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Miles of Stare explores the problem of nineteenth-century American literary vision: the strange conflation of visible reality and poetic language that emerges repeatedly in the metaphors and literary creations of American transcendentalists. The strangeness of nineteenth-century poetic vision is exemplified most famously by Emerson’s transparent eyeball. That disembodied, omniscient seer is able to shed its body and transcend sight paradoxically in order to see—not to create—poetic language “manifest” on the American landscape. In Miles of Stare, Michelle Kohler explores the question of why, given American transcendentalism’s anti-empiricism, the movement’s central trope becomes an eye purged of imagination. And why, furthermore, she asks, despite its insistent empiricism, is this notorious eye also so decidedly not an eye? What are the ethics of casting a boldly equivocal metaphor as the source of a national literature amidst a national landscape fraught with slavery, genocide, poverty, and war? Miles of Stare explores these questions first by tracing the historical emergence of the metaphor of poetic vision as the transcendentalists assimilated European precedents and wrestled with America’s troubling rhetoric of manifest destiny and national identity. These questions are central to the work of many nineteenth-century authors writing in the wake of transcendentalism, and Kohler offers examples from the writings of Douglass, Hawthorne, Dickinson, Howells, and Jewett that form a cascade of new visual metaphors that address the irreconcilable contradictions within the transcendentalist metaphor and pursue their own efforts to produce an American literature. Douglass’s doomed witness to slavery, Hawthorne’s reluctantly omniscient narrator, and Dickinson’s empty “miles of Stare” variously skewer the authority of Emerson’s all-seeing poetic eyeball while attributing new authority to the limitations that mark their own literary gazes. Tracing this metaphorical conflict across genres from the 1830s through the 1880s, Miles of Stare illuminates the divergent, contentious fates of American literary vision as nineteenth-century writers wrestle with the commanding conflation of vision and language that lies at the center of American transcendentalism—and at the core of American national identity.
"El Paso artist Tom Lea was commissioned by Life Magazine to paint the war as it was being experienced by U.S. and Allied soldiers, sailors, and airmen. Along with his sketchbook, Lea carried on these assignments his "record of work", a notebook in which he recorded observations and details on the images he hoped to create from the events he had seen." "Brendan M. Greeley, Jr. has collected virtually all of Tom Lea's firsthand accounts of his assignments for Life, along with his powerful sketches and unforgettable paintings, and placed them in context, along with photographs and research focusing on the people, places, and wartime events encountered by Tom Lea. Drawing on previously unpublished sources - the artist's diary, letters to the Texas historian J. Frank. Dobie, oral interviews, and archival materials from Texas and national collections - Greeley presents in The Two Thousand Yard Stare a uniquely comprehensive and sustained treatment of Lea's creative accomplishments during World War II." "This well-documented and astonishingly illustrated volume will fascinate those interested in the realistic depiction of war, in both images and words. Also a must-read for students, scholars, and collectors of the artist's work, The Two Thousand Yard Stare: Tom Lea's World War II is a brilliant compendium of the work and thought of one of America's most compelling painters and writers."--BOOK JACKET.
Now a major film, starring George Clooney, Ewan McGregor, and Jeff Bridges, this New York Times bestseller is a disturbing and often hilarious look at the U.S. military's long flirtation with the paranormal—and the psy-op soldiers that are still fighting the battle. Bizarre military history: In 1979, a crack commando unit was established by the most gifted minds within the U.S. Army. Defying all known laws of physics and accepted military practice, they believed that a soldier could adopt the cloak of invisibility, pass cleanly through walls, and—perhaps most chillingly—kill goats just by staring at them. They were the First Earth Battalion, entrusted with defending America from all known adversaries. And they really weren’t joking. What’s more, they’re back—and they’re fighting the War on Terror. An uproarious exploration of American military paranoia: With investigations ranging from the mysterious “Goat Lab,” to Uri Geller’s covert psychic work with the CIA, to the increasingly bizarre role played by a succession of U.S. presidents, this might just be the funniest, most unsettling book you will ever read—if only because it is all true and is still happening today.
The Arcadians, an ancient but dying alien race, genetically engineered their race to survive and interface with humans. These "Star Children" look, act and are human, but they are far more. The Human/Arcadian juveniles have dormant mental powers over the elements that begin to emerge at puberty. These DNA altered infants were dispersed to orphanages throughout the U.S. and Great Britain to develop as humans but awaken as Arcadians as adults. When many of these Star Children begin to be murdered while in government custody, it comes to the attention of the president. Horrified, he orders an investigation that leads to the unveiling of deep corruption within the government and military. The FBI discover a sinister plot to eliminate their only threat, the Star Children, and begin a war using aliens and advanced technology controlled by a secret human organization. It is about a war that should have ended over seventy years ago and an intricate and complicated plot devised and implemented over decades to achieve world domination. They have chosen now to launch their war. Some of the Star Children survive and band together and use their emerging powers to survive against the assault on them. As their powers grow they search out their benefactors in Antarctica to discover who they are. They learn they are the only force that can stand against the enemy. They collaborate with the US and Russian governments to uncover the plot and battle against this rogue waring force. This is a fast moving adventure with building mystery and many twists. Join the Star Children and their human allies in their battle to survive long enough to evolve and combat the enemy. Be there as they learn to use their evolving mental powers to manipulate the elements to survive, as they fight land and air battles and in their Investigative research to uncover the master plot and try to disrupt it.
Reproduction of the original: The Killer by Steward Edward White
Winner of the 2016 ICQI Outstanding Qualitative Book Award Acclaimed qualitative scholar Jane Speedy’s world was upended completely after suffering a severe stroke when only in her late 50s. After returning home from the hospital, Speedy took to her iPad to write and draw as a way of making sense of her experience and to aid her recovery. The stunning, fragmented, poetic text and images comprising Staring at the Park depict the events of this difficult journey. It provides an alternative model of engaging the self in a research project in an evocative and artistic way. This highly original book: -uses the seemingly ordinary motif of the park opposite the author’s house as the catalyst for a wildly creative autoethnography;-includes three narratives of the author’s experience of staring at the park—an imagined murder mystery in the park, a realist ethnography of the park, and the life story (both imagined and real) of her facing her illness and recovery; -offers readers a poetic and performative inquiry into the author’s new reality.
In 1846, young widow Mariel survived the grueling voyage from Germany to start a new life in the "promised" land of ?Texas. Forced by circumstances to become a servant, Mariel is now determined to leave her harsh master. But how can a single woman face the frontier on her own? Texas Ranger Carson Quinn is responsible for leading Mariel's party of German immigrants safely through dangerous Comanche-held territory. As he watches Mariel hold her head high in spite of everything, he knows he will do anything to protect her. But war is brewing: Mexico will not accept the U.S. annexation of the young Texas Republic without a fight. Honor bound to defend Texas, Carson's deepest longing is to lay down his rifle and forge a future with Mariel. As he struggles to determine God's path for him, Mariel watches the man she loves torn in two. Will the tide of history keep them from giving their love a chance?