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First published in 1987. War in the 18th century was a bloody business. A line of infantry would slowly march, to the beat of a drum, into a hail of enemy fire. Whole ranks would be wiped out by cannon fire and musketry. Christopher Duffy's investigates the brutalities of the battlefield and also traces the lives of the officer to the soldier from the formative conditions of their earliest years to their violent deaths or retirement, and shows that, below their well-ordered exteriors, the armies of the Age of Reason underwent a revolutionary change from medieval to modern structures and ways of thinking.
Using the ecosystem concept as his starting point, the author examines the complex relationship between premodern armed forces and their environment at three levels: landscapes, living beings, and diseases. The study focuses on Europe's Meuse Region, well-known among historians of war as a battleground between France and Germany. By analyzing soldiers' long-term interactions with nature, this book engages with current debates about the ecological impact of the military, and provides new impetus for contemporary armed forces to make greater effort to reduce their environmental footprint.
This book gives the reader a straightforward and continuous survey of the history of the French Foreign Legion. By outlining the Legion's vicissitudes, victorious campaigns, epic marches, heroic and sometimes hopeless stands, dirtiest combats and dramatic defeats, but also by briefly placing the Legion back in the historical background of France, and by describing its development, organization, uniforms, equipments and weapons, the author hopes to dispel myths, and try to give a true and accurate picture of what the French Foreign Legion has been from 1831 until today. There are well-researched, detailed line drawings throughout.
Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate - and what images would be desirable?
Papers from a round table held Aug. 9, 2000, in Oslo.
In July 1964, after four years of uneasy independence, the Democratic Republic of the Congo was engulfed by an armed rebellion that spread throughout the country like a bush fire. The rebel soldiers struck terror into the hearts of civilians and National Army soldiers alike. Faced with this situation, the Congolese government hired legendary mercenary leader Mike Hoare to quell the uprising and bring order to the country. In Congo Mercenary, Mike Hoare tells the true story of his resolute band of mercenaries during the Congo war. In fascinating detail, Hoare describes how the mercenaries were recruited and trained, and then recounts their adventures through four combat campaigns over an 18-month period during which they liberated Stanleyville, fought rebels in the hinterland, freed hundreds of European hostages and restored law and order to the Congo. Originally published in 1967, and now including a new foreword by Mike Hoare, Congo Mercenary is a well-written and historically important account of one of the most brutal rebellions in Africa, as well as an accurate and gritty depiction of the mercenary life.