fruit of civilization, not its origin. To understand the Middle Ages and the Renaissance, it is necessary to go back to the source of its art, and to know the life of our fathers; these are two inseparable things, which entwine one another, and become complete one by the other. - Preface.
Reprint of the original, first published in 1874.